T - voicing in American English - uni
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Transcript T - voicing in American English - uni
T - voicing
in American English
A comparison of
initial d and voiced t
What is t - voicing?
striking characteristic of American pronunciation
occurs in words like water
, better, waiting, 49ers quarterback
to non-American and English people it sounds like a /d/ rather than a /t/
phonetically it is not a plosive
Two different manners of articulation
alveolar tap (e.g. water, better)
retroflex flap (e.g. dirty, party)
1 Alveolar tap
Occurs:
inter-vocalically in a word (pretty , water
)
word-finally before a vowel (put it , light up
)
foot-internally after the nasal as a nasalized tap
(winter , twenty )
other realizations in AmEng:
total extinction
“British style”
2 retroflex flap
is used before a vowel when the
preceding consonant is the
approximant /r/
party
forty
The Recordings
female speakers from Illinois and Iowa
Northern accents
21 and 24 years old
reading coherent text
cassette tape
computer
cut out single words
just “Iowa file” for presentation
A tap/flap has a different acoustic
quality than a , therefore it is an
oversimplification to call it .
What are the differences in quality?
analysis in praat
Used words:
dinner
pottery
simplicity
49ers quarterback
Initial - dinner
release is marked by high
intensity of higher formants
fifth formant at 4500-4900 Hz
has highest intensity
the lower formants are
comparatively weak
Voiced tap - pottery
in all frequency ranges
relatively low intensity
highest intensity in first
formant
voice bar at ~ 440 HZ
higher formants hardly visible
Voiced tap - simplicity
voice bar at ~ 330 HZ
4th and 5th formant clearly
visible, as intense as 1st
formant
release
tap quality is similar to quality
of initial
similar contexts?
Voiced retroflex flap - forty
voice bar at ~ 550 Hz
higher formants are less
intense (no release)
very intense 2nd and 3rd
formant
influence of preceding /r/ ?
difference between tap and flap
• A tap/flap is not a
Initial d
tap
flap
yes
no (exception
simplicity)
no
1st formant
(voice bar)
In comparison to
higher formants
low intensity
yes
yes
2nd and 3rd
formant
nothing striking
nothing striking
Comparatively
intense
Release (higher
formants)