CHS UCB BID 02/02/02 Parameterized Sculpture Design Carlo H. Séquin University of California, Berkeley CHS UCB Designs I worked on:
Download ReportTranscript CHS UCB BID 02/02/02 Parameterized Sculpture Design Carlo H. Séquin University of California, Berkeley CHS UCB Designs I worked on:
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BID 02/02/02
Parameterized Sculpture Design
Carlo H. Séquin University of California, Berkeley
CHS UCB
Designs I worked on:
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Sculpture Design
How can we use the visualization power offered by computer graphics and by computer-controlled rapid prototyping for the design of geometrical sculptures?
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“Hyperbolic Hexagon” by B. Collins
6 saddles in a ring
6 holes passing through symmetry plane at ±45º
= “wound up” 6-story Scherk tower
What would happen,
if we added more stories ?
or introduced a twist before closing the ring ?
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“Hyperbolic Hexagon II” (wood) Brent Collins
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Scherk’s 2nd Minimal Surface Normal “biped” saddles Generalization to higher-order saddles (monkey saddle)
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Closing the Loop straight or twisted
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Sculpture Generator, GUI
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Brent Collins’ Prototyping Process Armature for the "Hyperbolic Heptagon" Mockup for the "Saddle Trefoil" Time-consuming ! (1-3 weeks)
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A Simple Scherk-Collins Toroid Parameters: (genome)
branches = 2 stories = 1 height = 5.00
flange = 1.00
thickness = 0.10
rim_bulge = 1.00
warp = 360.00
twist = 90 azimuth = 90 textr_tiles = 3 detail = 8
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Also a Scherk-Collins Toroid
branches = 1 stories = 5 height = 1.00
flange = 1.00
thickness = 0.04
rim_bulge = 1.01
warp = 360 twist = 900 azimuth = 90 textr_tiles = 1 detail = 20
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A Scherk Tower (on its side)
branches = 7 stories = 3 height = 0.2
flange = 1.00
thickness = 0.04
rim_bulge = 0 warp = 0 twist = 0 azimuth = 0 textr_tiles = 2 detail = 6
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180º Arch = Half a Scherk Toroid
branches = 8 stories = 1 height = 5 flange = 1.00
thickness = 0.06
rim_bulge = 1.25
warp = 180 twist = 0 azimuth = 0 textr_tiles = e detail = 12
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V-art Virtual Glass Scherk Tower with Monkey Saddles (Radiance 40 hours) Jane Yen
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Séquin’s “Minimal Saddle Trefoil”
Stereo lithography master
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Minimal Trefoils -- cast and finished by Steve Reinmuth
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Slices through “Minimal Trefoil” 50% 30% 23% 10% 45% 27% 20% 5% 35% 25% 15% 2%
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Emergence of the “Heptoroid” (1)
Assembly of the precut boards
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Another Joint Sculpture
“Heptoroid” carved by Brent Collins
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Advantages of CAD of Sculptures
Exploration of a larger domain
Instant visualization of results
Eliminate need for prototyping
Create virtual reality pictures
Making more complex structures
Better optimization of chosen form
More precise implementation
Rapid prototyping of maquettes
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Rapid Prototyping by FDM
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Various “Scherk-Collins” Sculptures
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Parameterized Sculpture Families Within the domain of a sculpture generator, vary selectively 1 to 3 parameters, and create the resulting instances:
Scherk Collins toroids
“Trefoil Family”
Pax Mundy
“Viae Globi”
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Family of Symmetrical Trefoils
W=2 W=1 B=1 B=2 B=3 B=4
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Close-up of Some Trefoils
B=1 B=2 B=3 Varying the number of branches B (the order of the saddles).
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Higher-order Trefoils (4th order saddles) W=1 (Warp) W=2
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9-story Intertwined Double-Toroid Bronze investment casting from wax original made on 3D Systems’ “Thermojet”
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Inspiration: Brent Collins’ “Pax Mundi”
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Sculptures by Naum Gabo Pathway on a sphere: Edge of surface is like seam of tennis ball;
2-period Gabo curve.
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2-period Gabo curve
Approximation with quartic B-spline with 8 control points per period, but only 3 DOF are used.
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4-period Gabo curve Same construction as for as for 2-period curve
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“Pax Mundi” Revisited
Can be seen as: Amplitude modulated, 4-period Gabo curve
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SLIDE UI for “Pax Mundi” Shapes
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Parameterized Sculpture Design 3 Phases:
Discover and distill out the key paradigm
Define the most appropriate set of parameters
Develop generalizations of the paradigm
The Program is the Design, is the Artwork!
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Via Globi 3 (Stone) Wilmin Martono
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“Maloja” -- FDM part
A rather winding Swiss mountain pass road in the upper Engadin.
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“Stelvio”
An even more convoluted alpine pass in Italy.
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“Altamont”
Celebrating American multi-lane highways.
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“Lombard”
A very famous crooked street in San Francisco
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Conclusions Design as an aesthetic optimization in the purely geometrical realm.
The computer can also be an amplifier / accelerator for the creative process.
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Questions ?
THE END
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EXTRAS
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Another Inspiration by B. Collins
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Collin’s Conceptual Design
SWEEP CURVE (FOR DOUBLE CYLINDER) IS COMPOSED OF 4 IDENTICAL SEGMENTS, FOLLOWS THE SURFACE OF A SPHERE.
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Reconstruction / Analysis (v1)
FROM THE FDM MACHINE AWKWARD ALIGNMENT
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Further Explorations (v2: add twist)
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A More Complex Design (v3)
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Fine-tuned Final(?) Version (v5)
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Galapagos-6 (v6)
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Circle Splines on the Sphere Examples from Jane Yen’s Editor Program