Impressionism annasuvorova.wordpress.com There are no lines in nature, only areas of color, one against another. Edouard Manet annasuvorova.wordpress.com Claude Monet. Impression, Sunrise (Impression, soleil levant), 1872 The movement gained.
Download ReportTranscript Impressionism annasuvorova.wordpress.com There are no lines in nature, only areas of color, one against another. Edouard Manet annasuvorova.wordpress.com Claude Monet. Impression, Sunrise (Impression, soleil levant), 1872 The movement gained.
Slide 1
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 2
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 3
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 4
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 5
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 6
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 7
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 8
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 9
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 10
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 11
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 12
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 13
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 14
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 15
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 16
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 17
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 18
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 19
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 20
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 21
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 22
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 23
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 24
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 25
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 26
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 27
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 28
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 29
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 30
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 31
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 32
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 33
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 34
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 35
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 36
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 37
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 38
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 2
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 3
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 4
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 5
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 6
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 7
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 8
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 9
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 10
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 11
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 12
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 13
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 14
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 15
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 16
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 17
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 18
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 19
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 20
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 21
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 22
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 23
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 24
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 25
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 26
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 27
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 28
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 29
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 30
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 31
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 32
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 33
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 34
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 35
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 36
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 37
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
annasuvorova.wordpress.com
Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
annasuvorova.wordpress.com
James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
annasuvorova.wordpress.com
Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
annasuvorova.wordpress.com
The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
annasuvorova.wordpress.com
Key artists
•
•
•
•
•
•
Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
annasuvorova.wordpress.com
Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
annasuvorova.wordpress.com
EDOUARD MANET
annasuvorova.wordpress.com
Olympia, 1963,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
annasuvorova.wordpress.com
CLAUDE MONET
annasuvorova.wordpress.com
On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
annasuvorova.wordpress.com
Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
annasuvorova.wordpress.com
Woman in a Garden, 1867,
Hermitage, St. Petersburg
annasuvorova.wordpress.com
Poppies Blooming, 1873,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
annasuvorova.wordpress.com
Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
annasuvorova.wordpress.com
PIERRE-AUGUSTE RENOIR
annasuvorova.wordpress.com
The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
Nude In The Sun, 1875,
Musee d’Orsay, Paris.
annasuvorova.wordpress.com
BERTHE MORISOT
annasuvorova.wordpress.com
Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
annasuvorova.wordpress.com
Lady at her Toilette, 1875
The Art Institute of Chicago
annasuvorova.wordpress.com
CAMILLE PISSARRO
annasuvorova.wordpress.com
The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
annasuvorova.wordpress.com
Boulevard Montmartre la nuit, 1898
annasuvorova.wordpress.com
Boulevard Montmartre, 1897
annasuvorova.wordpress.com
EDGAR DEGAS
annasuvorova.wordpress.com
A Cotton Office in New Orleans, 1873
annasuvorova.wordpress.com
The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
annasuvorova.wordpress.com
Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
annasuvorova.wordpress.com
Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
annasuvorova.wordpress.com
The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
annasuvorova.wordpress.com
Slide 38
Impressionism
annasuvorova.wordpress.com
There are no lines in nature, only areas of
color, one against another.
Edouard Manet
annasuvorova.wordpress.com
Claude Monet.
Impression, Sunrise
(Impression, soleil levant), 1872
The movement gained its name after a hostile
French critic, reviewing the artists' first major
exhibition, seized on the title of Claude Monet's
painting: Impression, Sunrise (1873), and accused
them of painting nothing but impressions.
annasuvorova.wordpress.com
• Emperor Napoleon III of
France
• Salon de Paris
annasuvorova.wordpress.com
Edouard Manet. The Luncheon on the Grass. 1963
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Émile Zola incorporated a
fictionalized account of the 1863
scandal in his novel L'Oeuvre (The
Masterpiece) (1886)
The Luncheon on the Grass is the greatest work of
Édouard Manet, one in which he realizes the
dream of all painters: to place figures of natural
grandeur in a landscape.
[…] This nude woman has scandalized the
public, who see only her in the canvas. My God!
What indecency: a woman without the slightest
covering between two clothed men! That has
never been seen.
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James Abbott McNeill Whistler.
Symphony in White, No. 1: The
White Girl. (1861–62)
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Édouard Manet. Música en las Tullerías (National Gallery, Londres, 1862)
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The Salon des Refusés
"L'Artiste" Жюль Кастаньяри :
"Известие привело парижские мастерские в состояние
замешательства. Ликовали и обнимали друг друга. Но
затем на смену восторгам пришло отрезвление. Что же
теперь делать? Воспользоваться предложением и
выставить свои работы? Это значит - решиться (и не без
ущерба для себя) дать ответ на вопрос, подразумеваемый
в самом решении, - отдать себя на суд публики, в случае,
если работа признана явно плохой. И это значит поставить
под сомнение объективность Комиссии и перейти на
сторону Института не только в настоящее время, но и на
будущее. А если не выставлять? Это значит - отдаться на
суд жюри и таким образом, признав свою бездарность,
способствовать росту его авторитета".
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Key artists
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Edouard Manet
Claude Monet
Edgar Degas
Pierre-Auguste Renoir
Berthe Morisot
Camille Pissarro
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Characteristics
of Impressionist paintings
• relatively small, thin, yet visible brush strokes;
open composition;
• emphasis on accurate depiction of light in its
changing qualities (often accentuating the
effects of the passage of time);
• common, ordinary subject matter;
• the inclusion of movement as a crucial
element of human perception and experience;
and unusual visual angles.
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EDOUARD MANET
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Olympia, 1963,
Musee d’Orsay, Paris.
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A Bar at the Falies-Bergere (Le Bar aux
Folies-Bergère), 1882.
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CLAUDE MONET
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On the Bank of the Seine, Bennecourt 1868, an
early example of plein-air impressionism, in
which a gestural and suggestive use of oil
paint was presented as a finished work of art.
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Claude Monet. Boulevard des Capucines. 1873
The Pushkin Museum of Fine Art, Russia
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Woman in a Garden, 1867,
Hermitage, St. Petersburg
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Poppies Blooming, 1873,
Musee d’Orsay, Paris.
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Bridge over a Pond of Water
Lilies, 1899, Metropolitan
Museum of Art
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Houses of Parliament,
London, 1900-1901
The Art Institute of Chicago
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PIERRE-AUGUSTE RENOIR
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The Swing (La Balançoire), 1876,
Musee d’Orsay, Paris.
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Dance at Le Moulin de la Galette, 1876
Musee d’Orsay, Paris.
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Nude In The Sun, 1875,
Musee d’Orsay, Paris.
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BERTHE MORISOT
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Hanging the Laundry out to Dry, 1875,
National Gallery of Art.
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Lady at her Toilette, 1875
The Art Institute of Chicago
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CAMILLE PISSARRO
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The Boulevard Montmartre on a
Winter Morning, 1897
Metropolitan Museum of Art
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Boulevard Montmartre la nuit, 1898
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Boulevard Montmartre, 1897
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EDGAR DEGAS
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A Cotton Office in New Orleans, 1873
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The Dance Class (La Classe de
Danse),1873–1876
Musée d'Orsay, France
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Ballet Rehearsal, 1873,
The Fogg Art Museum, USA
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Rehearsal on Stage, 1874,
Musée d'Orsay, Paris
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The Blue Dancers. 1898-99
The Pushkin Museum of
Fine Art, Russia.
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