Transcript Document

‫אוצרות אמנות מקוונת‪ :‬אליטיזם או פופוליזם? (דו‪-‬שיח)‬
‫סוזן חזן‬
‫אוצרת למולטימדיה‬
‫ומנהלת משרד האינטרנט‬
‫מוזיאון ישראל‪ ,‬ירושלים‬
‫ופרופ' שיזף רפאלי‬
‫ראש המרכז‬
‫המרכז לחקר חברת המידע‬
‫אוניברסיטת חיפה‬
‫לאן תפנה בכדי למצוא אמנות?‬
‫אנה תלך כדי לאתר אמנות ברשת?‬
‫האם יהיה זה אפשרי לאתר אמנות בגוגל בלבד?‬
‫כמה נוח ויעיל יהיה זה שמישהו אחר יברור למענך‬
‫אמנות מתוך ההיצע האינסופי‬
Leonardo da Vinci The Last Supper 1498
Tempera on plaster 460 x 880 cm (15 x 29 ft.)
Convent of Santa Maria delle Grazie, Milan
‫שכפול‬
‫העתק‬
‫דימוי‬
‫אותנטי‬
‫מקור‬
‫תמונה‬
Walter Benjamin’s
Art in an Age of Mechanical Reproduction
‫וולטר בנימין‬
‫יצירת האמנות בעידן השעתוק המכני‬
‫שכפול‬
‫אמיתי‬
‫דימוי‬
‫העתק‬
‫הילה ‪Aura‬‬
‫שחזור‬
‫אותנטי‬
‫שעתוק‬
‫המקור‬
Virtual museums
Museum in progress Vienna
Museo Morandi Bologna
Artmuseum.net The history of multimedia
The Digital Art Museum London
Sigmund Freud Museum Vienna
Freud Museum London
Museum Dr. Guislain Ghent
Dr. Hugo Museums of the Mind Antwerp
The Alternative Museum New York
The Joseph Brodsky museum St. Petersburg
The Museum of Jurassic Technology Los Angeles
Prehistoric Art Kemerovo
Nobel e-Museum Sweden
Virtual Colour Museum Zurich
REAL
BORN
ART
DIGITAL
ImageBase Basics
Everything in the ImageBase is from the collections of the Fine
Arts Museums of San Francisco (the de Young Museum and the
Legion of Honor).
Approximately 12,000 artists are represented in the ImageBase
The ImageBase contains images of 82,000+ objects.
Edouard Manet,
Portrait of Charles Baudelaire
Full Face, from the book Charles Baudelaire,
sa vie et son oeuvre (Charles Baudelaire,
His Life and His Work) by Charles Asselineau
(Paris: Lemerre, 1869), 1865
French, 1832 – 1883
Etching on Chinese paper
9.7 x 8.1 cm (image) inches
Bruno and Sadie Adriani Collection
1957.106
Claude Monet, French, 1840 - 1926
Waves Breaking, 1881, oil on canvas, 23 1/2 x 32 (59.7 x 81.3 cm)
MUVA
INTRODUCTION & BACKGROUND
The Museum of Jurassic Technology in Los Angeles,
California is an educational institution dedicated to
the advancement of knowledge and the public
appreciation of the Lower Jurassic.
Like a coat of two colors, the Museum serves dual
functions. On the one hand the Museum provides
the academic community with a specialized
repository of relics and artifacts from the Lower
Jurassic, with an emphasis on those that
demonstrate unusual or curious technological
qualities. On the other hand the Museum serves the
general public by providing the visitor a hands-on
experience of "life in the Jurassic"....
THE THUMS
GARDENERS & BOTANISTS
__ Part V __
THUM'S ARK
During the ten years in which the
Thums had inhabited South Platt, their
house
and
garden
had
become
renowned as Thum's Ark throughout the
county and, in fact, the entire state. The
location of their property has recently
been established with some precision by
Herbert Kannot. The house lay on the
line of the present South Platt Road,
within about a quarter acre of garden. A
small orchard of some seven or eight
trees lay close by the garden.
