Elements of painting printmaking photography
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Transcript Elements of painting printmaking photography
Elements of painting,
printmaking, photography,
graphics art
Or how we talk about images
on a flat surface
What is it?
A two-dimensional object
Rejects representation
Does not try to represent
the “real”
Iconic – symbol of the real
Techniques to unveil the
process
Accepts representation
Tries to imitate the “real”
Tries to be threedimensional
Techniques to fool the eye
How is it done?
How
the elements are used
And put together describe the composition of the
piece
Elements of painting/design
1.
Line
2. Form
3. Color
4. Space
5. Texture
Use of basic elements in composition
1. Repetition
2. Balance
3. Unity
4. Focal area
5. Perspective
6. Chiaroscuro
7. Dynamics
The composition of a piece helps us
construct meaning in and for the
artwork.
Line
line – actual line on the surface
Implied line – suggested line through color, shape,
boundaries of objects
Painterly line – more implied than real
Linear – more actual line than implied
Real
Line
is used to control our eye, create unity and
balance, help construct meaning
Form
Shape
of object (as a result of the use of line)
Shape of parts of composition
Triangle, square, circle, and so on
Color
– pure color (red, blue,….)
Value – amount of black or white in color
Intensity – degree of purity of color
Hue
Space
Illusion
of three dimensions
Texture
– suggested roughness or smoothness of
objects in the composition
Real – what it would feel like if you touched it
Implied
How those elements are used to create
the image….
Repetition
The
repetition of line, color, shapes
Repeat
the element in a consistent pattern
Repeat the element in a variation of the pattern
Juxtapose elements in a pattern
Balance
Symmetrical
Bilateral
if divided the same on both sides
Asymmetrical
Placement
of unlike terms
Unity
Completeness
within the frame (closed
composition)
Incomplete; viewer’s attention drawn outside the
composition (open composition)
Use of color, line, shape to pull the objects
together
Focal Area
Where
one’s attention is drawn
Can have more than one focal area
Perspective
Making
a two-dimensional object into the illusion
of three-dimensional
Linear (1-point) perspective
Converging
Aerial
line to achieve the sense of distance
perspective
Color,
detail, size to create sense of distance
Chiaroscuro
Contrasts of light and dark
Dynamics
How lively or stable/stolid does the
picture seem?
Subject matter
Continuum
From real (representation) to
nonobjective (iconic)
Our knowledge of the history of the
use of elements also contributes to the
meaning of the object.