Transcript Introducing Mastey Hair Color System

Introducing Mastey Hair Color System
Hair Structure: Inner Fibers
Human hair is a complex structure
of many layers of fiber.
To understand the chemistry of hair color and appreciate the
uniqueness of the Mastey Hair Color System, we must first
travel farther inside the hair.
The atom is the smallest unit of molecular structures. Atoms
combine to form molecules. A protein molecule is a chain
of smaller units called amino acids.
These amino acids form a spiraling chain called the helix.
Seven of these helical coils chemically bond together forming
a protofibril. Protofibrils join together to form the microfibril,
which are bonded into macrofibrils, and the macrofibrils
associate to form the cortical fibrils, or bundles
Hair Structure: Inner Fibers (continued)
Hair complex structure.
All these fibers twisting and bonding together create the cortex of
the hair, which is protected by the translucent outermost layer
of the hair, the cuticle.
against any
to the hair.
condition
utmost
products.
The cuticle consists of 7 to 10 layers of cuticle
cells. It is the first line of defense
physical or chemical damage
Because of its armor-like structure, the
of the cuticle has always been of the
concern in the formulation of hair care
As we discuss the Mastey Hair Color System, we will refer to this
basic hair structure section in order to better understand the
superior formulation and function of Mastey products.
Characteristics of Hair
Texture: Fine, medium and coarse. Fine hair accepts color
faster, and is easier and quicker to lighten than coarse hair. Coarse
hair is more resistant to color processing
Density: Dense hair needs more hair color product to properly
cover all hair. To avoid lighter lines of demarcation, make sure the
hair is not pressed against the scalp while processing.
Hair Porosity: Porous hair accepts color easier and also
may release color faster. Holds moisture and liquid, and accepts
coolness while rejecting warmth. Dry, non-porous hair has the
tendency to resist color, and is more difficult to lighten.
Hair Tenacity: Tenacious hair is more difficult to color. The
tight cuticle structure makes it more resistant and difficult to
penetrate, and needs maximum processing time.
Hair Elasticity: Elastic hair has the ability to stretch and return
to its natural state. If the hair does not stretch, or is not in excellent
condition, it should be treated with Mastey SuperPac before
coloring to rebuild its structure.
Natural Hair Melanin Pigments
The wide range of natural hair pigments.
To the naked eye, hair looks as if it has an infinite variety of colors.
Under the video-microscope, however, it is as transparent as crystal.
Yet, each hair does seem to display color.
Hair has a natural color-producing factory, simply by varying the
proportion of only two melanin pigments; it can produce a surprising
diversity of shades. Only two melanin pigments give hair its color:
Eumelanin and Pheomelanin.
In all, there isn't more than 1% of melanin in each hair, even in the
darkest hair. While we know that melanin is what gives hair its color,
the range of natural variation remains astounding.
The wide range of natural hair colors is determined by the total
amount of melanin (either Eumelanin or Pheomelanin, or a mixture
of the two) present in the cortex of the hair fiber.
Natural Hair Melanin Pigments (continued)
The 2 types of melanin found in hair:
Eumelanin and Pheomelanin.
Eumelanin
(left)
Pheomelanin
(right)
Eumelanin is black to brown pigment.
Black to brown hair contains predominantly Eumelanin.
Pheomelanin is yellow to red pigment.
Blonde hair contains predominantly Pheomelanin.
Light brown hair contains a mixture of Eumelanin and Pheomelanin.
The less Eumelanin contained in the hair, the lighter the color.
Cross Section of Hair
Categories of Hair Color
Permanent, Semi-Permanent and
Temporary.
Permanent Hair Colors: are formulated with oxidation dyes,
which fall into two categories, primary intermediate (oxidation
base) and secondary intermediate (coupler). To generate color
using these products, at least one of each type must be
combined with a suitable oxidant under alkaline conditions.
A permanent color capable of lightening the hair’s natural
pigmentation will typically contain ammonia or another alkaline
ingredient, and will be used with hydrogen peroxide.
Permanent hair color has the ability to cover gray, and lift or
deposit color.
It can be mixed with variable volumes of peroxide to control the
lightening process.
Categories of Hair Color (continued)
Semi-Permanent Hair Dyes: are typically of low molecular
weight which are small enough to be infused into the hair shaft,
giving a color result lasting up to 4 to 6 weeks. The color
imparted using these dyes is inadequate to completely cover
gray/white hair, but the result is sufficient for them to blend in
with surrounding, darker hair.