Ashmole Museum, University of Oxford
Tradescant Ark
John Tradescant was Stuart Britain's top gardener at a time when previously unknown species of plant
were being brought back from newly accessible parts of the world and the cultivation of nature was
recognised as an art. He created gardens for a series of aristocratic employers and eventually for
Charles I, taking up a post as "keeper of His Majesty's gardens, vines and silkworms".
Our planet's rain forests - rich matrices of life which exist primarily in tropical
regions - provide us with unique opportunity to observe life in all of its
manifold and perplexing beauty. Most rain forests date back some two to
three hundred million years. This extreme age has allowed many unusual
and complex relationships to develop among the inhabitants of these tropical
ecosystems.
In the rain forest of the Cameroon in West Central Africa lives a floor
dwelling ant known as Megaloponera foetens, or more commonly, the stink
ant. This large ant - one of the very few to produce a cry audible to the
human ear - lives by foraging for food among the fallen leaves and
undergrowth of the extraordinarily rich rain forest floor.
On occasion one of these ants, while looking for food is infected by inhaling
a microscopic spore from a fungus of the genus Tomentella. After being
inhaled, the spore seats in the ant's tiny brain and begins to grow, causing
changes in the ant's patterns of behavior. The Ant appears troubled and
confused; for the first time in its life the ant leaves the forest floor and begins
to climb.
Driven on by the growth of the fungus, the ant embarks on a long and
exhaustive climb. Completely spent and having reached a prescribed height,
the ant impales the plant with its mandibles. Thus affixed, the ant waits to
die. Ants that have met their ends in this fashion are quite common in some
sections of the forest.
The fungus continues to consume first the nerve cells and finally all the soft
tissue that remains of the ant. After approximately two weeks a spike
appears from what had been the head of the ant. This spike is about an inch
and a half in length and has a bright orange tip heavy with spores which rain
down onto the rain forest floor for other unsuspecting ants to inhale.
MEGOLAPONERA
FOETENS
STINK ANT OF THE
CAMEROON OF WEST
CENTRAL AFRICA
The Museum would not stand as it is today without their generous assistance.
The Ahmanson Foundation
The Liberty Hill Foundation
The Annenberg Foundation
The Los Angeles County Arts Commission
The Andy Warhol Foundation
The Lannan Foundation
Art Matters
Los Angeles Cultural Affairs Department
The Bohen Foundation
The MacArthur Foundation
The California Arts Council
The Nathan Cummings Foundation
The California Community Foundation
The National Endowment for the Arts
The Christensen Fund
National State County Partnership
Creative Capital
The Ralph M. Parsons Foundation
The Cultural Affairs Department
The Peter Norton Family Foundation
The Deering Foundation
The Pasadena Art Alliance
Furthermore, a program of the J.M. Kaplan Fund
The Peter S. Reed Foundation
The Getty Grant Program
The Seaver Foundation
The Hyden Foundation
The Trust for Mutual Understanding
The LEF Foundation
ICOM Definition of a Museum
A museum is a non-profit making, permanent institution
in the service of society and of its development, and open
to the public, which acquires, conserves, researches,
communicates and exhibits, for purposes of study,
education and enjoyment, material evidence of people
and their environment.
Modifications to the ICOM Statutes adopted by the General Assembly
in Barcelona on Friday 6th July 2001 now include
Cultural centres and other entities that facilitate the
preservation, continuation and management of tangible
or intangible heritage resources (living heritage and
digital
digital creative
creative activity)
activity
<http://www.icom.org/statutes.html>
.
museum
On Monday, 10 September 2001 The ICANN Board unanimously adopted a
resolution empowering the ICANN President to sign the agreement between
ICANN and MuseDoma establishing dot-museum.
www.israel.jerusalem.museum
ART
BORN
DIGITAL
<net.art>
Web-based applications
Copyright
Net real estate
Web architecture
Curatorial methodology
Vocabularies
Conservation and documentation
Institutional affiliations
Authentication and validation...
