Indian Film (Cine) Music Raja Harischandra (1913) Overview • Most films are musicals (have song and dance numbers) • Popular among all castes and.
Download ReportTranscript Indian Film (Cine) Music Raja Harischandra (1913) Overview • Most films are musicals (have song and dance numbers) • Popular among all castes and.
Indian Film (Cine) Music Raja Harischandra (1913) Overview • Most films are musicals (have song and dance numbers) • Popular among all castes and classes and often cross language barriers • Many large regional film industries • Widely disseminated via (pirated) cassettes • Films use “playback” singers to record the songs; the stars lip sync Lata Mangeshkar • Playback singer • Recorded 30,000 songs for more than 2,000 films between 1948 and 1984 • Has sung in more than 20 major Indian languages Musical Style • Blend of Indian and Western elements: – Instruments: violin, clarinet, conga, sax, synthesizers, guitars, etc. – Rhythms: foxtrot, polka – Harmony (use of chords) – Melodies mostly diatonic, short phrases – Form (contrasting sections, lack of improvisation) – Homogenous vocal quality Musical Examples • Film Bhajan. Combines traditional devotional song form with Western characteristics. • Examples from the 1960s. 2006 Hindi film History of Indian Film Industry • Cinema introduced in 1896 by the Lumiere brothers. Their tour included Bombay (now, Mumbai). • 1898 - First Indian films were of theatrical productions. • 1912/13 – First feature-length film. Subject is religious (life of Hindu saint). • 1931 – First musical History (cont.) • Pre-1940s • actors were classically trained singers and dancers, greater influence from Indian classical music tradition, use of “light classical” genres • Films produced locally, often reflecting reactions against British colonialism. Some were censored. • Post-1940s (1947-end of British rule) • British taxes and censorship forced many smaller companies out of business • Replaced by large corporations in Bombay (“Bollywood”) and Madras, star system Why Popular? • Continuity between traditional rural theater and cinema in themes, style • Widely disseminated outside of cinema • Fantasy element serves as escape for those in severe poverty (escapist?) • Strong star system • Genre conducive to incorporation and blending of various Indian and non-Indian musics. • Vijaya Anand examples “Cooking Up a Song”