Political Cartoons

by Alleen Pace Nilsen and Don L. F. Nilsen

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Caricatures

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Caricatures are probably the oldest form of pictorial humor, where caricare in Latin means “to overload, or exaggerate.”

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The main stylistic devices here are distortion and exaggeration, and the main subject, famous people.

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The Word “Cartoon”

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The term Cartoon originally comes from the Italian word ‘cartone’ and means a strong, heavy paper or pasteboard. It denotes a full-size drawing made on paper as a study for further drawings, such as a painting or tapestry.

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Punch applied the term to satirical drawings by publishing some parody drafts for frescoes (also called cartoons) and making the term’s new meaning permanent.

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A cartoonist’s craft may force them to limit their originality, because they have fewer than 10 seconds to grab the attention of viewers, and, in fact, to tell whole stories.

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We will start with two classic cartoons by David Levine for the New York Review of Books. No words are needed, but readers had to have cultural knowledge in order to “Catch on.”

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After President Lyndon Johnson had gallbladder surgery he lifted his shirt to show his scar to reporters at a news conference. Levine’s drawing shows that his real scar was in the shape of Vietnam.

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President Reagan, who was famous for cutting welfare is compared to Marie Antoinette who after being told that the people had no bread famously said, “Let them eat cake.”

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Cultural Icons can be either

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recognized visual symbols

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or familiar words that can be parodied.

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Cartoonists first have to help the viewers into the mindset of the original,

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Then take them in a new direction.

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As with Mike Peters’s 1984 criticism of President Reagan’s military support of El Salvador:

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I pledge a billion to the flag of the right wing government of El Salvador

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And to the death squads for which it stands One nation, underfed Indefensible With M-16s and Howitzers for all.

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These words have come into English from various cartoons: POW! ZAP! WHAM! ZIP! ZOWIE!

Teddy Bear Gerrymander Yellow Journalism McCarthyism (from Senator Simple J. Malarkey in the Pogo Comic Strip)

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ARACHNOPHOBIA

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IRAQNAPHOBIA

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The term “Iraqnaphobia” was first used in the caption of an editorial cartoon by Clay Bennett that appeared in the August 3, 1990 edition of the St. Petersburg Times.

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The cartoon shows a spider labeled “Iraq” menacing Kuwait, and the caption reads “Saddam Hussein Presents Iraqnophobia.”

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Obituary Cartoons

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Cartoonists hate doing them, because they have to be respectful, no matter what.

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But their audiences love them, because they capture the essence of the person who has died.

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For efficiency, cartoonists make use of common visual symbols

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Pointing fingers or arrows

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The Trojan Horse

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Tombstones and the initials R.I.P.

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Skulls/The Grim Reaper

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The three monkeys

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The Ghost of Christmas Past

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Superman

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Railroad tracks not matching up

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A 1973 Boston Globe Cartoon by Paul Szep showed Vietnam as a maze.

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Reprinted in 1975 with added symbolism.

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Other Common Symbols include:

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Snakes Wolves Fantasy characters Baby buggies (because they hide information)

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And new interpretations of familiar sayings about big sticks (which a person should carry as he speaks softly), and where the buck stops.

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Variations on the Statue of Liberty show how symbols can change over time while still retaining some of the original meaning.

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Statue of Liberty cartoons while making many different political points still rely on images that in most people’s minds are “feminine.”

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1960: Doug MacPherson drew Fidel Castro and Nikita Krushev having a picnic on her head.

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1971: Daniel Aguila drew her with shortened robes under the cutline “Lib and let lib!”

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1980: Doug Marlett showed her sweeping dirt under a rug designed as a flag.

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1984: Signe Wilkinson showed her going through a sewing factory shouting “OK, you huddled masses, I know you’re in here!”

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2001: After 9/11, a tear falling from one eye

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And two sad eyes reflecting the burning Twin Towers

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2003: Expressing womanly impatience as she says “Geez, two years and still no capture of Osame…or Saddam…or Al Qaida…or WMD…or the Taliban, or Justice or…” A side note read “In a city accustomed to the New York Minute.”

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2005: Nick Adams won the 2005 Pulitzer Prize for showing President Bush sitting on top of her crown wearing earphones hooked to a satellite dish, which had replaced the flame in her extended arm.

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A Recent New Yorker Cover

What is the intended meaning of this cartoon?

Does it mean different things to different people?

Is The New Yorker more conservative or more liberal in its leanings?

What about the cartoon?

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Coffins have a similar impact. At first the Bush administration forbade photographs, but the drawings were even more heart rending because cartoonists added their own touches.

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Walt Handelsman drew coffins each covered with a funeral bouquet; His cutline: “They’ll be Greeted with Flowers.”

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Another cartoonist stood coffins on end as an eerie reminder of the domino theory that guided American policies in Vietnam.

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The Abu Ghraib prison scandal again shows shape as a hidden persuader.

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The most heart-wrenching photos were of Private Lynddie England holding a naked man on a dog leash, a pyramid of naked Iraquis, and a hooded prisoner silhouetted in a ragged, black blanket.