"Interactivity, Connectivity, Computability".
Steve Dietz
"interactivity and generativity, connectivity
and multimediality"
Susanne Jaschko - TRANSMEDIALE.DE
"A time and process-based media and practice, existing in
distributable formats, freed from the need to be presented in
physical venues".
Lucy Kimbell – New Media Art, 2004
"moving electrons"
Johannes E Goebel ZKM Karlsruhe
Lev Manovich,
The Death of Computer Art [Online], 1996 [revised 2001].
Duchamp-land
The art world -- galleries, major museums, prestigious art
journals as in analogy with Disneyland.
Turing-land
The world of computer arts, as exemplified by ISEA,
Ars Electronica, SIGGRAPH art shows, etc.
Marcel Duchamp
1887-1968
French-born
American Artist
Dadaist
Surrealist
Conceptual
Ready-mades
Fountain, 1917
Bicycle Wheel. 1951 (third version, after lost original of 1913)
Alan Turing
Cryptographer, mathematician, and founder of computer science,
who invented a concept of a type of computer, called a
"Turing Machine” presented in a paper in 1936-7.
A function is computable if a Turing machine can compute it.
Production
performance - icons - text - browsers - spam-art - e-mail - software - code - algorithms - video - audio
Distribution
websites - cell phones - discourse - CD/DVD - performance - chat - SMS - PDA’s - e-mail - proprietary software
Consumption
home - schools - galleries - web-zines – festivals - competitions – media centres - conferences - discussions lists
Consumer
World's First Collaborative Sentence World's First Collaborative Sentence World's First Collaborative Sentence World's First Collaborative Sentence
Douglas Davis - The
World's First Collaborative Sentence
How to Join in Making the World's First Collaborative Sentence
WRITE, PERFORM, OR SING ANYTHING YOU WISH TO ADD IN
WHATEVER LANGUAGE YOU LOVE TO THIS COLLABORATIVE WORK,
JOINING HANDS AND MINDS WITH YOUR SISTERS AND BROTHERS OF
WHATEVER RACE, REGION, OR BELIEF ANYWHERE IN THE WORLD....
http://ca80.lehman.cuny.edu/davis/writesentence.html
World's First Collaborative Sentence World's First Collaborative Sentence World's First Collaborative Sentence World's First Collaborative Sentence
Douglas Davis - The World's First Collaborative Sentence
Unveiled on December 7, 1994
1995 - Kwangju Biennale,Korea
1995 - School of Visual Arts' "Digital Salon" internationally tour
1999 - Zentrum fur Kunst und Medientechnologie (ZKM),Karlsruhe,
Germany "net.condition"
The GRAMMATRON project is a "public domain narrative
environment" developed by virtual artist Mark Amerika in
conjunction with the Brown University Graduate Creative Writing
Program and the National Science Foundation's (NSF) Graphics
and Visualization Center
Launched - 1997 Ars Electronica
"Fleshfactor" Festival Linz, Austria
GRAMMATRON has been exhibited at over
40 international venues
Ars Electronica Festival
International Symposium of Electronic Art
SIGGRAPH 98
"Beyond Interface"
Adelaide Arts Festival "FOLDBACK" show in
South Australia
Virtual Worlds conference in Paris
International Biennial of Film and Architecture
in Graz
http://www.grammatron.com/index2.html
How To Be An Internet Artist
Mark Amerika
1.
Create a fictional identity.
2.
Begin the branding process by turning this fictional identity into your domain name.
3.
Register your domain name and set up an account with an Internet service provider (ISP).
4.
Build a site-specific narrative mythology out of bits of data and then use the ISP to distribute this data
to the niche markets that are waiting to form (digitally converge).
5.
Develop unobtrusive e-commerce solutions that will enable your niche market to electronically
purchase the products of your labor.
6.