Temporary Hair Colors: such as color enhancing
shampoos, do not alter the natural hair color and will only coat
the hair. They last between 2 to 4 shampoos.
Color Intensifiers: are formulated from direct dyes
(temporary colors). They are designed to help intensify or
correct the color tone level.
Components in Permanent Hair Color
There are 3 essential components in permanent
hair color: intermediate dyes, hydrogen peroxide
and ammonia.
Intermediate Dyes: These oxidative dyes are used to create
permanent hair color when combined with hydrogen peroxide and
ammonia.
Hydrogen Peroxide: Mastey’s Crème Developer is a stabilized
hydrogen peroxide formulated with lipids to prevent dehydration
to the hair structure during hair color process. Its gentle
conditioning formula supplies the oxidation needed to develop
the intermediate dyes (artificial pigment), and to decolorize
the natural pigment (melanin granules) in the cortex.
Components in Permanent Hair Color (continued)
Ammonia: helps retain the hydrogen peroxide molecule longer
in the hair to complete the development of artificial pigment to
produce the new hair color. Also it opens the cuticle to allow
the penetration of the hair color molecules.
The amount of ammonia varies from level to level system. Darker
levels of artificial pigment have less ammonia and more pigment.
Therefore their lifting ability is low. Lighter levels contain more
ammonia and less pigment and more lifting ability.
The same applies to natural hair levels. Darker natural shades
contain more pigment than lighter natural shades.
To achieve correct lift when starting from darker natural levels,
a higher developer may be required
What Is Peroxide?
Water (H2O) + Oxygen (O) = H2O2
Peroxide: How it works
Mastey Crème Developer
10, 20, 30, 40, 50 and 60 volume
Peroxide needs time to first lift the natural pigment while
oxidizing the intermediate dyes (artificial pigment), then
needs at least 15 minutes of deposit time.
The dye molecule needs 35 to 40 minutes to develop
into a permanent color. However, when depositing color
using 10 volume (3%), the time needed to lift is
approximately 12 to 15 minutes plus 15 to 20 minutes to
deposit.
Depending on the color chosen, 10 volume lifts
approximately 1 level, 20 volume lifts approximately 2
levels, and 30 volume lifts approximately 3 levels.
Peroxide: For higher lifting
We recommend using
Crème Developer 40, 50 and 60 only
with Mastey Teinture hair color.
Level 10
When used on natural level 7 and up, the Teinture high lift
10 and 11 color series mixed with Mastey Crème Developer
50 and 60 can provide you with the maximum lift in single
process blonding.
The use of variable volumes of peroxide in hair coloring
was created by Henri Mastey. It is the only reliable and nonrestricted system that allows the colorist to achieve
consistent and precise color results.
Level 7
Altering Natural Pigment
Remaining pigment:
When lightening hair with permanent hair color or lighteners, the first
primary color to be removed is blue, this exposes the red and yellow
(warmer) tones.
This remaining warm pigment is crucial to hair color because it
determines the color selection when coloring or lifting.
The remaining warm pigment changes from level to level, varying
shades of red/brown are seen when lifting from darker levels.
Working with the color wheel you may choose to either neutralize or
enhance the remaining pigment.
To enhance remaining pigment, choose a color by working
around the wheel.
To neutralize the remaining pigment, choose it’s complementary
(opposite) color. Always remember that the remaining pigment has the
ability to override artificial pigmentation.
Table of Remaining Pigment
Level Number & Name
Shade Description
Remaining Pigment
11
Ultra Light Blonde
Super Ultra Light Blonde
Very Pale Yellow
10
Very Light Blonde
Ultra light Blonde
Pale Yellow
9
Light Blonde
Pale Blonde
Yellow
8
Medium Blonde
Light Blonde
Yellow-Orange
7
Dark Blonde
Medium Blonde
Orange
6
Light Brown
Dark Blonde
Orange-Red
5
Medium Brown
Light Brown
Red-Orange
4
Dark Brown
Medium Brown
Red-Violet
3
Darkest Brown
Dark Brown
Violet
2
Brown/Black
Deep Brown
Blue-Violet
1
Black
Black
Blue
Double-Process Bleaching
Hair color alone cannot accomplish the amount of lift
necessary when used on natural lower levels.
