Transcript I and V BrainTeasers 1. Spell Incomplete V7 using scale degrees (bass first). 2.

6
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V
BrainTeasers
1. Spell Incomplete V7 using scale degrees (bass first).
2. Spell Complete V7 using scale degrees (bass first).
3. With normal voice leading from complete V7-I, what doubling
in I results?
4. What is the usual alternative to the normal voice-leading, in
contexts where a complete I is desired?
5. Which scale degree is never doubled in dominant-function
chords such as V, V7, V6, etc.
6. Which doubling is incorrect?
^1^1^1^3
^1^1^3^3
^1^1^1^5
^1^3^5^5
^1^3^3^5
7. Using only I V and V7 what’s the best
harmonization of ^1-^2-^3 ?
8. What is the only scale degree that we cannot harmoniz
given the chords in our vocabulary (I, I6, V, V7, V6)
9. Using “our chords” harmonize ^3-^4-^5
10. When using V, V7, or V6 in minor always __________
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[Title]
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I. Basics
Notes/Bass Tone/Supports/Doubling/Voice-leading
II. Functions
A. Expands Tonic, usually via I-I6
B. Substitues for Tonic in V(7)-I (rare)
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I. Basics
Notes/Bass Tone/Supports/Doubling/Voice-leading
II. Functions
A. Expands Tonic, usually via I-I6
B. Substitues for Tonic in V(7)-I (rare)
C. Intermediate Chord in arpeggiation progression
I-I6-V
D. Begins cadential progression I6-V6-I
3.
( )
6
V
I. Basics
Notes/Bass Tone/Supports/Doubling/Voice-leading
II. Functions: Nearly always leads to I!.
Why?
A. Expands or prolongs dominant “family”
B. Substitutes for V(7) at Cadences (V6-I)
C. Prolongs Tonic Harmony via I-V6-I (NN motion)
D. Dominant chord cadential progression I6-V6-I (IN)
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