Johann Wolfgang von Goethe

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Transcript Johann Wolfgang von Goethe

Johann Wolfgang von Goethe

Title: Author: Johann Wolfgang von Goethe Format: Paperback Language: Italian Pages: 361 Publisher: , 0 ISBN: 8817150827 Format: PDF / Kindle / ePub Size: 8.2 MB Download: allowed

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Les Affinités électives Johann Wolfgang von Goethe, poète, romancier, dramaturge, théoricien de l’art et homme d’Etat allemand (1749-1832) Traduction par Aloïse de Carlowitz Charpentier, 1844 Ce livre numérique présente "Les Affinités électives", de Johann Wolfgang von Goethe, édité en texte intégral. Une table des matières dynamique permet d'accéder directement aux différentes sections.

Ce roman prend l'exemple de la théorie scientifique des "affinités électives" pour expliquer que les passions et les relations humaines s'expliquent par la Chimie Liste des sections: - 1. Présentation - 2. Première partie - 3. Deuxième partie

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Georgia: It was interesting. Goethe wrote this book in part as a meditation and exploration of the scientific developments that were happening at the time. Specifically he was interested in chemistry and the law of attraction. "The tendency of those elements which, when they come into contact, at once take hold of, and act on one another, we call 'affinity', states one of the characters in the book. So Goethe applies these laws that are being discovered in chemistry to human relationships, and so creates a sort of 'formula romance'. It was interesting to see how he wove these different scientific ideas and also the current aesthetic philosophy into the story through the conversations of the characters and the structure of the plot. At one point the narrator observes: "He who looks at Beauty is proof against the breath of Evil; he is in harmony with himself and the whole world."(52). This is in line with Kant's notion of beauty, which Goethe would have been aware of at the time.

Procyon Lotor: Giardinaggio nel vivaio della vita. Le affinit elettive (metafora chimica in merito alle preferenze che alcune sostanze mostrano per legarsi o meno e che nel periodo si incominciava a tabellare) si apre in modo esplicitamente teatrale, presentazione dei personaggi con la loro entrata in scena favorita da dialoghi autoesplicativi. L'uomo (Eduard, ex-Otto) e la donna (Charlotte) sono benestanti e nobili, integrati e sereni e in buona salute. Il trucco scenico di eliminare i nei e le manchevolezze pi comuni d'ognuno per concentrare l'analisi su un solo elemento, il medesimo che Schnitzler utilizzer in Doppio Sogno. Unico scarto nella linearit fu che prima di trovarsi finalmente, si erano persi legandosi ad altri. La sorte infine li aveva favoriti. La loro occupazione principale , concordemente all'estetica tedesca - tuttora assai operante - che considera massima bellezza la natura ordinata dall'uomo, riordinare percorsi, dar vita a scenografie tramite giardinaggi vari e sistemazioni nella tenuta secondo i dettami del

trattamento romantico. Il genere cartolina con balconi pieni di gerani la versione popolare del loro senso estetico. Il pittoresco li assorbe, quindi il sentimentalismo li guida. Alcune necessit contingenti permettono loro di dibattere se includere ulteriori persone che potrebbero risultare utili, e nel contempo far loro del bene accogliendoli presso loro. Il Capitano (alias Otto pure lui) e Ottilie. "Ott" presente in tutti i nomi sottile artificio retorico a indicare la comunanza di radici.

Il dibattito fra i coniugi una perla di retorica e uno dei dialoghi meglio costruiti che ho mai letto.

