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Book Author: Fred Vargas
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- BY: FRED VARGAS
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What people Say:
Stefania T.
Lettore avvisato, mezzo salvato: preparatevi ad uno stucchevolissimo elogio.
La distanza fra Fred Vargas e la (mia personalissima) Idea di Perfezione è la strutturazione della
trama nel suo elemento 'giallo': sì, d'accordo, Fred Vargas è una giallista e scrive, essendolo,
romanzi...Gialli. Ma non è questo il punto.
Ma non doveva essere un elogio stucchevole? Certamente. Ho preferito anticipare l'unica, davvero
l'unica, pagliuzza nell'occhio della divina Perfezione e, soprattutto, ho dovuto (sono s
Lettore avvisato, mezzo salvato: preparatevi ad uno stucchevolissimo elogio.
La distanza fra Fred Vargas e la (mia personalissima) Idea di Perfezione è la strutturazione della
trama nel suo elemento 'giallo': sì, d'accordo, Fred Vargas è una giallista e scrive, essendolo,
romanzi...Gialli. Ma non è questo il punto.
Ma non doveva essere un elogio stucchevole? Certamente. Ho preferito anticipare l'unica, davvero
l'unica, pagliuzza nell'occhio della divina Perfezione e, soprattutto, ho dovuto (sono stata
praticamente costretta) rinforzare il mio giudizio con elementi vagamente "negativi" (Fred mi
perdoni!) affinchè tutto lo sproloquio elogiativo che seguirà possa risultare quantomeno verosimile.
Lo stile. Ddddiomio, non si può essere così dannatamente (e schifosamente, lasciatemelo dire)
raffinati nello scrivere. Fred cara, fai schifo. Peggiorati un po', per piacere! Qui si rischia un
complesso d'inferiorità che sarà difficile recuperare: capiscimi.
La fluidità si lega all'incisività e la ricchezza all'essenzialità : la prosa strilla "Puuuuù! Guarda
quanto sono bella, guarda quanto sono dolce, simpatica, ironica ed intelligente! Siiiiiicura di riuscire
a comprendermi ed apprezzarmi? Sei all'altezza, tuuuu, misera lettrice?". E' decisamente una prosa
antipatica, ma è talmente, talmente perfetta (non troppo da risultare inarrivabile ed ostica) che non
puoi che piegarti ai suoi piedi.
Fred sa essere ironica, misteriosa, angosciante, dolce e malinconica. Tutto si riversa in ciò che
scrive e tutto rimbalza sull'inerme lettore, schiacciato e stritolato per volere della penna Vargas.
Sono così esacerbatamente invidiosa da sentirmi in colpa da sola.
Jim Coughenour
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Fred Vargas is the nom de plume of French historian, archeologist and writer Frédérique
Audouin-Rouzeau, author of my favorite
Only four of her books have been translated into English so far; it's nice to know I have something
to live for.
I have a passion for intricate, existentially-eviscerated crime fiction (especially of the Scandinavian
variety), so it's with the fanaticism of the connoisseur that I acclaim Vargas as the best of the very
best. These books (I've starred all of them
Fred Vargas is the nom de plume of French historian, archeologist and writer Frédérique
Audouin-Rouzeau, author of my favorite
Only four of her books have been translated into English so far; it's nice to know I have something
to live for.
I have a passion for intricate, existentially-eviscerated crime fiction (especially of the Scandinavian
variety), so it's with the fanaticism of the connoisseur that I acclaim Vargas as the best of the very
best. These books (I've starred all of them) are brilliant, mixing a deep knowledge of the most
improbable arcana into delicious plots of labyrinthine complexity.
Hannah Lockhart
When I was a kid, I was obsessed with the Nancy Drew books and stayed up way past my bedtime
with a torch to read them, even though they scared me silly. The big draughty country houses we
stayed in during the mid-term breaks were often the setting for my reading, which probably
contributed to the experience.
In my adult life, I've weirdly refrained from murder-mysteries or detective novels, even though they
were an obsession when I was a child. I've always been interested in crime - an avid wat
When I was a kid, I was obsessed with the Nancy Drew books and stayed up way past my bedtime
with a torch to read them, even though they scared me silly. The big draughty country houses we
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stayed in during the mid-term breaks were often the setting for my reading, which probably
contributed to the experience.
In my adult life, I've weirdly refrained from murder-mysteries or detective novels, even though they
were an obsession when I was a child. I've always been interested in crime - an avid watcher of
crime documentaries and follower of large court cases. And yet, I don't bring this interest of mine
into my reading life.
Thankfully, I was afforded the opportunity to read this great detective novel by Fred Vargas (a
pseudonym for Frédérique Audoin-Rouzeau, a French female historian) that my Ma bought me
for Christmas. She always had all these sorts of books on the family bookshelf and one day I asked
her who Fred Vargas was, as she had so many of them (hers were the German translations though
so I couldn't borrow them).
This was a marvellous detective story that I was immersed in from the beginning. This book had a
strange atmosphere (if it's possible that a book can have an atmosphere). At first, I thought it was
set in a medieval period - a discussion of the plague, a town crier in Paris, it all set this historic
scene in my mind. It was only when mentions of modern technology (such as mobile phones) were
brought up that I realised it was modern day. It's very interesting and Frédérique
Audoin-Rouzeau really shows in her writing that she is a historian.
