Transcript WAYANG

W YANG
By: Michael Nathaniel & Daniel Haryono
Introduction to
Wayang = RINGGIT (Krama Hinggil)
 Miring Anggenipun
Nganggit, artinya gambaran manusia
dari samping.
Wayang = Shadow / image /
imagination  SHADOW
PUPPET  Wayang Kulit (the
most famous one of many other types of
wayang)
DEFINITION of WAYANG
Berdasarkan ALUR CERITA:
1. Wayang Purwa (kuno)
2. Wayang Madya (Abad
Pertengahan)
3. Wayang Modern
4. Wayang Suluk
5. Wayang Wahyu
6. Wayang Suluh
7. Wayang Sandosa
8. Wayang Kancil, dll.
TYPES of WAYANG
Berdasarkan BAHAN:
1. Wayang Beber
2. Wayang Kulit
3. Wayang Golek Sunda
4. Wayang Golek Cepak /
Papak
5. Wayang Golek Pakuan
6. Wayang Golek Bendo
7. Wayang Golek Menak
8. Wayang Klitik / Krucil
TYPES of WAYANG
Berdasarkan BAHAN:
9. Wayang Wong
10. Kethoprak
11. Wayang Suket
12. Wayang Batu
13. Wayang Potehi
14. Wayang Tenggul, Kuluk
Cundul, Lokapala, dll
TYPES of WAYANG
Berdasarkan Lakon:
1. Tragedi  perang Baratayudha:
gugurnya Bisma
2. Raben / Alap-Alapan
 pernikahan agung: Arjuna &
Sembadra
3. Lahiran  Gatotkaca
4. Kraman  Pemberontakan:
Rajamala
5. Wahyu  Wahyu Cakraningrat
6. Mistik / Kesepuhan 
Falsafah hidup: Dewaruci
TYPES of WAYANG
KARAKTER TOKOH wayang:
1. Ksatria
(Satrio/Gagah/Alus)
2. Raksasa
(Buto/Danawa/Kasar)
3. Putri
4. Monyet (Wanara)
5. Dhagelan / Punakawan
(Clowns / Goro-goro)
TYPES of CHARACTERS
ANATOMY of a WAYANG
KARAKTER TOKOH wayang:
1. Bentuk Mata
2. Bentuk Hidung
3. Bentuk Mahkota &
Kenthu
4. Bentuk mahkota &
Gelung
5. Bentuk Hiasan Kepala
TYPES of STYLIZATIONS
•
•
•
•
2 Dimensi
Semata wayang
Cempurit (tanduk kerbau)
Disungging (kulit kerbau
ditatah & diwarna)
W AYA N G K U L I T
•
•
•
•
•
Forest
Gunungan / Mountain
Change Scenery
Flames & Demonic faces
Intervention of natural
Forces (Wind/Fire)
KAYON / GUNUNGAN
•
white for holiness or
purity or youth
•
•
gold for nobility
black for resolution or
forthrightness
•
pink or red for a quick
temper
•
green for deceitfulness
THE USE of COLORS
1.
2.
3.
4.
5.
Talu
Adeg Jejer
Adeg Sabrang
Goro-Goro
Tancep Kayon
STAGES in WAYANG
a
show
Opens the the Wayang Purwa performance and
sets its mood. In rular Java the sonorous sounds
of large gongs carry for long distances to entice
and beckon people to come and see the play.
1TALU
Is an opening scene or Jejer. In the center of the
screen, the mountain or Gunungan, has not
been moved, but soon it will be manipulated by
the puppet master or Dalang, indicating that the
play is commencing. Starts with a narrative of
the court scene, describe the state of the nation,
the king, his prime ministers, courtiers, and
subjects, even the mode of dress.
ADEG
JEJER
After the court scene, the dalang invariably
moves on to the adeg sabrang, which literally
translate the scene from the other side or across
the sea ( meaning outside java ). Adeg Sabrang is
a contributing force, good or evil, to the drama
of wayang. Foreign enemy or allies.
ADEG
After the court scene ( Adeg Jejer ) and the outside
influence scenes ( Adeg Sabrang ). The play reaches
turning point, usually called the goro – goro or
upheaval this scene represents the sometimes violent
change in the status quo that occurs when the courts
come into contact with outside factors. The Dalang, or
puppet master begins by telling the audience about the
impending perils or disaster that can be expected. The
time is around midnight and the mood of the play
visibly changes.
GORO
At the tancep kayon, the dalang finaly sticks his
kayon, the shadow puppet that represents
mountains or forests, in the soft part of a
banana tree. This Closes tale and states the end
results of the drama the tancep kayon is the
epilogue of the story.
TANCEP
KAYON
is the story of the Pandawa
brothers and their fight to
regain their kingdom from
the evil usurpers the
Kurawa.
M A H A B H A R ATA
1.
2.
3.
4.
5.
Yudhisthira
Bhima
Arjuna
Nakula
Sahadeva
PANDAWA - पाण्‍
डव‍pāṇḍavaḥ
Yudhishthira possessed a "complexion like that of pure gold,
possessed of a prominent nose and large eyes, and endued with a
slender make." He was just, had a correct sense of morality, and was
merciful to surrendering foes. Draupadi counselled Jayadrath to run
to Yudhishthir and to beg for forgiveness.
Bhima as tall and long-armed. In a display of ferocity, he was "biting
his lips, and contracting his forehead so as to bring the two eyebrows together." His superhuman feats had earned him great
renown. "They that offend him are never suffered to live. He never
forgets a foe. On some pretext or other he wreaks his vengeance.“
Arjuna she praised as the greatest of archers, intelligent, "with
senses under complete control." Neither lust nor fear nor anger
could make him forsake virtue. Though capable of withstanding any
foeman, he would never commit an act of cruelty.
PANDAWA - पाण्‍
डव‍pāṇḍavaḥ
Nakul, said Draupadi, was "the most handsome person in the
whole world." An accomplished swordsman, he was also
"versed in every question of morality and profit" and "endued
with high wisdom." He was unflinchingly devoted to his
brothers, who in turn regarded him as more valuable than their
own lives.The name Nakul generally means full of love and the
male characteristics implied by the name are: Intelligence,
Focus, Hard-Work, Handsomeness, Health, Attractiveness,
Success, Popularity, Respect, and unconditional Love.
Sahadeva was the youngest of the brothers, and like the others
formidable in war and observant of morality. "Heroic,
intelligent, wise and ever wrathful, there is not another man
equal unto him in intelligence or in eloquence amid assemblies
of the wise."
PANDAWA - पाण्‍
डव‍pāṇḍavaḥ
Create an interior
design to display
the five Wayang
Pandawas in a 5-6
m wall.
PANDAWA - पाण्‍
डव‍pāṇḍavaḥ
Create visual
characters that
represents the five
Pandawas
PANDAWA - पाण्‍
डव‍pāṇḍavaḥ
is the story of Rama’s search
for his wife Sinta who has
been abducted by the
demon Dasamuka.
Create an interior design
that embodies the spirit of
the story of Ramayana
R A M AYA N A