Certo formale, certo aulico, certo di classe sopraffina inarrivabile ma nel mondo dei ti kiedo aiuto xk nn so ke fare se nn mi aiuti bfngl nnso ke fccmo stas? kiamami, tvucdbateas... un balsamo ambrato massaggiato in terme marmoree istoriate in ceramica. Usciamo dall'hammam e torniamo ai due. Il dialogo evidenzia due persone obiettivamente innamorate ma di notevole disparit intellettuale. Charlotte sembra la prova provata che l'ber-Mensch che verr vagheggiato da Nietzsche decenni dopo era gi stato scoperto da Goethe in una Signora della piccola nobilt tedesca. E' cos alta sulla realt da essere quasi clairvoyante e accetta i desideri del marito senza spocchia, e senza che i suoi colpetti aggiustanti le rozze (a paragone) pianificazioni di Eduard siano intendibili come manipolatri nemmeno dal pi paranoico dei mariti. Conseguentemente a ci, arrivano il Capitano ed Ottilie. Goethe che aveva dato segni d'artificiosa simmetria e cattedralica costruzione del plot, apre i giochi invece con fluidit, ma fin da subito ci che Charlotte pavent accade. Non accade per come lei pensava. Qui pare che Goethe dia una costruzione mitica agli eventi. Come se inscenasse una tragedia grecheggiante dove i quattro sono Dei maggiori (preposti agli elementi e ai sentimenti) e gli architetti, amici, assistenti e borghesi vari che li contornano fossero Dei minori, preposti alle cose ed attivit umane. Ma giusto un'idea, pensando al secolo in cui fu scritto e alla ammirevole mancanza di rigida meccanicit dell'insieme, ancor pi difficile da raggiungere tanto pi che Goethe inserisce numerosissimi concetti di filosofia sociale dell'epoca, sia di suo gusto che semplicemente di corrente accettazione, la commistione di bildungsroman per Ottilie, di romanzo filosofico aforistico per tutti, di spaccato sociale tedesco e pure di romanticismo cauterizzato dal sentimentalismo, ne fa un capolavoro. Un altro concetto ascende. Se la natura ordinata bella, le cittadine di campagna sono buone. Goethe vede Stato e Grande Citt come luoghi truffaldini, amorali e indegni sostanzialmente a gente bennata. Nonostante la superiorit "aerea" di Charlotte, Eduard (innamorato di s) s'inclina pericolosamente verso Ottilie (innamorata della gentilezza) scambiando i gesti gentili che lei riserva lui a profusione come amore. Lei innamorata dell'amore, vedendolo in lui, lo sente sorgere dentro di s. Un colossale equivoco.

Un quiproquo cosmico. Qui forse, pur nella raffinatezza dell'insieme, il romanzo mostra un poco e il tempo trascorso e le mutate convenzioni e i crolli dei sipari oculari e dei pii desideri. Le donne mostrano una sessualit di riflesso, lunare, che senza la luce del desiderio maschile non esiste. Questo schema sociosessuale a basso contenuto ormonale oggi notoriamente largamente considerato come polveroso e decrepito. Charlotte a sua volta (per l'allontanarsi del marito) trova spazio dentro s per accogliere i desideri del Capitano, personaggio debolino, un onestuomo, un funzionario che funziona ma totalmente prevedibile e quindi rassicurante. Ma Goethe non uno sceneggiatore di thriller americani, per cui la risposta di Eduard ai timori di Charlotte s conforme al paventato ma non nei modi. Eduard se ne va da solo, in guerra, alla Beau-Geste. Una grande onest romanziera: Goethe vuole evocare sentimenti reali quindi accetta di abbandonare la macchinosit, ma da quel momento non governa pi da solo il romanzo che pone nuove regole difformi dal pianificato. Questa evoluzione ben esemplificata da Mittler, un personaggio che intercala come il motociclista in Amarcord, e pretende d'essere un Mercurio, un Demiurgo, un Deus Ex Machina e un risolutore di conflitti. Si render conto che

le sue pretese ordinatorio computistiche delle vite altrui sulla base di formule rigide sono - in vite scritte da sceneggiatori bravi - completamente velleitarie e che se vero che il carattere il destino, pure quest'ultimo non onnipotente. Segue evoluzione ulteriore e sviluppi, soprattutto donati da Ottilie che diventa una donna con una ricca personalit da ragazzina che era, ma sempre di rimessa e per reazione, rispondendo alle stoccate del destino senza una scherma personale, subendo le onde senza mai riuscire a salire sulla sua tavola di surf, avr vita durissima. E la parte comica? Eccola: c' gente che trova questo romanzo noioso. Colonna sonora: Chemical Brothers - Singles 93-03 Depeche Mode - Playing the Angel Depeche Mode Violator Moby - Last Night Remixed PS: Ad oggi, la tabella delle "affinit elettive" enorme e i chimici hanno elaborato leggi a partire dai potenziali di ossidoriduzione e generalizzato i prodotti di un enorme numero di reazioni che diventano ora prevedibili. Per gli esseri umani invece non siamo progrediti molto oltre quanto Goethe sapeva.

Kastoori Barua: This book is steady with its pace and the plot has been very skillfully and maturely executed, but my personal opinion is that The Sorrows of Young Werther is a much more powerful work than this (perhaps because the romantic sentiments of Werther happen to be exponentially more powerful that Eduard's and Ottilie's).