While continuing to build brand-name identity, do anything within your power to produce revenues
that can easily be attributed to the success of your site-specific narrative mythology.
7.
Reinvest all of the revenues you generate back into the research and development of your sitespecific narrative mythology (as distributed from your fictional domain).
8.
Use highly subversive marketing skills to attract attention to the fact that you are producing income
from your narratological presence, and successfully transform that attention into its own media-virus
or cultural meme that solidifies your brand-name as one of the industry leaders.
9.
Achieve all of the previous eight goals in less time than it takes to develop a passionate sexual
relationship with someone you love.
10.
Launch your IPO.
http://www.altx.com/amerika.online/amerika.online.5.7.html
Mark Napier
http://www.potatoland.org/p-soup/
net.flag -- A flag for the internet
http://netflag.guggenheim.org/netflag/
Mark Napier - concept, design and java programming
Liza Sabater - editor, research
Josep Arimany Piella - research assistant
Zach Lieberman - java programming
net.flag was commissioned by the Solomon R. Guggenheim Museum for
acquisition into their permanent collection.
Tap, James Buckhouse and Holly Brubach, 2001
A dancer will practice, make mistakes and eventually master a series of
sixteen moves, which can be recombined and exchanged to create virtually
limitless choreography.
http://www.diacenter.org/buckhouse/
IDEA LINE by
Martin
Wattenberg
The IDEA LINE
displays a timeline
of net artworks,
arranged in a fan
of luminous
threads, mapping
lines of thought
through time.
http://whitney.org/artport/
Date : September 4 ~ October 10, 2002
Wireless Art Project 1 <Watch Out!>
Place : Art Center Nabi, Korea
'Watch Out!' is an experimental artwork for sharing
one another's thoughts using new ways of
communicating such as wireless technology and
the internet.
'Watch Out!' is displayed at Art Center Nabi and
on the street in front of three branches of TTL
Zones in order to characterize the mobility of
wireless technology.
The participants communicate by sending SMS
message or emails on the website www.watchout.net. These messages are displayed on the
monitor in the box on the street. 'Watch Out!', as a
communicating window, connects people and
makes them share their thoughts.
The eyes looking inside of the box are projected
onto the screen facing the street. The eyes thus
look outside to the World.
Through these big eyes gazing at the public like
Big Brother in the novel '1984' by George Orwell,
the artist attempts to blur the boundary between
the inside and outside, and reformulate the
relationship between the watcher and the
watched.
Marie Sester
www.sester.com
Access
Ars Electronica 2003
Linz, Austria
ACCESS lets you track anonymous individuals in public places, by pursuing them with a robotic
spotlight and acoustic beam system.
ACCESS presents control tools generated by the surveillance technology combined with the advertising
and Hollywood industries, and the internet.
beware. Some individuals may not like the idea of being under surveillance.
beware. Some individuals may love the attention.
http://www.accessproject.net/archive.html
WEBBY AWARDS
Gravity - 2004
Dragan Espenschied
Art.Teleportacia artist in residence and his
the People's Voice at Webby Awards.
http://art.teleportacia.org/exhibition/GRAVITY
The report investigated measures of trust by asking:
To what extent, if at all would you tend to trust the information
provides by the following types of organisations?
Source <http://www.common-info.org.uk/docs/mori-report.pdf>
Space Art
While there are many artworks that refer to space, few artists have so far
investigated space directly as a unique context for the creation and
installation of work. Tate in Space is attempting to redress this as an intrinsic
part of its future programme, exploring the potential for artists residencies,
sci-art collaborations and new commissions in addition to developing
imaginative and appropriate ways in which Tate in Space may accommodate
existing works from Tate's collection.
Part of the research focuses on a practical investigation into issues of
conservation in a zero gravity, confined and non-renewable atmospheric
environment. What happens to a sculpture such as Richard Serra's Trip
Hammer (1988) when denied of the gravity that holds it in place? How might
this environment change the nature of works such as Cornelia Parker's Cold
Dark Matter: An Exploded View (1991)?