Transcript Final Portfolio6 Patrick Massman

Patrick Massman
ALPHABET
PHOTOGRAPHY
TRIPTYCH
MONO WITH A
SPLASH W/ ALEX
BAUMAN
ELEMENTS OF
DESIGN
line
Shape/Form
Space
Value
color
LINES
LINES CONT.
SHAPE AND FORM
SHAPE AND FORM
CONT.
SPACE
POSITIVE AND
NEGATIVE SPACE
DEEP SPACE
SHALLOW SPACE
FRAMING
VALUES
VALUE CONT.
COLOR
COLOR CONT.
TEXTURE
TEXTURE CONT.
PRINCIPLES OF
DESIGN
Repetition/pattern
Balance
Emphasis
Contrast(black and white)
Movement
Unity
REPETITION / PATTERN
BALANCE
EMPHASIS /
FOCAL POINT
CONTRAST
MOVEMENT /
RHYTHM
UNITY
PORTRAIT
PORTRAIT
PASCHKE
RESEARCH SLIDE
He painted many people
Painted straight/rounded lines in random
places
Used bright neon colors
Used texture almost like fabric
The composition was filled in completely
PASCHKE
PORTRAIT
ED PASCHKE AND
HIS WORK
FORESHORTENING
OBSCURING
FORCED
PERSPECTIVE
JUXTAPOSITION
DISTORTION
DISLOCATION
DISGUISING
FRAGMENTATION
FEATHERING
COLLAGE
• My surreal collage is
biggy smalls morphed
with a cat in a subway
going through a
volcano.
• I used Juxtaposition
and disguising to hid
the mixing board into
the floor.
• I also layered each layer
to blend together and
masked biggies head to
the cat.
CAMEO APPEARANCE
IN FAMOUS ART
WORK
CAMEO APPEARANCE
IN A MOVIE SCENE
IMPRESSIONISM
 Impressionists artists drew the edges of their objects with lines of paint.
 Impressionists emerged in the 1800’s and had a way of seeing the world
and a new way of putting that vision on the canvas.
 Impressionism was a way of painting that showed the general impression
of the light on the scene or object.
 The impressionists also used dashes and dabs of paint to form the edges
of objects and they had new brighter colors in tubes. Paint tubes and new
easels artists could get out of their stuffy studios and paint outside.
IMPRESSIONISM
Claude Monet
Pierre-Auguste Renoir
Camille Pissarro
Alfred Sisley
IMPRESSIONIST
PRACTICE
IMPRESSIONISM
RESEARCH
OP ART
• Op Art is a form of abstract art that gives the illusion of movement by the
precise use of pattern and color.
• Optical art is a method of painting concerning the interaction between
illusion and picture plane, between understanding and seeing.
• Op art works are abstract, with many of the better known pieces made in
black and white. When the viewer looks at them, the impression is given of
movement, hidden images, flashing and vibration, patterns, or alternatively,
of swelling or warping.
• The term Op Art first appeared in print in Time magazine in October
1964 in response to Julian Stanczak's show Optical Paintings at the Martha
Jackson gallery.
FAMOUS OP
ARTISTS
Victor Vasarely
Arnold Schmidt
Richard Anuszkiewicz
Jesús Soto
BLACK AND
WHITE OP ART
COLOR OP ART
TYPOGRAPHY EXERCISE
TYPOGRAPHY
ART SHOW POSTER
HOCKNEY/MAGAZINE COVER