Chapter Ten High Middle Ages: The Search for Synthesis ______________________________ Culture and Values, 6th Ed. Cunningham and Reich.

Download Report

Transcript Chapter Ten High Middle Ages: The Search for Synthesis ______________________________ Culture and Values, 6th Ed. Cunningham and Reich.

Chapter Ten
High Middle Ages:
The Search for Synthesis
______________________________
Culture and Values, 6th Ed.
Cunningham and Reich
The Significance of Paris
 Center of Western civilization (1150-1300)
 Gothic architecture
 Scholasticism
 The University
 Distinct cultural expression
 Classical texts
 Judeo-Christian worldview
 Religious reforms
The Gothic Style: Saint Denis
 Abbot Suger (1080-1151)
 Saint Denis and Charlemagne
 Pilgrimage destination
 Lendit
 Hagia Sophia, Temple of Solomon
 Choir, double ambulatory
 Defining Gothic
 Gothic vs. Romanesque
The Mysticism of Light
 Luminous quality of the Gothic
 Suger’s “theology of beauty”
 Neo-Platonic philosophy, purity of light
 Stained glass windows
 Lux Nova
 …vs. Byzantine mosaics
 “Bible of the Poor”
To Teach and Edify
 Learning, wisdom, and God
 Collaboration of builders, theologians
 History of salvation in decoration
 Gargoyles
Many Meanings of the Gothic Cathedral
 Social functions
 “Cathedral Square”
 Church courts / civil courts
 Horarium
 Economic impact
 Pilgrimages, trade fairs, feast days
 Prestigious donations by guilds
Many Meanings of the Gothic Cathedral
 Motivation to build
 Actual design and construction
 Villard de Honnecourt’s notebook
 Combination of human knowledge and
religious faith
 Pilgrim as central metaphor
Music: The School of Notre Dame
 Musical notation
 Guido di Arezzo
 Polyphony of organum
 Secular music
 Troubadours, trouvères, minnesingers
 Léonin’s Magnus Liber Organi
 Pérotin and counterpoint
 The Motet
Scholasticism:
The Rise of the Universities
 Demand for an educated class
 Support for socioeconomic structures
 Intellectual and cultural needs
 Ancient texts (Aristotle)
 Relationships with Arab scholars
 Renaissance of legal studies
 Dialectics
 Peter Abelard
 Scholasticism
Scholasticism:
The Rise of the Universities
 University of Paris
 William of Champeaux (1070-1121)
 Peter Abelard (1079-1142)
 Universitas
 Magistri / doctors
 Art vs. Theology
 Student financial assistance
 Curriculum and instruction
Scholasticism:
The Rise of the Universities
 Student culture and lifestyles
 Saint Golias
 Goliardic Verse
 Carmina Burana
 Women not admitted to universities
 Educated by private tutors or in convents
 Few exceptions to the rule (Italy, Germany)
Francis of Assisi
 Mendicant brotherhood
 Life of total poverty, mobility
 Humanity of Christ
 Literal interpretation of the Gospels
 Stigmata
 Goodness of God’s creation
 Concern for all creatures
 Affective and emotional religion
Thomas Aquinas (1225?-1274)
 Intellectual and mystic
 “Master of the Sacred Page”
 Sought to harmonize reason and
revelation
 Fideism vs. Rationalism
 Summa Theologica
 Intellectual tradition of Aristotle
 Hierarchical, synthetic worldview
Dante’s Divine Comedy
 Influenced by intellectualism from Paris
 Hierarchical, synthetic religious humanism
 Wide array of publications
 The Comedy of Dante Alighieri…
 Inferno, Purgatorio, Paradiso
 Organization
 Terza Rima
 Encyclopedic and complex
Symbolism in The Divine Comedy
 Journey
 Vergil, Beatrice
 Numbers
 Multiples of three, Trinity
 Punishments and Blessings
 Satan
 Light and Darkness
 Intellectual estrangement from God
Chapter Ten: Discussion Questions
 Consider the pilgrimage both as a metaphorical and
literal journey. What role did the pilgrimage play during
the Middle Ages?
 What specific qualities are present in Gothic
architecture that are not present in the Romanesque?
What is the symbolic message inherent in each
architectural style?
 Explain the “hierarchical and synthetic” natures of the
Gothic cathedral, Aquinas’ Summa Theologica, and
Dante’s Divine Comedy. In what ways are they
hierarchical? What is being synthesized in these artistic
and intellectual examples? In what ways is this a
commentary on the patterns of thought during the
Middle Ages?