Exploration: Directing and producing
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Transcript Exploration: Directing and producing
EXPLORATION: DIRECTING
AND PRODUCING
Drama I – Unit 2
What is a Director?
Oversees the entire process of staging a production
STAGING: coordinating everything that actually
happens on stage
What does the director do?
ROLES:
Read and re-read script
Interpret it’s meaning
Form a vision of how the production should look
Decide how the action should unfold
Conduct auditions, choose cast, divide the play into
rehearsals, schedule the rehearsals
Blocking
Character relationships/emotions
Evaluate as you rehearse
Consult with all designers and techinicians
What skills does a director need?
SKILLS:
Must
be able to see end result
Must inspire, motivate, and focus actors, and crew
Strong visual sense
Certain personality traits
Be able to handle movement
Knowledge of technical theater and acting
Be able to analyze a play and present an
interpretation
Who are part of the director’s staff?
STAFF:
Assistant
Director – helps keep the rehearsal process
organized and running smoothly, a variety of other
tasks
Stage Manager – director’s technical liason backstage
during rehearsals and performance
Prompter – feeds lines to actors when they forget them
History of the Director
1500 – 1600s
No director (like we have today), an actor-manager fulfilled
all responsibilities
Many plays, few different looks – all productions basically
looked the same
1800s
Emphasis on realism and advancements in technology
Production more elaborate– too much for an actor-manager
George II, Duke of Saxe-Meiningen (1826-1914)
considered the 1st modern director
Formed a small court theater
Innovative: use of platforms, presenting crowds as small groups
What is a Producer?
Handles the business end of the production
What does a producer do?
EVERYONE works for the producer
Secure rights to the play
Raise money
Hire actors and staff
Arrange for theater
Supervise publicity and ticket sales
What skills does a producer have?
Financial management
Marketing savvy
Assess artistic merit and commercial potential of a
play
Who is part of the producer’s staff?
Business Manager – responsible for fundraising,
publicity, programs, ticket sales, paying bills
Artistic Director – handles the hiring of the director,
cast, and designers
The Production Team
Design Team
Design
and coordinate the production’s set, props,
lighting, sound, costumes, and makeup
TOGETHER,
WITH THE DIRECTOR AND PRODUCER,
THEY MAKE THE PRODUCTION TEAM
The Production Concept
Production Concept – how the play should look and feel
How does it happen?
1st discuss the script and production concept
2nd discuss marketing and budget
Designers begin formulating ideas to meet budget and
concept
Once decisions about set design are made, rehearsals can
begin
Other decisions – makeup, sound, costumes, etc. are made
throughout the rehearsal process
Assignment
Think about a film that you know and analyze the
production concept it reflects. What kinds of
images come to mind when you think about the
production? What forms and colors predominate?
What prevailing mood does the production convey?
When you have analyzed different elements that
contribute to the overall production concept, then
summarize them.
What is theatre defined by?
3 things…
A
story to tell script
Someone
to tell it actors
Someone
to listen audience
Types of Stages
Proscenium Stage
A
picture frame
Audience
sits on one side to watch action
Thrust Stage
Combination
Audience
of arena stage and proscenium stage
sits on two or three sides
Arena stage
Audience
sits all around the stage
Stage Areas
Right
Left
Upstage
Area
away from the audience
Downstage
Area
towards the audience
Theatre Space Layout and Terms
Lobby – where the audience gathers before and
after performances and during breaks
Box
office – buy tickets
House – where the audience sits
Orchestra
– seats nearest the stage
Orchestra pit – area for musicians
Balcony – projecting upper floors
Mezzanine – lower balcony
Light and sound booth – where technicians control light
or sound
Stage House
Stage – where actors perform
Fly space – above the stage where lights and
scenery are suspended
Proscenium arch – picture frame
Scenery – onstage decoration
Curtains – 3 kinds
Apron – acting area that extends beyond the
proscenium arch
Back wall – separates the stage from backstage
Backstage
All areas other than the acting space
Wings – they are immediately outside the scenery, unseen
by the audience
Stage manager’s booth – the place the stage manager calls
the show
Prop table – where all items carried onstage are kept
Dressing rooms – where actors get ready
Makeup room – room for makeup and hair
Green room – a lounge area in which actors may wait
before they go onstage
Stage door – a private entrance for actors
Scene
shop – where scenery is built
Costume shop- where costumes are made, maintained,
and stored
Prop shop- where props are made and stored