Nevertheless, this book is a very splendid realistic rendering of the country-side aristocracy.

Though, not as gripping as The Sorrows of Young Werther, the way, Goethe has introduced a curious interplay of chance and fate, reason and passion and finally amalgamated them into an astonishing ending makes this book worth reading.

Vasha7: I learn this gorgeous novel in German. even though i would have objected to how dependent it is, so jam-packed with symbols and echoes, within the palms of a grasp like Goethe it simply contributes to the sophisticated atmosphere. what is more, the characters are person and detailed, as comes out via their interactions and words. i discovered myself pitying Ottilie instead of being pissed off via her submissiveness (in any case, there is extra to her than submissiveness); and Charlotte struck me as the most likable, admirable characters i have encountered in pre-20th-century fiction. She's now not an anachronistic feminist, yet relatively a self-possessed individual whose adventure of existence has contributed to her sturdy sense; at one aspect she lightly yet firmly rebuts a guy who is made a few generality approximately women. a surprising occasion was once elevated in influence in that it used to be the very first thing that ever shook Charlotte into asserting whatever irrational.If Goethe has any opinion in regards to the genuine importance and correct resolution of the painful tangle of feelings during this story, he expresses it simply indirectly; like lots of the most sensible novelists, he increases extra questions than he answers. He describes the social forces which are attempting to plan and keep an eye on everything, but can purely accomplish that in part. within the end, this publication turns out much less of a tribute to romantic love (such a harmful force) than to friendship, which survived every thing and used to be now not destroyed by way of sour emotions because it may possibly so simply have been.

Jos: I forgot that i have learn this earlier than and purely after interpreting the 1st pages I remembered it. does not communicate for the endurance of the book.Here's what stayed in my brain weeks after completing it:- Love lifestyles was once as complicated 2 hundred years in the past because it is today. males constantly have been looking for younger women.- Analogies among chemical parts and coupling actions of people may be drawn.- humans had unusual

hobbies on the time. Posing on a degree which will depict well-known paintings?- out of the 4 comprising the affection quartet die.- army responsibility was once in excessive esteem to domesticate a man's character. Even Goethe used to be of this opinion.- Storylines at the moment have been hugely artificial. Unrealistic coincidences and idealized characters abound. the higher social strata used to be hugely indifferent from the remainder of society and probably did not have to fret approximately incomes their dwelling at all.It's Goethe after all. the guy has whatever to claim approximately mankind which nonetheless at the present time makes non compulsory Affinities a worthwhile read.

Joselito Honestly and Brilliantly: wealthy couple, move middle-age. For both, their moment marriage. the woman has a young, attractive foster-daughter and the gentleman has a friend, a former army guy (the Captain). either come to dwell with them.The gentleman and the foster daughter fall in love with every one other; the girl and the foremost do likewise. From here, Goethe constructed his tale interspersed with quotable aphorisms approximately love, marriage, man, woman, relationships, faith and what not. it could actually have supplied scandal and titillation in the course of the commence of the nineteenth century while this used to be first published, yet may possibly bore twenty first century readers, like what it did to me.It needs to be mentioned, however, that this should have been Goethe's personal own favourite because it was once loosely in accordance with his personal experience. He had lived in with a lady for greater than 18 years (they had five children) prior to marrying her in 1806 while he was once fifty seven and she, 41. Thereafter, however, he fell in love with an 18-year-old girl, a foster daughter of a printer/publisher. This, and his different next affairs with younger women, gave him loads internal clash and made him write appealing sonnets. Which proved, as soon as again, that interesting such things as infidelity, extra-marital affairs and wars are sturdy for literature. In bankruptcy eleven of this novel Goethe wrote the subsequent after a personality had instructed a narrative which was once eerily just like what had supposedly rather occurred to a different character:"The occasion defined had truly occurred and had concerned the Captain and a lady neighbour of his; it's precise it had now not occurred precisely because the Englishman had informed it, yet its major good points have been intact and purely person information have been constructed and embellished, as has a tendency to occur with stories of this type after they have handed first of all via mouths of the gang and thus during the myth of an ingenious and classy narrator. For the main half every thing and not anything continues to be in spite of everything because it was."From the depths of your melancholy you wrote and bequeathed us this love story, Goethe. So from the depths of my very own melancholy after slogging via it, I salute you, resourceful and classy narrator!

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