Bleach is designed to break down the melanin granules
(natural pigment) through stages to reach the lightest level.
However, the bleach does not stop on its own. It continues
processing and may cause breakage if not stopped when the
desired level has been reached.
Double-Process Bleaching (continued)
A thicker bleach mixture works faster than thinner
bleach mixture and prevents overlapping during
retouch application.
If breakage has been observed before a bleach
retouch, apply Mastey Moisturée to protect previously
lightened hair.
Avoid adding more peroxide to the bleach as it dilutes
the ammonia content and slows the lift.
The volume of peroxide used will determine how long
the bleach will continue to lift (the maximum lifting
time is 60 minutes).
Always pre-lighten to one level lighter than the desired
level when toning. The palest yellow is the ideal level
for toners.
Teinture Zero Ammonia Permanent Color
Teinture Zero Ammonia Permanent Color
Come to the next generation in hair color…
and breathe easy!
Created by Henri Mastey, Teinture, the first Tri-Base
ammonia-free permanent hair color, has become the new choice
of client-conscious colorists worldwide.
Teinture is the only zero ammonia permanent hair color
formulated with the most powerful antioxidant complex derived
from grapeseeds Procyanidins UV protectant, and the NMF
(Natural Moisturizing Factor), a natural lipid to condition your hair
so it takes color better and holds it longer from root-to-tip.
This unique Mastey complex penetrates deep into hair fibers
to help protect the hair’s inner structure during color processing,
inhibits UV induced cell toxicity, and has instant anti-irritation
effects.
Teinture Zero Ammonia Permanent Color
Mastey Hair Color System uses a proprietary blend of dyes
inspired by the latest trends in fashion hair color. These oxidation dyes
are typically colorless, low molecular weight materials which are small
enough to infuse into the hair shaft where they oxidize and combine
to generate a larger, colored molecule trapped inside the cortex.
A permanent, longer-lasting result is achieved with 100%
gray coverage.
Mastey is committed to excellent product quality and technical support.
All our products are formulated and manufactured to the highest
standards in our fully FDA approved lab in Santa Clarita, California.
Teinture new generation hair color helps protect the health of stylists,
the client’s hair from unnecessary damage…and the salon
environment from the polluting fumes of ammonia.
Fade-resistant Teinture is available in over 60 luxurious shades rich
brunettes, sophisticated reds, brilliant auburns, chocolate, tobacco and
remarkable blondes that can be intermixed for infinite color creations.
Teinture Amplifier Series
Amplifiers are totally different from intensifiers (direct
dyes). They are uniquely formulated with oxidative
intermediate dyes. They process just like permanent
color, last as long as permanent hair color, and help
intensify, improve or correct the tone value.
They can be mixed directly into your formulas for intense
and vivid tone results, and can be used up to 50% of
the total formula.
Amplifiers can also be used alone on dark, blonde or
pre-lightened hair to create the most brilliant
fashion trend shades.
Teinture Amplifier Series
07
(continued)
Deep Blue adds blue tone to natural, ash, red and beige series
42 Deep Violet adds violet tone to natural and ash series, and coolness
to red and beige series
44 Deep Copper adds warmth to natural and gold tone, a strong copper
tone to red and extra warmth to beige series
64 Fiery Copper adds copper/orange tone to natural, gold, red and
beige series
66
Intense Red adds cool red tone to natural, gold, red and beige series
67 Red Cherry adds red/orange tone to natural, gold, red and beige
series
73 Intense Gold adds warm yellow tone to soften copper, gold, and red
series, and adds warmth to beige series
Teinture Numbering System
Teinture with its superior high lift technology gives the proficient
stylist the possibility to produce maximum lift in a single
process, and to create precise, longer-lasting color.
The Mastey Hair Color numbering system is based on the
International Color Code (ICC) which allows the stylist to identify
each shade by its level and tone.
The level is a measuring system of depth, from dark to light. It
determines the darkest to the lightest of natural hair color. The
Teinture numbering system is divided into 10 levels, from one (1)
to ten (10), with the darkest shade, Black, being level 1, and the
lightest shade, Pale Blonde, being level 10.
Teinture Numbering System
(continued)
The first number to the left of the decimal point indicates the level.
The second and third numbers to the right of the decimal point
indicate the tone.
