Great Expectations Preoccupations and Concerns in the text Preoccupations and Concerns  Social Class  Ambition and self-improvement  Integrity and Reputation  Parents  Justice  Generosity.

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Transcript Great Expectations Preoccupations and Concerns in the text Preoccupations and Concerns  Social Class  Ambition and self-improvement  Integrity and Reputation  Parents  Justice  Generosity.

Slide 1

Great
Expectations
Preoccupations and Concerns in the text


Slide 2

Preoccupations and
Concerns
 Social Class
 Ambition and self-improvement
 Integrity and Reputation
 Parents
 Justice

 Generosity


Slide 3

Social Class


Slide 4

Social Class
 Set near the end of the Industrial Revolution
 Dramatic technological improvement in manufacturing

and commerce
 New opportunities for people of ‘lower’ classes to gain

wealth
 Pip’s ascent through the class system, would not have

been possible within the rigid hierarchy of the past


Slide 5

Social Class
 The novel ranges from the lowest classes up to the

wealthy:

 Convicts and orphans [Pip / Magwitch]
 Poor working class [Joe / Biddy]
 Poor middle class [The Pockets / Mr Wemmick]
 Wealthy middle class [Miss Havisham / Mr Jaggers]
 Upper class [Bentley Drummle]

 Virtually no time is focused on the traditional

aristocracy however.


Slide 6

Social Class
 The world of Great Expectations is continuously

questioning from where nobility and gentility are
derived:
 It used to be the aristocracy – but the industrial

revolution suppressed this somewhat
 Is it something that can be taught? [Pip tries to educate

himself]
 Is it something that can be bought? [Pip spens

prodigiously on luxury goods]


Slide 7

Social Class
 Dickens also upends the old equation between nobility

and class:
 Most of the novel’s heroes [Joe, Biddy and Provis] are

in the lower class
 Most of the villains [Compeyson and Drummle] are

upper class

 Ultimately Pip comes to learn that the source of true

gentility is spiritual nobility rather than either great
knowledge or wealth.


Slide 8

Ambition and Selfimprovement


Slide 9

Ambition and Selfimprovement
 A “pip” is a small seed – something that starts off tiny

and then grows and develops into something new.
Pip’s name then, is no accident, as Great Expectations
is a bildungsroman, a story of the growth and
development of its main character.
 Dickens presents the ambition to improve oneself as a

force capable of generating both positive and negative
results.


Slide 10

Ambition and Selfimprovement
 Pip’s early ambitions
 Elevating his social class
 Being worthy of Estella

 In the process he turns himself into someone who

feels like a sham
 Unkind to those who were kindest to him [Joe and

Provis]
 Ruins himself financially


Slide 11

Ambition and Selfimprovement
 Pip’s own ambitions are echoed by the self-

improvement efforts of secondary characters:
 Joe learns to write
 Miss Havisham learns to empathise


Slide 12

Integrity and Reputation


Slide 13

Integrity and Reputation
 In Great Expectations, Dickens explores pride as both

a positive and a negative trait.
 The crucial distinction between these different

varieties of pride is whether they rely on other people’s
opinions or whether they spring from a character’s
internal conscience and personal sense of
accomplishment.


Slide 14

Integrity and Reputation
Reputation

Integrity

 Estella

 Joe

 Bentley Drummle

 Biddy

 Mrs Joe

 Mr Wemmick

 Uncle Pumblechook

 Herbert Pocket


Slide 15

Parents


Slide 16

Parents
 The text looks skeptically at the traditional family

unit.
 There are very few models of healthy parent-child

relations
 Orphans – Pip, Provis, Biddy

 Broken / dysfunctional families – Herbert, Miss

Havisham, Estella, Clara, Joe
 Inverted Relationships – Wemmick and the Aged


Slide 17

Parents
 Instead of traditional mothers and fathers, Dickens

chooses to feature adoptive parents / mentors /
guardians:
 Joe – Pip
 Provis – Pip
 Mr Jaggers – Pip

 Miss Havisham - Estella


Slide 18

Justice


Slide 19

Justice
 The novel casts the British legal system in a dubious

light:

 Escaped convicts in part I

 Grotesque courts and prisons in part II and III
 Mr Jaggers built his reputation on successfully

acquitting a murderer [Molly]

 Wemmick’s separate moral codes – one for the law

firm, one for home

 Some of the most heinous crimes slip right through the

legal system


Slide 20

Justice
 The law treats Orlick and Compeyson much more

lightly than they deserve

 Orlick clubbing Mrs Joe is deeply horrific, leaving Mrs

Joe handicapped for life

 Compeyson assists in ruining many lives, but seems to

get away with in comparison to Magwitch

 Ultimately the only true and enduring scale of justice

is the human conscience, brought on by Pip’s
compassion.


Slide 21

Generosity


Slide 22

Generosity
 Dickens explores many different understandings of

generosity:
 Pip’s initial generosity [whilst based in fear] to Provis

results in him devoting his life savings towards Pip’s
future
 Mrs Joe and Uncle Pumblechook understand

generosity as a status marker – being considered
generous rather than actually acting generously


Slide 23

Generosity


Later Pip believes that the best kind of generosity is anonymous




He claims that his life’s only good deed was his secret donation
to Herbert’s career

Most of the novel’s most generous acts are not recognised for a
long time, implying that the truly generous give without expecting
immediate recongnition:


Provis’ funds



Joe’s care for Pip



Pip’s efforts to secure Herbert’s future



Pip’s care for Magwitch in Part III


Slide 24

Preoccupations and
Concerns
Thus it can be said that, through
the construction of his narrative
and the characters therein,
Dickens is concerned with these
aspects of English life at the time.