Post-Impressionism - Rogers State University
Download
Report
Transcript Post-Impressionism - Rogers State University
MIDDLE AGES….church dominance
EARLY RENAISSANCE.....
Experimentation
Heaven to earth centered thought
HIGH RENAISSANCE…
Creative explosion
Domination of Da Vinci, Raphael, Michelangelo
Balance, control, reason
RENAISSANCE OF THE NORTH
Protestant Reformation
Artist as individual (Durer)
MANNERISM
Academic…imitation
Free…original expressions
Restless, anxious, distortion, uncertainty,
unusual colors
BAROQUE…
Change…political, scientific, philosophical,
artistic
Counter-reformation
Passion, exuberance, “over-decorated
wedding cake”
Rubens, Rembrandt
ROCOCO…
Art for the aristocracy
Artificial, frivolous
NEO-CLASSIC...
Perfection
Controlled by academies
Age of Enlightenment
ROMANTIC…
Revolutionary
REALISM…
The Truth
IMPRESSIONISM…
Experiments with light, color, and
atmosphere
Advances in technology…portable canvas
& paints
Monet
Post-Impressionism
First art to concentrate on a psychological
perception of reality
Differs from other art in that it…
Simplifies
Omits Details
Concentrates on the significance of form
Term Post-Impressionism loosely applies to
artists between Impressionism and Pre-Modern
Labels now apply to ATTITUDE and to STYLE
By 1910…three main categories were obvious:
Expressionism
Abstractionism
Fantastic art
Each of these categories were established by a
major artist: Van Gogh, Cezanne, Gauguin
Two Peak Periods (from 1886-1905)
Question before…What does this painting represent?
Question now…What does this painting make us feel?
“A painting should have more in common
with a piece of music than with a
photograph”
“Minor” Post-Impressionists
Seurat
Toulouse-Latrec
Rousseau
Self Portrait
1875
PAUL CEZANNE
Recluse…perfectionist
“Father” of Modern Art
Indifferent to “correct” art
“the artist’s task is to represent…NOT to
reproduce…nature”
….”make of Impressionism something
solid”
PAUL CEZANNE cont.
“….look for the cylinder, the sphere, and
the cone”
art was a “visual research problem”
1883…”bones of nature”
An artist must distort whatever in nature
does not fit his/her concept of beauty
Cezanne must be studied for a long time
PAUL GAUGUIN
Vocal, flamboyant, recognized
Wanted freedom…journeyed around the
world in his search…wanted to return to
the natural BUT with a modern expression
Became recognized as a symbolist and a
liberator of color
Gauguin cont.
Gauguin’s art aims at five qualities:
Ideational
Symbolist
Synthesis
Subjective
Decorative
Strong,
selfish personality
VINCENT VAN GOGH
ENTIRE LIFE A SEARCH FOR SELF AND
SELF-EXPRESSION
Ten years of creative activity…completed
three phrases:
a) August 1880-February 1886
b) February 1886-February 1888
c) February 1888-July 1890
EARLY LIFE
Father: Minister of a Dutch Reformed Church
Van Gogh Family: Art and Religion
Brother Theo born 1857
Age of 15, first job…
Eugenie Loyer
Tried teaching
Worked in bookshop
Studied Theology
Religious work…Belgium
Returned home
PHASE I
1880…Studied art
1881…Cousin Kee
Hand in flame incident
Clasina Maria Hoornik (Sien)
1883…Returned to Parents
Margot Begemann
Opposition to marriage
1885…Death
of Father
First interest in artwork
First exhibit in August, 1885
Antwerp…Starvation
Interest
in Japanese
woodcuts
JAPONISME
Craze for all things Japanese
1867 … Paris Exposition Universelle
Embraced by the public
Japanese woodblock prints of particular interest to Impressionists and
Post Impressionists
1885
1886
1887
1888
…
…
…
…
Van Gogh began collecting Japanese prints
Bing Gallery next door to Van Gogh’s apartment
Van Gogh began to paint copies of famous Japanese designs
Arles work shows influence …
Letter to sister …
“Theo wrote that he offered you Japanese woodblock prints. That is
certainly the best way to understand which direction the light and colorful
painting has taken. Here I need no Japanese woodblock prints, because I
am here in Japan. This is why I only have to open my eyes and paint the
impressions that I receive.”
PHASE II
Moved to Paris
Associated with Impressionists
November 1887…Met Paul Gauguin
PHASE III
Moved to Arles
Utopian art colony
October 23…Gauguin arrives in Arles
December 23…Rachel incident
March 1889…Townspeople petition
April 17…Theo marries Johanna Bonger
May 8, 1889…Vincent admitted to mental hospital
May 1890…Under care of Dr. Paul Gachet
July 27, 1890…Age of 37…shot himself
January 25…Death of Theo
Legacy
Don McLean’s song “Vincent”
Anne Sexton poem “Starry Night”