The story has just the right pace, sprinkled with elements of magical-realism and humour, as well as
a generous helping of interesting and well-structured characters, it kept me interested the entire way
through.
The only reason this wasn't a five-star book is that I was displeased with certain elements of the
ending.
I'd recommend this series to anyone who enjoys murder-mysteries or detective stories. It's dark,
moody and enthralling. I'm looking forward to my next read from her.
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Roozbeh Estifaee
ٕرد وارگاس را در ایران نمیشناختهایم.
او تاریخدان و باستانشناسی ٕرانسوی است
که داستانهای معمایی و جنایی هم
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مینویسد. این اولین ترجمه از داستانهای
اوست، و چهارمین کتابش است که کمیسر
آدامسبرگ در آن ظاهر شده است. ژان باپتیست
آدامسبرگ، کارآگاه اصلی و تکرار شونده
ٕرد وارگاس، بازرس پلیس پاریس است. مردی
میانسال است که تنها زندگی میکند و البته
معشوقهای هم دارد که گاهی او را میبیند.
آدامسبرگ کارآگاه هیچ شیوه عملی خاصی
برای کارش ندارد و صرٕا خودش را در جریان
ماجرایی که دنبال آن است قرار میدهد.
«زود برو، دیر
ٕرد وارگاس را در ایران
نمی‌شناخته‌ایم. او تاریخ‌دان و
باستان‌شناسی ٕرانسوی است که
داستان‌های معمایی و جنایی هم
می‌نویسد. این اولین ترجمه از
داستان‌های اوست، و چهارمین کتابش است
که کمیسر آدامسبرگ در آن ظاهر شده است. ژان
باپتیست آدامسبرگ، کارآگاه اصلی و
تکرار شونده ٕرد وارگاس، بازرس پلیس
پاریس است. مردی میان‌سال است که تنها
زندگی می‌کند و البته معشوقه‌ای هم
دارد که گاهی او را می‌بیند. آدامسبرگ
کارآگاه هیچ شیوه عملی خاصی برای کارش
ندارد و صرٕا خودش را در جریان ماجرایی
که دنبال آن است قرار می‌دهد.
«زود برو، دیر برگرد»، در شروعی که برای
داستان‌های پلیسی بسیار غریب و جالب
است، با توصیٕ‌هایی ساده در پرداخت
شخصیت‌های ٕرعی داستان که البته
نقش‌های Ù…Ø-وری دارند آغاز می‌شود، Ùˆ
باید اقرار کرد که این توصیٕ‌ها قوی و
موثر هستند. در پنجاه، شصت صٕØ-Ù‡ ابتدایی
کتاب بعید نیست به نظرتان برسد که کتاب
اصلا در ژانر داستان‌های معمایی
نمی‌گنجد و بیشتر به یک رمان جریان
اصلی نزدیک است. اما کم‌کم از این آغاز
ٕاصله می‌گیریم و درگیر یک ماجرای
پلیسی کلاسیک می‌شویم؛ ماجرایی که
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با تهدید پاریس به طاعون توسط یک ناشناس
آغاز می‌شود و آرام آرام شهری را درگیر
ترس می‌کند و قربانی‌هایش هم پیدا
می‌شوند.
آدامسبرگ، همان طور که گٕتم، بی‌شیوه
است. او هیچ خطی را دنبال نمی‌کند و
کم‌ترین کنش ممکن را باعث می‌شود. تنها
کاری که می‌کند این است که ظاهر یک آدم
متٕکر به خودش بگیرد و از همه چیز خبر
داشته باشد. این البته به خودی خود نه ضعٕ
است و نه قوت. شاید پوآرو هم، اگر نه همیشه
دست کم گاهی، همچین شخصیتی داشت.
می‌شود انتظار داشت Ú©Ù‡ Ø-الا آدامسبرگ هم
همه‌چیز را کنار هم می‌گذارد و با
استدلال‌های تیزهوشانه‌اش ماجرا روشن
می‌شود. اما متاسٕانه این اتٕاق
نمی‌إتد. عملا گره مساله با «الهام» باز
می‌شود. کارآگاه «Ø-س می‌کند» Ú©Ù‡ مجرم
در میدان است و بعد هم «تصادٕا» در میدان
پیدایش می‌کند، بدون این که بداند
کیست. واضØ- است Ú©Ù‡ خیلی خوشØ-ال
نمی‌شویم.
در کنار این روند ناخوشایند گره‌گشایی
معما، باید به ضعٕ‌های طرØ- وارگاس هم
اشاره کرد. ماجرایی که ترتیب داده بسیار
پیچیده است، ولی توجیه کإی برای این
پیچیدگی ندارد. یعنی خیلی راØ-ت می‌شود
گٕت «خوب چرا این کارها را می‌کنند؟ چرا
صإ نمی‌روند طرٕ را بکشند؟» و سوال‌های
بسیار دیگر از این نوع، در مورد اجزای
ماجرا.
نکته آخر این که از ترجمه‌های عباس
آگاهی چیزی نخوانده بودم. تاسٕ‌آور بود.
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Danilo De rossi
Terzo romanzo della serie con protagonista Adamsberg e, finora, il più convincente. È indubbia
l'eleganza della scrittura della Vargas, così come la preparazione che sta dietro ogni suo libro. Ho
trovato molto interessante il richiamo della Peste, in particolare tutte quelle informazioni che l'autrice
fornisce e che raramente si trovano nei manuali di storia. Davvero una lettura piacevole e
coinvolgente.
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