Transcript The High Renaissance 16 century Italy th

The High Renaissance
16th century Italy
•Catholic Church is the dominant religious power
•Growing discontent with the Church primarily in the
North
•Beginning of Martin Luther’s Reformation of the
Church
•Holy Office of the Inquisition-church court that dealt
with heretics-as a reaction to the Reformation efforts
•Society of Jesus-Jesuit religious order expands
missionary work all over the world
Leonardo
da
Vinci
1452-1519
Leonardo da Vinci, Study for an Assault Chariot
with Scythes, 1485
Leonardo da Vinci,
Study for an
Automobile, 1478
•Worked in Milan under
Duke Ludovico Sforza
Leonardo da Vinci,
Vitruvian Man,
c. 1490
Leonardo da Vinci,
Anatomical Studies,
1509-14
Leonardo da Vinci,
The Virgin of the
Rocks,
Milan, 1483-86
sfumato
Leonardo da Vinci, The Last Supper, Santa Maria
della Grazie, Milan, 1495-98
Leonardo da Vinci,
Lady with an Ermine,
Milan, 1483-90
•Cecilia Gallerani
Leonardo da Vinci,
Virgin and Saint
Anne with the Christ
Child and the Young
Saint John the
Baptist,
Milan, 1483-90
•Cartoon
•Cartone
Leonardo da Vinci,
Mona Lisa, Florence,
1503-05
Lisa Gherardini del Giocondo
Monument to
Lysicrates,
Classical Greek,
th
4 century ad
Raffaello
Santi
1483-1520
Paper/Squidoo/Blog
I. Intro
A. Artist title date location
II. Description
A. Visual Elements/Principles of
Design
Historical context
A. why it was made, who
commissioned it, etc.
Comparison
Conclusion
Raphael Santi,
Madonna of the
Meadows,
Florence, 1505
Raphael, School of Athens, The Vatican, Rome, 1509-11
Raphael,
Galatea,
Villa Farnesina,
Rome,
1511
Michelangelo
Buonarroti
1475-1564
Michelangelo,
Pieta, Rome,
1500
Michelangelo,
David,
Florence,
1501-04
Savonarola
Michelangelo,
Interior of the
Sistine Chapel,
The Vatican,
Rome
Ceiling:1508-12
The Last
Judgment:
1536-41
Michelangelo,
Study for the
Interior of the
Sistine Chapel,
The Libyan
Sibyl,
1511
Michelangelo, Sistine Chapel Ceiling,
The Vatican, Rome,1508-12
Michelangelo,
Sistine Chapel,
The Libyan
Sibyl,
1508-12
•Teribilita
•Figura Serpentinata
Michelangelo,
Sistine Chapel,
Ignudo,
1509
Michelangelo, The Creation of Adam,
1508-12
Michelangelo,
Moses, Rome,
1513-16
•Pope Julius II
Michelangelo,
The Last
Judgment:
1536-41
Sofonisba Anguissola, Portrait of the
Artist with her Sisters, Cremona, 1555
Michelangelo,
Pieta Rodanini,
Rome, 15521564
Bramante,
The Tempietto,
Rome, 1502
Temple of Hercules, Rome, 142
AD
Old St. Peter’s Basilica, Rome, ca. 330
Michelangelo, Design for St. Peter’s,
Rome, 1547
Bramante, Plan for St. Peter’s, 1506
Bramante, Plan for
reconstruction of
St. Peter’s Basilica,
Rome, 1506
Michelangelo, Plan
for reconstruction of
St. Peter’s Basilica,
Rome, 1546
Michelangelo, Design for St. Peter’s,
Rome, 1547
Michelangelo’s plan of
1546
Carlo Maderno, Plan
for reconstruction of
St. Peter’s Basilica,
Rome, 1605
Michelangelo, St. Peter’s Dome
and Façade, 1546-64
Carlo Maderno, 1606-12, Facade
Giacomo della Porta, 1590
New St. Peter’s, Rome
Giacomo della
Porta, Il Gesù,
Rome, 1575-84
•Designed to reflect the
significance of the Jesuit
order
•Combination of old and
new elements
•More curvilinear forms and
ornament
•Becomes standard type of
church design for the
Jesuits throughout the
world
Giovanni Bellini,
San Zaccaria
Altarpiece,
Venice, 1505
•Water and quality of
light in Venice attracted
many artists
•Oil paint introduced to
Venice by Antonello da
Messina
•Interest in light and
perspective
•Harmony between the
colors
Parmigianino,
Madonna with the
Long Neck, Florence,
1534-40
•mannerism
Bronzino,
Allegory with
Cupid and
Venus,
Florence,
1540s
Giovanni da
Bologna,
Rape of the
Sabine
Women,
Florence,
1581-83
Palladio, San Giorgio Maggiore,
Venice, 1565
Palladio, San Giorgio Maggiore,
Venice, 1565
Palladio, Villa Rotonda, Vicenza, 1560s
Pantheon, Rome, 118 AD
Titian, Pastoral Symphony, Venice,
1510
Titian, Venus of Urbino, Venice, 1538