Transcript Stefan Zweig Fear - Luis Salar Vidal

Stefan Zweig
Fear
Title: Fear
Author: Stefan Zweig
Format: Paperback
Language: English
Pages: 112
Publisher: Pushkin Collection, 1262678400
ISBN: 1906548188
Format: PDF / Kindle / ePub
Size: 8.9 MB
Download: allowed
Description
Finding her comfortable bourgeois existence as wife and mother predictable after eight years of
marriage, Irene Wagner brings a little excitement into it by starting an affair with a rising young
pianist. Her lover’s former mistress begins blackmailing her, threatening to give her secret
away to her husband. Irene is soon in the grip of agonizing fear.
Written in the spring of 1913, and first published in 1920, this novella is one of Stefan Zweig’s
most powerful studies of a woman’s mind and emotions.
La Paura (1954) the Roberto Rossellini film based on the Stefan Zweig novel Fear was the last
of the extraordinary features in which Rossellini directed Ingrid Bergman, who was then his wife.
Pushkin Collection editions feature a spare, elegant series style and superior, durable
components. The Collection is typeset in Monotype Baskerville, litho-printed on Munken
Premium White Paper and notch-bound by the independently owned printer TJ International in
Padstow. The covers, with French flaps, are printed on Colorplan Pristine White Paper. Both
paper and cover board are acid-free and Forest Stewardship Council (FSC) certified.
Insightful reviews
Viji Sarath (Bookish endeavors): I fell in love with Zweig,again.!! This is the story of adultery,love
and responsibility.. Like always,it's intense.. And this intensity of emotions gives one the thrill of
reading a tension-packed thriller. The fear in this story was so real. His words were that of a
man who had experienced it. When I read the story I was thinking how would a wife feel if this
was written by her husband who is a writer.. Twisted thinking,isn't it.? But I guess it would have
led to the same results that comes in the end in this book..
A tense,yet enlightening(yes,it was.!!) read..
Asl? Kara: Mü-kem-mel...
Ke?ke bitmeseydi dedim ve bir solukda okudum kitab?.Kitapta anlat?lan korkuyu okurken
yazar?n tasvirleri sayesinde bazen siz bile içinizde hissedebiliyorsunuz bence.
Stefan Zweig'in ilk okuma f?rsat? buldu?um kitab? Korku oldu ve kesinlikle yay?nlanm?? bütün
kitaplar?n? en k?sa zaman da okumak istiyorum.
Bilmiyorum siz ne dersiniz ama sanki Zweig'in özellikle karakterlerini duygusal durumlar? ile ele
almas? Türk edebiyat?n?n önemli yazarlar?ndan Peyami Safa'y? an?msatt? bana.
Ayr?ca Ingrad Bergman'?n ba? rolde oldu?u filmi de çekilmi? bu kitab?n ki onuda bulabilirsem
izlemeyi can? gönülden isterim.
K?sa,sizi s?kmayacak,insan psikolojisi çerçevesindeki tasvirlerle bezenmi?,kolayla do?ruyu
yapma aras?ndaki ayr?m? gözlemleme ?ans? veren bir eser okumak isterseniz bu kitap tam
size göre diye bilirim.
Aprile: L’analisi del sentimento di paura mi ha colpito relativamente. Ho apprezzato
maggiormente un altro aspetto di questo racconto lungo. L’ho trovato un racconto di
formazione. Irene è passata, attraverso una prova, dall’essere una ragazzina ad essere una
donna. Ha visto con chiarezza la sua vita passata e si è resa conto di essersi fino a quel
momento fermata alla sola superficie, di non aver scavato neppure per qualche millimetro, di
aver goduto solo dello sfavillio della sua vita agiata. E la paura di perdere tale vita le ha fatto
aprire gli occhi, è cresciuta, si è resa conto del mondo sotto la superficie, mondo che ha
rischiato di perdere senza neanche conoscerlo, non si fermerà più “all’operosità degli
inoperosi” tra balli, serate di gala, compere e té, sarà partecipe. D’ora in poi sarà senz’altro
una madre, vera, non sarà più distaccata nei confronti dei suoi figli, e sarà anche una moglie
migliore, avendo ora il desiderio di conoscere suo marito finalmente ad un livello non solo
formale. E il marito è un uomo maturo - con i suoi problemi, certo, avrebbe anche potuto
affrontarla in modo diretto, senza invenzioni teatrali, ma siamo comunque ad inizio secolo
scorso - e la ama. Mi sembra che in questo caso non siano le convenzioni borghesi ad avere la
meglio ma la capacità di cambiare e di comprendere. Direi che è un racconto sulle seconde
occasioni – che non tutti hanno e di cui non tutti sanno approfittare e quindi rinascere.
Ashley Cale: Lovely, lovely, lovely. I used to prevent adultery narratives, and i am nonetheless
no longer fullyyt keen on them, however the comparable components of worry and soreness ,
guilt and shame, "liberation" and "confinement"--such a wide a part of yes adultery narratives-are shared by way of many alternative acts opposed to morality; its classes communicate
volumes it doesn't matter what the circumstance. Discontent leads we all off beam at a few
point, even in "small" matters.Zweig undertakes an unflinching dissection of worry utilizing a wellworn trope that's brilliantly revealing. each parallel among males and women, teenagers and
parents, servants and the bourgeois, he uses, i presumed was once very apt. i don't are looking
to say an excessive amount of simply because i believe it is best learn via simply diving into the
story's world. So do so! With time constraints, I needed to learn it in sittings yet i couldn't wait to
come back to it. Zweig is one other bankruptcy in my try to comprehend the canon of significant
Austrian writers. can't wait to learn extra of his works within the future, for the reason that this
novella used to be so promising!
M. Sarki: superb little novella. enticing and suspenseful. precise to life. Stresses truly how vital it
really is to speak with one another.
Alan Chen: exchange Title: FearIrene is a bourgeois housewife with 2 youngsters and every
little thing she wishes materially. She has a husband that greater than offers for her, a
governess that looks after her kids, and a employees for the remainder of her household. Her
days are spent idly procuring or traveling with the opposite elite in society. Her boredom leads
her to have a meaningless affair and while the female friend of her lover starts to bribe her with
this secret, her international unravels. The story, as in such a lot of Zweig's work, is
straightforward to summarize yet is usually the least very important a part of his works. His
books are miniature personality reviews that characteristic a taut second in a person's existence
and makes an attempt to delineate the range of emotions/fears that the individual goes through.
it is a special personality study, and whereas skewed in Zweig's conventionally conversative
viewpoint, it really is good wrought and engaging.
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