Transcript Hamlet In Review

Hamlet In Review
act 1
ACT 1: scene 1
 Describe the atmosphere and
how it is created in this scene.
 What reasons are suggested by
Horatio for the appearance of
the late King’s ghost?
 How is the host made impressive
and awe inspiring?
ACT 1: scene 1
 Scene 1 provides very little
information and does not
introduce the major figures of
the play. It does set the
atmosphere and introduces us
to the “world” in which the
action is to occur.
ACT 1: scene 1
 Horatio: “What, has this thing appeared again tonight?” (26)
-We do not know what he is talking about. There is a
mysterious tone to what he says.
 Marcellus: “Horatio says ‘tis but our fantasy/ And will not
let belief take hold of him/ Touching his dreaded sight
twice seen of us./ Therefore I have entreated him along/
With us to watch the minutes of this night, / That, if again
this apparition come,/ He may approve our eyes and speak to
it.”
- We know they are reliable because they are self-doubting, yet
seek approval. We are still not aware of what they are
talking about, increasing the mysterious tone. We get the
sense of a forbidden secret that only appears late at night.
ACT 1: scene 1
 Horatio: “Most like. It harrows me with fear and wonder”
 Bernardo: “ How now, Horatio, you tremble and look pale. / Is
not this something more than fantasy? / What think you on
‘t?”
 Horatio: “Before my God, I might not this believe/ Without the
sensible and true avouch/ Of mine own eyes.”
(63-68)
 We discover from Bernardo’s comment that Horatio, the
scholar, is so affright from the “apparition” that he suddenly
is trembling and becomes pale once faced with the vision that
he was first skeptical about.
 This mysterious and supernatural atmosphere continues as
the ghost leaves without speaking, despite Horatio’s attempts
at questioning the figure.
 The ghost disappears without a reply, leaving the audience to
wonder if the image truly was the ghost of an unknown
character.
ACT 1: scene 1
 Marcellus: “Is that not like the King?”
 Horatio: “ As thou art to thyself. / Such was the
very armor he had on / When he the ambitious
Norway combated. / So frowned he once when, in an
angry parle, / He smote the sled polacks on the
ice./ Tis strange/ … In hat particular thought to
work I know not, / But in the gross and scope of
mine opinion / This bodes some strange eruption to
our state.”
 Following these lines is a discussion that Horatio
has with Bernardo, where he explains the events of
the battle prior to the late King’s death.
(69-137)
ACT 1: scene 2
 In the second scene, the action
shifts from the dark
battlements to the brilliant
center of the Danish court, the
King’s council chamber.
What do you think of the
contrast of these two scenes?
ACT 1: scene 2
It has often been remarked that
Claudius is an exceptionally capable
king and politician. How does this
impression of Claudius emerge in his
first long speech? Take into account
not only the way he deals with
problems but the style of his speech
(diction, images and rhythms).
ACT 1: scene 2
“ Though yet of Hamlet our dear brother’s death /
the memory be green, and that it us befitted/ To
bear our hearts in grief, and our whole kingdom /
To be contracted in one brow of woe, / Yet so far
hath discretion fought with nature / That we with
wisest sorrow think on him / Together with
remembrance of ouirselves. / Therefore our
sometime sister, now our queen, / Th’ imperial
jointress to this warlike state, / Have we (as ‘twere
with a defeated joy,/ With an auspicious and
dropping eye, / With mirth in funeral and with dirge
in marriage, / In equal scale weighting delight and
dole)/ Taken to wife. Nor have we herein barred /
Your better wisdoms , which have freely gone / With
this affair long…
Act 1: scene 2
For all, our thanks. / Now follows that you know.
Young Fortinbras, Holding a weak supposal o
four worth / Or thinking by our late dear
brother’s death / Our state to be disjoint and
out of frame, / Colleagued with this dream of his
advantage, / He hath not failed to pester us with
message / Importing the surrender of those
lands / Lost by his father, with all bonds of law,
/ To our most valiant brother - so much for him. /
Now for ourself and for this time of meeting. /
Act 1: scene 2
Thus much the business is: we have here writ / To
Norway, uncle of young Fortinbras, / Who,
impotent and bedrid, scarcely hears/ Of this his
nephew’s purpose, to suppress/ His further gait
herein, in that the levies, / The lists, and full
proportions are all made / Out of his subject; and
we here dispatch / You, good Cornelius, and you,
Voltemand, / For bearers of this greeting to old
Norway, / Giving to you no further personal power
/ To business with the King more than the scope /
Of these dilated articles allow.
[Giving them a paper]
Farewell, and let your haste commend your duty.”
Act 1: scene 2
Claudius offers Hamlet some
perfectly sound advice about
how to take the death of a
father, but it does not seem
genuine. What is it about his way
of delivering these truiums that
rings false?
Act 1: scene 2

“A little more than kin and less than kind”
our first impression of Hamlet, as well as the first true
comment to Claudius’ character by someone else other
than what he says
“ ‘Tis sweet and commendable in your nature,/ Hamlet,
/ To give these mourning duties to your father, /
But you must know your father lost a father, / That
father lost, lost his, and the survivor bound / In
filial obligation for some term / To do obsequious
sorrow. But to persever / To obstinate
condolement is a course / Of impious stubborness.
‘Tis unmanly grief. / It shows a will most incorrect
to heaven,/ A heart unfortified, a mind impatient, /
An understanding simple and unschooled. / For
what we know must be an is as common / As any the
most vulgar thing to sense, / Why should we in our
peevish opposition / take it to heart?
Act 1: scene 2
… Fie, ‘tis a fault to heaven, / A fault against the dead,
a fault to nature, / To reason most absurd, whose
common theme/ Is death of fathers, and who still
hath cried, / From the first corse till he that died
today, / “This must be so.” We pray you, throw to
earth/ This unprevailing woe and think of us/ As of
a father ; for let the world take note, / You are the
most immediate to our throne,/ And with no less
nobility of love / That that which dearest father
bears his son/ Do I impart toward you. For your
intent/ In going back to school in Wittenberg, / It is
most retrograde to ouru desire, / And we beseech
you, bend you to remain / Here in the cheer and
comfort of our eye, / Our chiefest courtier,
cousin, and our son.”
Act 1: scene 2
 Soliloquy #1… To be analyzed.
Act 1: scene 2
 What do we learn about King Hamlet
based on the conversation that
occurs between Hamlet and Horatio,
and what he tells us himself
(directly, in his style of speaking and
image)?
 Compare him to Claudius, the new
king; and to Hamlet, his son.
Act 1: scene 3
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a)
b)
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a)
b)
Scene 3 offers a good picture of Polonius’ family, which
is to play a prominent par in the coming events. Look
carefully at all of the advice Laertes and Polonius
offer on various subjects and describe their approach
to the world and their understanding of human nature.
Would you call them sensitive or practical?
What does this scene gain in meaning by being placed
between two scenes involving a ghost come back from
another world to speak of the corruption in this one?
How does Laertes’ advice to Ophelia resemble
Polonius’ advice to Laertes?
Polonius’ advice to Ophelia?
How is sympathy created in this scene for
Ophelia?
Hamlet?