Lecture 2 Aesthetics Postgrad
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Transcript Lecture 2 Aesthetics Postgrad
الدراسه السلوكية للجماليات في العمارة
The Behavioral Study of
Aesthetics in Architecture
1. Introduction & Problem
2. The Study of Aesthetics
3. Theoretical Innovations in Aesthetics
4. Innovative Applications of Aesthetics
5. Conclusions
Origins of Environmental Aesthetics
نشأه الدراسة السلوكية للجماليات البيئية
1
2
3
Criticism of modern
architecture
New directions in
architecture
Conclusion
نقد العمارة الحديثه
اتجاهات معمارية
جديدة
الخالصة
Science of environmental aesthetics
علم الجماليات البيئيه
1
2
3
1
Origins of the Behavioral Study of Envl.
Aesthetics نشأه الدراسة السلوكية للجماليات البيئية
Modern Movement (20th C.)
Ideals
Criticism
Functionalism
False imagery
Aesthetic Puritanism
Failure at social level
Uniformity, stylistic
standardization
Impersonal, boring,
does not contribute to
environment
Industrial products
False values
2
New directions in architecture
اتجاهات معمارية جديدة
Came as a response to criticism of modern architecture
Search for NEW aesthetics
3. Theoretical Innovations in Aesthetics
3.1 Architectural & urban theories of
aesthetics
نظريات معمارية عمرانية
3.2 Environment-behavior theories of
aesthetics
نظريات سلوكية بيئية
3. Theoretical Innovations in Aesthetics
3.1 Architectural & urban theories of
aesthetics
نظريات معمارية عمرانية
Philosophical theories
Architectural/urban theories
Pluralism of contemporary architectural
aesthetics
Architectural
Direction
Aesthetic Imagery
New
Modernism
Loyal to modernism, emphasize aesthetics of formal
composition – E.g. Richard Meier, Charles Gwathmy,
I.M. Pei, Rem Koolhaus, Steven Holl
Post
Modernism
Rejection of simplistic expression of International
Style, calls for use of ornamentation, increase
complexity and ambiguity – E.g. Michael Graves,
Robert Stern
Popular
Architecture
Rejects functional expression of form in favor of bold
ornamentation with “funny” or “sarcastic” attitude
reflecting a culture of consumerism and popular
values – E.g. Michael Graves, Robert Stern, Arate
Isozaki (it is an exaggerated expression of post
modernism
Regionalism
Based on the language of the local traditions, and
context – E.g. Antoine Predock
Contemporary
Vernacular
Rejects “aesthetic anonymity of International Style
Modernism” (Steele, 1997, p.226) in favor of
traditional national styles – E.g. Hassan Fathy,
Rasem Badran, Ricardo Legorreta (similar to
regionalism)
Architectural
Direction
Aesthetic Imagery
Structural expressionism (“relying upon the dynamic
accentuation of elements of construction;” Curtis,
New
1996, p.661) – E.g. Santiago Calatrava
Expressionism
Formal fragmentation (ambiguity by breaking normal
conventions of form relationships) – E.g. Frank Gehry
High-Tech
Architecture
Expression of technology that emulated product
design – E.g. Richard Rogers, Norman Foster
Classical
Revival
Reinterprets language of classical architecture in new
forms and uses
Computer Age
Design
Manipulation of form assisted by computer
advancement – E.g. Zaha Hadid, Frank Gehry, Daniel
Libeskind
Ecological
design /
Sustainable
architecture
Relies on environmental and ecological principles of
nature to derive aesthetic imagery by combining
architecture with nature – E.g. Ken Yeang
عناصر التصميم
اسس التصميم
Elements of Design Principles of Design
Line
الخط
الشكل
Shape
Value
شدة االضاءة
Color
اللون
Movement الحركة
Size
الحجم
Pattern
النمط
Aesthetic design principles and
elements of design in art and
architecture (Leland, 1990 & others)
Unity
Harmony
Contrast
Rhythm
Repetition
Gradation
Balance
Dominance /
Emphasis
Proportion
Variety
الوحدة
التجانس
التباين
االيقاع
التكرار
التدرج
التوازن
السيطرة
التأكيد
النسب
التنوع
Quantitative approach to aesthetics
William Mitchell
Quasi-Quantitative approach to aesthetics
Christopher Alexander
3
Science of environmental
aesthetics
علم الجماليات البيئيه
Philosophical
Metaphysical
Psychoanalytical
Behavioral / Psychological
EMPIRICAL
Sensory
Aesthetics
1
Formal
Aesthetics
Speculative
2 Symbolic
Aesthetics
3
Science of environmental
aesthetics
علم الجماليات البيئيه
EMPIRICAL Aesthetics
Relies on scientific or quasi-scientific techniques in the
analysis of the aesthetic experience
Mostly relies on correlational analysis
Measure the relationship between 2 or more variables that
vary naturally or deliberately by manipulation
Mostly focus on formal or structural aspects of objects (as
independent variables) & people’s subjective feelings about
them (as dependent variables)