Example A:
5.3
Teinture - 5.3 “Light Golden Brown”
The first number 5 is the level “Light brown” and the second number
3 is the “Golden” tone.
Example B:
Teinture - 8.63 “Golden Henna”
The first number 8 is the level, the second number 6 is the primary
tone “Copper” and the third number 3 is the secondary tone “Golden”.
8.63
Teinture Numbering System
(continued)
Teinture tone numbers are as follows:
0 = Neutral
1 = Ash
2 = Violet
3 = Golden
4 = Orange
5 = Red
6 = Copper
7 = Blue
Teinture Natural Tones
Natural tones enhance existing natural
highlights in the hair.
T - 10.0
Ultra Light Blonde
T - 9.0
Pale Blonde
T - 8.0
Light Blonde
T - 7.0
Medium Blonde
T - 6.0
Dark Blonde
T - 5.0
Light Brown
T - 4.0
Medium Brown
T - 3.0
Dark Brown
Teinture Cool Ash Tones
Cool ash tones refine unwanted warm casts.
We recommend not using alone on high percentages of gray.
T - 11.2
T - 10.2
T - 10.1
T - 9.2
T - 9.1
T - 8.1
T - 7.1
T - 6.1
T - 5.1
T - 4.1
T - 1.07
Super Ultra Light Blonde
Ultra Light Platinum Blonde
Ultra Light Ash Blonde
Platinum Blonde
Pale Ash Blonde
Light Ash Blonde
Medium Ash Blonde
Dark Ash Blonde
Light Ash Brown
Ash Brown
Black
Teinture Gold Tones
Gold tones add warmth and brightness
to hair, and aid in covering gray when mixed
with red, natural and beige series.
T - 10.3
Ultra Light Golden Blonde
T - 9.3
Pale Golden Blonde
T - 8.3
Light Golden Blonde
T - 7.3
Golden Blonde
T - 6.3
Dark Golden Blonde
T - 5.3
Light Golden Brown
T - 4.3
Golden Brown
Teinture Red Tones
When coloring
hair that is 50%
gray or more
with red shades,
always add
appropriate
percentage of
gold or beige
series.
T - 9.64
T - 9.43
T - 9.4
T - 8.64
T - 8.63
T - 8.45
T - 8.43
T - 8.4
T - 7.6
T - 7.44
T - 7.43
T - 7.4
T - 6.64
T - 6.6
Ultra Light Red Copper Blonde
Pale Copper Golden Blonde
Pale Copper Blonde
Light Red Copper Blonde
Golden Henna Blonde
Light Copper Mahogany Blonde
Light Red Flame
Light Copper Blonde
Medium Red Blonde
Intense Copper Blonde
Red Flame
Medium Copper Blonde
Dark Red Copper Blonde
Dark Red Blonde
T - 6.5
T - 6.46
T - 6.4
T - 5.6
T - 5.5
T - 5.6
T - 5.5
T - 5.46
T - 5.4
T - 5.67
T - 4.65
T - 4.6
T - 4.5
Light Mahogany
Light Copper
Dark Copper Blonde
Light Reddish Brown
Auburn
Light Reddish Brown
Auburn
Copper
Light Copper Brown
Light Purple Brown
Plum Violet
Bordeaux
Medium Mahogany Brown
Teinture Chocolate Tones
When coloring hair that is 50% gray or more with
red shades, always add appropriate percentage
of gold or beige series.
T - 7.34
Medium Chocolate Blonde
T - 5.34
Light Chocolate Brown
T - 4.34
Medium Chocolate Brown
Teinture Beige Tones
Beige tones are composed of primary colors yellow,
red and blue, excellent for neutralizing yellow and
covering grey on blonde hair.
T - 10.23 Ultra Light Beige Blonde
T - 8.23 Beige Blonde
T - 7.23 Blonde fawn
Introducing Color Instantané
New Generation Hair Color System
Color Instantané Restore-Rebalance-Correct
This scientifically structured hair color helps you create
precise and more creative professional hair color.
Color Instantané dye molecules are the smallest and
lightest pigments. They quickly penetrate the cuticle
and bond with intermediate dyes in the hair to add richer
tone, and help achieve superior longer-lasting color.
Rebalances
and refreshes
color
Color Instantané plays an important roll in hair coloring.
