Transcript Chapter 2

History of Floral Design
Modified by Georgia Agricultural
Education Office
June, 2002
I.
History of Floral Design
 A. Flower arranging is a work
of art.
We follow certain guidelines
 to properly arrange flowers so
that they become a “work of
art”. These guidelines are
called principles of design.
Basic laws
 fundamentals, truths or methods
of operation that have been
tested and proven for many
centuries.
Arrangements
 are judged by these principles.
 Tools that will guide in
planning and evaluating
arrangements.
Concepts of floral design
 Two concepts developed
independently of each other.
Occidental Style – evolved in
Egyptian and Middle Eastern
Cultures
further developed by the
Europeans
Oriental Style
 began in China
 later explored by the Japanese
Egyptian Period
 2800-28BC
 arranged separate rows of
different colored flowers in
shallow bowls
Egyptian period
 feast tables were often
decorated with fruits and
vegetables neatly piled in low
baskets
Egyptian Period
 several flowers were considered
sacred, symbolizing Egyptian
Gods and Goddesses
 Lotus and Water Lilies were
placed in elaborate vases, bowls
and jars
Ancient Greeks
 600-146 BC
 Did not arrange flowers in
vases, scattered blossoms on
tables and on the streets
Ancient Greeks
 flowers were used to make
garland and wreaths worn
during special occasions.
 Presented as awards to athletes,
statesmen and soldiers.
Ancient Greeks
 the cornucopia (horn or plenty)
was filled with fruits and
vegetables and placed in an
upright position rather than on
its side as done today
Romans
 28 BC - 325 AD
 continued the customs of the
Greeks
 arrangements and usage became
more elaborate
Romans
 scatter roses on banquet tables
and on the floor
 scarves filled with blossoms
were offered at an altar in
Roman Religious Ceremonies
Romans
 Wreaths and Garlands became
more elaborate
Byzantine Period
 320-600 AD
 arrangements of cut flowers
used again
 formal conical designs with
clusters of blossoms at regular
intervals
Middle Ages
 476-1600 AD
 very little is known about floral
designs of this time period
Renaissance
 1400-1600 AD
 beautifully documented in
paintings
 designs were large, tall,
pyramidal, and symmetrically
balanced
Renaissance
 flower arrangements were
loose, un-crowded and airy
 formal bouquets featured the
most important flower situated
centrally, at the top of the
bouquet, with other flower
heads turned outward.
Renaissance
 flowers were arranged so that
they were about twice the
height of the container
 intense colors were used to
create contrast with the white
plastered walls of buildings
Renaissance
 several traditional floral designs
of today are styled after
renaissance arrangements
Baroque Period
 began as symmetrical, oval
shaped designs
 asymmetrical curves in the
shape of a crescent or an “s”
were adopted later
Baroque
 an abundance of flower types
and colors were used together
 arrangements incorporated a
variety of accessories such as
figurines and butterflies
Baroque
 the “s” curve and crescent
arrangements developed during
this period are popular today
Flemish-style
 1600-1750 AD
 beautifully captured by Dutch
painters
 traditional baroque styles were
refined
Flemish style
 refined - not as loose and open
 better proportioned and more
compact
 Rich colors and an array of
flowers were combined into
masses, oval shape bouquets.
Flemish style
 The French developed mass
arrangements during the same
time that were lighter and more
airy than those of the Dutch.
 Arrangements were made from
delicate flowers in light pastel
colors.
Georgian period
 1714-1760 A.D.
 Time period that spanned the
reigns of the English kings
George I and George II
 Arrangements were greatly
influenced by Chinese arts.
Georgian period
 Usually symmetrical and
triangularly shaped.
 Many featured a single flower
type.
 Designs moved away from
formality and symmetry in the
Georgian period
 nosegay, or handheld bouquet
became stylish
 small nosegay bouquets placed
in bowls were the first use of
table centerpieces as we know
them today.
Georgian period
 Georgian art influenced the
decorative arts in Colonial
America.
 Fan shaped and triangular
arrangements were made and
sometimes placed the center of
interest near the rim of the
container.
Georgian period
 boxwood, ivy, and magnolia
were used with garden flowers
in the summer
 berries, cones, greens with fruit
were used during the winter
along with dried flowers.
Victorian period
 1820-1914 A.D.
 Flowers were fashionable but
designs were rather
unappealing.
 Improperly proportioned
Victorian period
 large amounts of flowers
cramped into a container to
create a compact arrangement
 usually asymmetrical with no
focal point.
Victorian period
 many different flower types and
colors used, arrangements
looked unplanned.
 Rules for flower arranging were
established toward the end of
the Victorian period.
Oriental Style
 Began in India where Buddhist
priests scattered branches and
stem on altar or placed them in
pottery urns.
 Modified by the Chinese during
the first century A.D.
Oriental Style
 Arranged flowers in massive
bronze vessels
 Felt it was improper to place
flowers carelessly on the altar.
 Created symbolic arrangements
 Bright colors were favored.
Oriental Style
 Usually large and symmetrical
with one or two types of foliage
and flowers placed around a
central branch.
 Lightest colors were used at
outer portions of design, darker
ones kept nearest the base.
Oriental Style
 Sixth Century A.D. Japanese
adopted many aspects of the
Chinese culture, including floral
arrangement.
 Japanese priest named Ikenabo
refined the art.
Oriental Style
 His instruction was sought by
other Buddhist priests.
 Began the first school of floral
art in Japan which bears his
name.
Oriental Style
 Name later changed to Ikebana
which means “giving life to the
flowers.”
Oriental Style
 Many schools of Japanese
flower arrangements have
evolved from this original one,
the basic principles can be
traced back to Ikenaba.
Oriental Style
 Japanese designs are
characterized by minimum use
of plant material and careful
placement of branches and
flowers.
 Each placement and angle has
meaning.
Oriental Style
 This type of arrangement
became known as “line
arrangement”
European Style
 generally large, round or oval
mass of flowers
 flower placement is not rigidly
dictated as in oriental design
European Style
 known as mass arrangements
 most floral designs in the US
are referred to as “line mass”
and combine Oriental and
European ideas
European Style
 American floral design uses
more materials than the Oriental
but far fewer than the European
 US floral design is often built
around linear patterns, showing
the Oriental influence.