Document 7353614
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To
identify the aesthetic benefits of floral
design.
To become familiar with the history of floral
design.
To understand the origin and development of
different styles.
Used
throughout civilization
Religious significance
Personal adornment
Addition of beauty to dwellings
Special
Occasions
Symbols of love, friendship, sympathy and
celebration
Language of flowers
Red roses symbolize and
communicate love.
To
understand the impact of earlier cultures
on modern design styles.
To see the derivation of design styles
To be able to create arrangements depicting
historical style or design period.
Classical
European
Oriental
American
Byzantine
Period
Egyptian Period
Greek Period
Middle Ages
Roman Period
Styles
were simple and orderly
Regimented rows and repetition of identical
floral groups created patterned designs.
Primary colors dominated.
•Did
not arrange flowers in vases.
•Flowers were scattered on the
ground for celebrations.
•Wreaths and garlands were worn
or carried during special occasions
•Heroes, athletes and dignitaries
were honored with wreaths.
Potted
plants were grown indoors to supply
flowers
Professional florists were hired to create
wreaths and decorations
Cornucopia was a symbol of abundance and
was used in an upright position.
Grace, simplicity and symbolism
characterized the Greek design.
Wreaths
and garlands were more elaborate.
Blossom filled scarves were placed on
religious alters
Flowers were arranged in containers or
likonons (baskets with high backs and
flattened fronts)
Continued
Roman designs
Garlands were twisted narrow bands of fruit,
flowers, and foliage.
Color schemes used neighboring hues with
complementary accents.
Flowers
arranged in vases
Little known about floral designs of this
period
Information found in Persian art, rugs, and
tapestries.
European
Periods of
Floral
Design
Renaissance Period
Baroque Period
Flemish Period
French Styles
English Georgian
Period
Victorian Period
Arrangements
were large, tall,
pyramidal and
symmetrically
balanced
Arrangement was
twice the height of
container
Flowers were
loose, airy and
uncrowded
Symmetrical oval
shaped designs
Hogarthian curve or
S-Curve developed
this period
Flemish
artists
painted floral
arrangements,
refining Baroque
style
Better proportioned
and more compact
Flowers were
massed into oval
shaped
arrangements taller
than their container
Influenced
European, English
and American Styles
Influenced by
Baroque art
Feminine appeal
Arrangements were
bouquets with no
design or center of
interest.
Topiary designs
were introduced
Moved
away from
formality and
symmetry
Nosegay was a
hand-held bouquet
developed at this
time
Nosegays were
placed in bowls of
water on tables as
centerpieces
Floral
designs
were poorly
proportioned
Large masses of
flowers with no
focal point
crowded into
containers
•Japanese
•Chinese
Style
Style
Floral
arrangements originally used to
decorate Buddhist temples
Large, symmetrical arrangements with
central axis
Only one or two types of flowers and foliage
used
Bright colors were used
Adopted
Chinese
style in 6th century
and created their
own highly refined
art form
Ikenobo school of
floral art created
the style known as
Ikebana
Characterized by
linear forms and
open spaces
Early American Period
American Federal Period
Contemporary Styles
Household
utensils
(kettles, pitchers,
pans, etc.) and
baskets were used
as containers
Materials for
arrangements were
wildflowers, dried
flowers and grasses
Designs were
informal and
massed
Influenced
by French Styles
Stressed individual beauty of flowers
Flower height was greater than width of
arrangement
European
mass designs were combined with
Japanese line designs to create line-mass
designs
Advances in transportation and refrigeration
influenced availability of cut flowers from
local to world markets
Individualistic, unique designs