It is the only hair color that can instantly and easily
tone or change the shade from yellow to ash, or vice
versa, on bleached highlights, without altering
the natural hair color.
Color Instantané Restore-Rebalance-Correct
When mixing Color Instantané, a pre-oxidized dye
molecule, with intermediate dyes such as Teinture
or any other permanent hair color, it forms an
exceptional base for the creation of longer-lasting
permanent color, demi-permanent color, and
toners for pre-lightened hair.
Restores
and corrects
color
Adding Color Instantané to your client’s remaining
color formula after touch-up will refresh, and rebalance
faded hair color easily without lightening or
darkening the shade.
Temporelle Direct Deposit Color Gloss
Introducing Temporelle
Direct Deposit Color Gloss
One 20 minute treatment provides incredible
shine, visible texture and reflective color.
Ammonia-free. Alcohol-free.
Direct deposit translucent gloss pigments
can be mixed for infinite shades
Temporelle Direct Deposit Color Gloss
Temporelle is a temporary color that is formulated with
basic dyes.
Temporelle color gives natural or tinted hair a translucent
and lively tone that will last up to 5 weeks.
Temporelle can be used alone on pre-lightened hair, or
mixed with Mastey Teinture permanent color, or any other
permanent hair color to achieve flamboyant high
fashion tones.
Temporelle can also be used as a color intensifier to help
correct or intensify the color tone.
Temporelle Direct Deposit Color Gloss
Black Azure: a deep blue for dark hair
Mahogany: a deep and balanced chestnut tone
Crystalline: a pale violet to cancel yellow tones
Silver: an anti-tarnish for gray hair
Solid Gold: an intense gold for blondes and redheads
Café Mocha: a rich, warm color for all brunettes
Walnut: a golden brown for dark blondes and brunettes
Temporelle Direct Deposit Color Gloss
Honey Blonde: a bright beige for added depth to blondes
Cinnamon: a medium orange-red gold for deep tones
Ginger: a reddish gold to add warmth to brown & red hair
Ruby Red: a deep and brilliant true red color for intensity
Red Bordeaux: a violet red for burgundy tones
Bing Cherry: a cool red with a touch of violet
Red Alert: an orange-red that intensifies reds & browns
Preliminaries: The Patch Test
To determine whether a hypersensitivity or allergy
you must perform a preliminary patch test 48
before every application.
exists,
hours
Do not use hair color if signs of swelling, burning,
irritation or abnormal reactions appear. If these
appear, it indicates the person is allergic to the
therefore it must not be applied.
itching,
signs
color,
Determine your client’s natural level using the Teinture
swatch chart. Examine the client’s hair to see if gray is
visible first, and if it’s more than 50% gray.
Determine the client’s desired tone, and remember to
determine the RPC (Remaining Pigment Contribution) at the
desired level.
Preliminaries: The Patch Test (continued)
Use the RPC chart as reference to enhance or neutralize the
client’s desired tone.
So no matter whether you’re using permanent, demi-permanent
or temporary color, or doing a face-framing highlight, it is important
to have a consultation with your client. During that consultation,
make sure that you are as specific as possible about what
your clients are looking for before the service.
As an expert professional, you may guide your client and suggest
the right shade to compliment her skin tones.
Remaining
Pigment
Contribution
Teinture shades can be intermixed to create unique and
individualized hair color for every client.
Preparing for Processing
Simply blend the appropriate formulas and hydrogen
peroxide equally in a mixing bowl or applicator with nozzle,
and apply, preferably to hair treated first with Mastey
Use Me First Hair Purifier.
Applying color on clean hair will insure full penetration of dye
molecules for complete coverage and to prevent overoxidation.
By removing all products and polluted debris from the hair,
you are also protecting the hair from potential chemical
reaction damage.
Mastey Subtle Dimension Color Concept
This innovative and scientific concept gives stylists
a range of options to create shades to match, change,
intensify, or tone down the color result.
The Mastey Subtle Dimension Color Concept
allows you to intermix Teinture with Color Instantané
and Temporelle to create the most innovative
fashion shades.
The 3 dimensional dyes used in the Subtle
Dimension Color Concept gives the stylist complete
color control to create classic shades, or intense
high fashion colors.