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Out of 40 Abu Ghraib cartoons reprinted in “Best of the Year” collections, more than half featured this man on the box.

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!

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It was the most dramatic of the images.

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The simplicity of design made it easy to highlight.

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It inspired viewers to pull related images from their own minds as in comparing it to the Ku Klux Klan.

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In 2010, Where’s the Humor?

People are so frustrated with each other that really funny cartoons are hard to find. Today’s cartoons are mostly hostile and accusatory.

They illustrate the idea of the MICH theory —Moderate Intergroup Conflict Humor —which says that people have to be a little bothered by something to expend the energy to make a joke. But if people are so bothered that they are really angry, they want to express their hostility in something more powerful than a joke.

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The Biggest Surprise in the 2010 National Election is the ToughTalk between Male/Female Candidates Polite sensitivities have been shelved, while bold gender-based power plays have become the norm.

Linguist Deborah Tannen relates the change to lines blurring between public and private.

Communications Professor Kathleen Jamieson says that tough language frames the attacker as tougher than the person attacked.

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“Joking” is now coming through sexist insults that are repeated by the late-night comedians.

In August, Sarah Palin told Fox News that President Obama did not have the “cojones” to get tough on illegal immigration.

In an October debate between Nevada Senate candidates, Sharron Angle zinged Harry Reid with “Man up, Harry Reid.” Although Angle’s zinger got the most publicity, the phrase had already been used by Missouri Democrat Robin Carnahan in a Senate debate with Rep. Roy Blount.

In September, Delaware Senate candidate Christine O’Donnell told a radio interviewer that her primary opponent should “put his man pants on”

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Linguist George Lakoff explained that the Republican worldview emphasizes masculinity and strength,while Democrats underscore the more feminine quality of empathy. This is why, “If you’re a woman candidate who’s a conservative, then you have to say you’re more masculine than the other guy.” However, there’s a double standard in this bold, new talk because it doesn’t go over well for a man to tell a female candidate to be more ladylike.

Colorado Republican Senate candidate Ken Buck faced repercussions when he said that unlike his primary opponent Jane Norton, “I do not wear high heels.” In California, Governor candidate Jerry Brown apologized to Republican Meg Whitman after an aide was recorded calling her a whore.

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New Yorker Cartoonists Therapy Session http://www.youtube.com/watch?v=Wdts_HG7e2Y

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The Pulitzer Prize in Editorial Cartooning Here are some web sites of Pulitzer Prize winners in the category of “Editorial Cartooning.” No web sites could be found for some of the Pulitzer Prize winners.

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1974 and 1977 PULITZER PRIZE: PAUL SZEP http://www.szep.com/szep_thisweek.htm

1976 PULITZER PRIZE: TONY AUTH http://www.gocomics.com/tonyauth/ 1978 PULITZER PRIZE: JEFF MACNELLY http://www.macnelly.com/ 1979 PULITZER PRIZE: HERBERB BLOCK http://www.loc.gov/rr/print/swann/herblock/ 1981 PULITZER PRIZE: MIKE PETERS http://www.grimmy.com/editorials.php

1985 PULITZER PRIZE: JEFF MACNELLY http://www.macnelly.com/

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1987 PULITZER PRIZE: BERKELEY BREATHED http://www.berkeleybreathed.com/pages/index.asp

1992 PULITZER PRIZE: SIGNE WILKINSON Http://www.philly.com/mld/dailynews/news/special_packags/signe/ 1993 PULITZER PRIZE: STEVE BENSON http://www.azcentral.com/arizonarepublic/opinions/benson/ 1995 and 2006 PULITZER PRIZE: MIKE LUCKOVICH http://www.ajc.com/opinion/content/opinion/luckovich/index.html

1999 and 2003 PULITZER PRIZE: DAVID HORSEY http://seattlepi.nwsource.com/horsey/ 2001 PULITZER PRIZE: ANN TELNAES www.anntelnaes.com

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2002 PULITZER PRIZE: CLAY BENNETT www.claybennett.com

2005 PULITZER PRIZE: NICK ANDERSON http://www.cartoonistgroup.com/properties/anderson/home.php

2009 PULITZER PRIZE: STEVE BREEN http://townhall.com/political-cartoons/stevebreen/ 2010 PULITZER PRIZE: MARK FIORE http://www.markfiore.com/ 2011 PULITZER PRIZE: MIKE KEEFE http://www.denverpost.com/keefe 2012 PULITZER PRIZE: MATT WUERKER http://www.politico.com/wuerker/

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2013 PULITZER PRIZE: STEVE SACK http://www.startribune.com/steve-sack/10645851/ 2014 PULITZER PRIZE: KEVIN SIERS: http://www.charlotteobserver.com/opinion/editorial-cartoons/kevin-siers/ 2015 PULITZER PRIZE: ADAM ZYGLIS: http://www.adamzyglis.com/ 2016 PULITZER PRIZE: ?

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