E-books, E-audio, and Other E-content Instructor: Anthony Costa [email protected] An Infopeople Workshop Fall 2006 This Workshop Is Brought to You By the Infopeople Project Infopeople is a federally-funded.
Download
Report
Transcript E-books, E-audio, and Other E-content Instructor: Anthony Costa [email protected] An Infopeople Workshop Fall 2006 This Workshop Is Brought to You By the Infopeople Project Infopeople is a federally-funded.
E-books, E-audio,
and Other E-content
Instructor:
Anthony Costa
[email protected]
An Infopeople Workshop
Fall 2006
This Workshop Is Brought to You By
the Infopeople Project
Infopeople is a federally-funded grant project
supported by the California State Library. It
provides a wide variety of training to California
libraries. Infopeople workshops are offered
around the state and are open registration on a
first-come, first-served basis.
For a complete list of workshops, and for other
information about the project, go to the Infopeople
website at infopeople.org.
Introductions
Name
Library
Position
What
e-books or e-audio does your
library offer, if any?
Workshop Overview
What
is e-content?
e-books
e-audio
Planning
for e-books
Implementation
best practices
What is E-Content?
Electronic
versions of books, audio books,
music recordings, and video recordings.
In
this class we will not cover online
reference databases that are primarily
made up of articles from magazines,
newspapers, and journals.
What are the pros of
e-content versus print?
What are the cons of
e-content versus print?
Using Bookmarks in Class
1.
Go to: bookmarks.infopeople.org
2.
Look for the class bookmark file
3.
Click on it so it shows on the screen
4.
With the class bookmark file showing in
Internet Explorer, click the Favorites menu,
choose Add to Favorites…
5.
Notice the name in the Name: box so that
you can use the Favorites list to get back to
the class bookmarks for the rest of the day
What is an E-Book?
An
e-book is an electronic version of
a monograph that can be read on a
personal computer, e-book reader, or
other portable device.
How it works
usually in Adobe or html format
sometimes downloadable
Exercise
#1
Formats: HTML and PDF
When Comparing E-book
Providers Consider…
Platforms
Functionality
– what’s available?
Acquisition/ownership models
Content
digital rights
Functionality
Download
Markup
Full-text
searching
Hyperlinks
Standing orders
Authentication
Adjustable font size
Platforms
HTML
PDF
Proprietary
readers
Mobipocket
Downloadable
for offline use
What Are You Buying?
Purchase
– one time up front cost
Access fees
Title selection
Subscription
Pay annually
Updates
Archival
rights
Authentication Models
In-library
use only
Vendor-side authentication
Library-side authentication
Use your borrower database
Simultaneous Users
One
copy, one user
Unlimited
Pay for simultaneous users
Policies
Loan
periods
Authentication
Co-branding
Exercise #2
Library Catalog
Searching vs. Full-Text
Searching
Free E-books
AudioBooksForFree: www.audiobooksforfree.com
Escholarship: texts.cdlib.org/ucpress/
Google Book Search: books.google.com/
Internet Public Library’s List of other small collections:
www.ipl.org/div/subject/browse/hum60.60.00/
ManyBooks: www.manybooks.net
Memoware: www.memoware.com/
Online Books Page: digital.library.upenn.edu/books/
Oxford Text Archive: ota.ahds.ac.uk/
Project Gutenberg: www.gutenberg.org/catalog/
University of Virginia Electronic Text Library:
etext.lib.virginia.edu/ebooks
E-books and Print Books
How
should your e-book collection
relate to your print collection?
What is E-Audio?
Sound
recordings in electronic format
audio books
music
Current
How
state of technology
it works
Windows Media DRM
library products not iPod compatible
When Comparing E-audio
Providers Consider…
Platforms
Functionality
streaming v. download
Content – what’s available?
Acquisition/ownership models
digital rights management
• burn to CD
• unlimited simultaneous usage
• transfer to portable device
Exercise #3
Download an
E-Audiobook
How does e-audio fit
with other formats in
your collection?
Planning to Incorporate E-Books
Into Your Collection
Who
Are
is the audience?
there catalog issues?
Training
How
issues?
to promote?
In-House vs. Remote Usage
What
type of content makes sense in
electronic format?
Where
will users most likely access
your e-content?
Exercise #4
Plan an E-Content
Collection
Should you change your collection
development policy? If so, how?
Who should be selecting e-content?
When Selecting an E-Content
Provider Base Your Selection On…
Platform
Content
MARC
records availability
Support
Usage
statistics
Exercise #5
Select an E-content Provider
Best Practices for
Implementing E-content
Collection
development
Access configuration
Cataloging
User support
Staff training
Promotion
Usage statistics
Collection Development
Integrate
with print selection
Integrate
with database selection
Collaborate
with other libraries
through consortial collections
Let
users suggest new titles
Consider
weeding needs
Access Configuration
Multiple
access points
database links
MARC records
Test
remote access
Use proxy server software
Test public PC access
Cataloging
Evaluate
MARC records
MARC load frequency
Weeded titles
Item records
Use E-ISBNs
User Support
Staff
must be comfortable
Vendor
Limit
tech support
support for individual issues
Liaison
between staff and vendor
Staff Training
Train
staff so that they are comfortable
Train
all staff
Let
staff try downloading and using
portable devices
Have
cheat sheets for staff and patrons
Promotion
Press
Use
releases
bookmarks, signs, flyers etc.
Use
your website, blog, newsletter,
email, etc.
Raffle
mp3 player or pda to be used
with your collection
Exercise #6
Write Web Copy for Your New Collection
Usage Statistics
Don’t
wait to collect stats
Standardize
Calculate
download
measures across platforms
cost per checkout and cost per
More Implementation Issues
E-collection
Shared
budgeting
collections and consortial
discounts
What has worked or
would work well for
your library?
Exercise #7
Start an Action Plan for
Developing an E-Collection
Evaluation Form
infopeople.org/workshop/eval