Teinture Color Formulas
Formula for regular touch-ups:
Mix: 2 oz. (60 mL) Teinture
2 oz. (60 mL) Crème Developer - 20 Volume
Formula for high lift color:
Mix: 2 oz. (60 mL) Teinture
2 oz. (60 mL) Crème Developer - 30/40 Volume
Teinture processing time: 45 minutes
Mastey Color 2.0 Color Formulas
Formula for regular color and touch-ups:
Mix: 2 oz. (60 mL) Teinture
1 oz. (30 mL) Color Instantané
1 oz. (30 mL) Crème Developer - 40 Volume
Formula for high lift color:
Mix: 2 oz. (60 mL) Teinture
1 oz. (30 mL) Color Instantané
1 oz. (30 mL) Crème Developer - 60 Volume
Teinture processing time: 45 minutes
Mastey Color 2.0 Color Formulas
Formula for demi-permanent color:
Mix: 2 oz. (60 mL) Color Instantané
1 oz. (30 mL)
Teinture
1 oz. (30 mL)
Crème Developer 10 Volume or 20 Volume for lighter hair
Formula for color deposit and glazing:
Mix: 2 oz. (60 mL) Color Instantané
1 oz. (30 mL) Teinture
1 oz. (30 mL) Crème Developer - 10 Volume
Mastey Color 2.0 Color Formulas
Formula for restoring color to faded hair:
Add: 2 oz. (60 mL)
of similar Color Instantané shade to
the rest of your client’s touch-up formula. Mix well, and apply from
root
to ends. Leave on for 40 to 45 minutes, then rinse, and shampoo
with Mastey Restore shampoo.
Formula for ultra light toners
on pre-lightened hair and highlights:
Mix: 3 oz. (90 mL)
Color Instantané
1/2 oz. (15 mL)
Teinture
1/2 oz. (15 mL)
Crème Developer - 20 Volume
Mastey Subtle Dimension Color Formulas (continued)
Formula for adding Amplifiers to existing formula
to intensify tone:
Mix:
½ oz. (15 mL)
Amplifier
1½ oz. (45 mL)
Teinture
2 oz. (60 mL)
Crème Developer – appropriate volume
How to mix: For adding vivid and intense tone to your existing formula.
Mix ½ oz of your chosen Amplifier shade and 1½ oz of Teinture formula,
then add 2 oz of appropriate Crème Developer.
To restore and correct toners and brassy highlights:
Just choose the Color Instantane shade that matches your client’s
toner shade and apply directly to hair or to the highlighted areas, leave
on for 15 to 20 minutes, then rinse only. No peroxide is needed.
Techniques
Highlighting: Selecting strands of hair with lightener or hair
color in foils, or apply in specific areas with a tint brush.
Low Lighting: Adding darker shades to hair strands in foils to
tone down a solid light look.
Toning or Glazing: Applying a hair color after hair has been
lightened to give it tone and dimension.
Decolorizing: Stripping natural hair color with bleach.
To maintain the vibrancy and prolong the life of color in between
salon visits, the hairstylist should recommend a regimen of
Mastey products for in-home use.
What makes hair color fade fast?
Natural hair pigments come in different sizes, some large,
others very small. Regardless of the size, the hair color base
and the hydrogen peroxide oxidize all pigments.
In permanent hair color, the cortex area receives intermediate
and preformed dyes. After multiple shampooings, and exposure
to UV lights, these dyes start fading within a few weeks.
Choosing the proper shampoos and UV protected styling
products will help prolong the life of color.
How to choose a shade
Check the level number of the desired shade and multiply it
by 2. Then check the level number of the client's natural color
and deduct it from the total of the multiplied numbers of the
desired shade.
Example: If the desired shade is Light Blonde level 8,
and the client’s natural hair color is Dark Blonde level 6,
then multiply the desired level 8 (x) 2 = 16 and deduct
the client level number 6 from 16 = 10.
The color level to use is: Teinture T-10 Ultra Light Blonde
How to choose a shade (continued)
Desired level
Multiply by 2
Minus natural color
Shade to use
9
9 x 2 = 18
18 - 7 = 11
T - 11.2
8
8 x 2 = 16
16 - 6 = 10
T - 10
7
7 x 2 = 14
14 - 5 = 9
T-9
6
6 x 2 = 12
12 - 4 = 8
T-8
5
5 x 2 = 10
10 - 3 = 7
T-7
4
4 x 2 = 88 - 2 = 6
T-6
3
3 x 2 = 66 - 1 = 5
T-5