E-books, E-audio, and Other E-content Instructor: Anthony Costa [email protected] An Infopeople Workshop Fall 2006 This Workshop Is Brought to You By the Infopeople Project Infopeople is a federally-funded.
Download ReportTranscript E-books, E-audio, and Other E-content Instructor: Anthony Costa [email protected] An Infopeople Workshop Fall 2006 This Workshop Is Brought to You By the Infopeople Project Infopeople is a federally-funded.
E-books, E-audio, and Other E-content Instructor: Anthony Costa [email protected] An Infopeople Workshop Fall 2006 This Workshop Is Brought to You By the Infopeople Project Infopeople is a federally-funded grant project supported by the California State Library. It provides a wide variety of training to California libraries. Infopeople workshops are offered around the state and are open registration on a first-come, first-served basis. For a complete list of workshops, and for other information about the project, go to the Infopeople website at infopeople.org. Introductions Name Library Position What e-books or e-audio does your library offer, if any? Workshop Overview What is e-content? e-books e-audio Planning for e-books Implementation best practices What is E-Content? Electronic versions of books, audio books, music recordings, and video recordings. In this class we will not cover online reference databases that are primarily made up of articles from magazines, newspapers, and journals. What are the pros of e-content versus print? What are the cons of e-content versus print? Using Bookmarks in Class 1. Go to: bookmarks.infopeople.org 2. Look for the class bookmark file 3. Click on it so it shows on the screen 4. With the class bookmark file showing in Internet Explorer, click the Favorites menu, choose Add to Favorites… 5. Notice the name in the Name: box so that you can use the Favorites list to get back to the class bookmarks for the rest of the day What is an E-Book? An e-book is an electronic version of a monograph that can be read on a personal computer, e-book reader, or other portable device. How it works usually in Adobe or html format sometimes downloadable Exercise #1 Formats: HTML and PDF When Comparing E-book Providers Consider… Platforms Functionality – what’s available? Acquisition/ownership models Content digital rights Functionality Download Markup Full-text searching Hyperlinks Standing orders Authentication Adjustable font size Platforms HTML PDF Proprietary readers Mobipocket Downloadable for offline use What Are You Buying? Purchase – one time up front cost Access fees Title selection Subscription Pay annually Updates Archival rights Authentication Models In-library use only Vendor-side authentication Library-side authentication Use your borrower database Simultaneous Users One copy, one user Unlimited Pay for simultaneous users Policies Loan periods Authentication Co-branding Exercise #2 Library Catalog Searching vs. Full-Text Searching Free E-books AudioBooksForFree: www.audiobooksforfree.com Escholarship: texts.cdlib.org/ucpress/ Google Book Search: books.google.com/ Internet Public Library’s List of other small collections: www.ipl.org/div/subject/browse/hum60.60.00/ ManyBooks: www.manybooks.net Memoware: www.memoware.com/ Online Books Page: digital.library.upenn.edu/books/ Oxford Text Archive: ota.ahds.ac.uk/ Project Gutenberg: www.gutenberg.org/catalog/ University of Virginia Electronic Text Library: etext.lib.virginia.edu/ebooks E-books and Print Books How should your e-book collection relate to your print collection? What is E-Audio? Sound recordings in electronic format audio books music Current How state of technology it works Windows Media DRM library products not iPod compatible When Comparing E-audio Providers Consider… Platforms Functionality streaming v. download Content – what’s available? Acquisition/ownership models digital rights management • burn to CD • unlimited simultaneous usage • transfer to portable device Exercise #3 Download an E-Audiobook How does e-audio fit with other formats in your collection? Planning to Incorporate E-Books Into Your Collection Who Are is the audience? there catalog issues? Training How issues? to promote? In-House vs. Remote Usage What type of content makes sense in electronic format? Where will users most likely access your e-content? Exercise #4 Plan an E-Content Collection Should you change your collection development policy? If so, how? Who should be selecting e-content? When Selecting an E-Content Provider Base Your Selection On… Platform Content MARC records availability Support Usage statistics Exercise #5 Select an E-content Provider Best Practices for Implementing E-content Collection development Access configuration Cataloging User support Staff training Promotion Usage statistics Collection Development Integrate with print selection Integrate with database selection Collaborate with other libraries through consortial collections Let users suggest new titles Consider weeding needs Access Configuration Multiple access points database links MARC records Test remote access Use proxy server software Test public PC access Cataloging Evaluate MARC records MARC load frequency Weeded titles Item records Use E-ISBNs User Support Staff must be comfortable Vendor Limit tech support support for individual issues Liaison between staff and vendor Staff Training Train staff so that they are comfortable Train all staff Let staff try downloading and using portable devices Have cheat sheets for staff and patrons Promotion Press Use releases bookmarks, signs, flyers etc. Use your website, blog, newsletter, email, etc. Raffle mp3 player or pda to be used with your collection Exercise #6 Write Web Copy for Your New Collection Usage Statistics Don’t wait to collect stats Standardize Calculate download measures across platforms cost per checkout and cost per More Implementation Issues E-collection Shared budgeting collections and consortial discounts What has worked or would work well for your library? Exercise #7 Start an Action Plan for Developing an E-Collection Evaluation Form infopeople.org/workshop/eval