Transcript Final Portfolio

Nameplate
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Born June 22, 1939
Introduced to art by his father, who carved
wood
Studied at the Art Institute of Chicago
He was influenced by Picasso
Used his work to express how media
effected people, particularly in violence
and aggression
Featured many celebrities in his works
I used the rectangular marquee tool to
make the vertical and horizontal stripes
 I used the copy stamp tool to make the
zig zags in my hair
 I used the adjustment posterize on the
entire picture
 I used the paint brush to create the
outline around my head
 I used the magic wand to select parts of
my face to change the color
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Used loose, open brush work
Showed the impression of the light
Mostly outdoor paintings
More color than paintings of the time
Wanted to capture light at the different times of
day
Dashes and dabs formed the edges
Escher’s work
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What: Op art is art based around illusions, it usually gives the
impression of something moving or there being a hidden image.
When: The phrase ‘op art’ was coined in 1964 but artists had been
using it since 1938.
Where: Op art first became majorly popular in the United States
because of an art exhibit titled The Responsive Eye.
How: Op art is made through the use of hard edges, precise
craftsmanship and close color values to create the images that
Example of
seemingly moved.
Riley’s work
Who: Bridget Riley, Victor Vasarely, M.C. Escher
Vasarely’s Zebra
Red, yellow, and blue are
the primary colors
Orange, violet, and green
are the secondary colors
Complementary colors
are opposites, they are
red and green, blue and
orange, and violet and
yellow
Intensity is the brightness
of the color, to lower the
intensity, mix it with its
complement
Tint is any color plus white
Shade is any color plus
black
Warm colors are red,
yellow, and orange.
Cool colors are blue,
green, and violet
Warm colors
Cool colors
Analogous colors are
colors that sit side by side
on the color wheel and
have a common hue. For
example orange, yellow,
and green all have yellow
in common
Transforming one object into another; joining one or more objects in an
impossible way
Breaking up an image and joining it together in an unusual way
Changing an object or image by deformation, exaggeration,
simplification, or a progressive state of degradation
Using hidden images to obscure the quality of an object by camouflaging
Placing an object outside of its natural environment and into an unusual
setting
The Next Level of Performance Enhancing Drugs
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Who: Andre Breton, Salvador Dali, Max Morise, and
many, more
What: Surrealist paintings are made to be out of the
ordinary and surprise viewers
When: Began in the 1920s, still popular today
Where: Started in Paris and grew to all of Europe and
America
Why: They wanted to show their views on society
through art
How: Putting things in places they don’t belong,
putting 2 unlike things together
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Who: He is a British painter and photographer
What: He is known for his photo collages, taking multiple
pictures from different perspectives and putting them
together to form a complete image
When: Born in July of 1937, he started doing photo
collages in the 80s, still alive today
Where: He was born in England but has since moved to
Los Angeles
Why: He discovered photo collages on accident, he was
painting a room and had multiple pictures to work off of,
when he glued the pictures together he realized that the
composition it created worked well together
How: Taking multiple pictures of one subject from different
perspectives and at different times then putting them
together to form one scene