Transcript Slide 1

Creative Europe
2014-2020
26 February 2013
Culture
Dimitriu
Date:Monica
in 12
pts
Why Creative Europe ?
 Investing in Europe’s cultural and creative sector
 Boosting the sector’s performance and contribute
to the aims set out in the Europe 2020 strategy
 Creativity – enabler for learning, innovation and inclusion
 Creative sector - driver of economic growth and employment
(4.5 % of EU GDP, 3,8% of EU’s workforce)
 Simplification, Branding, Cross-fertilisation
 Single entry point for the sector, actions’ complementarity
 Europe – the place of creation
Culture
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Benefits?
• 300.000 artists and cultural professionals would
reach new audiences both in Europe and beyond
• More than 1000 European films and 2500 cinemas would
receive support
• Translation of at least 5000 books
would be financed
• 100 million citizens would be
directly reached through the
projects financed by
Creative Europe
Culture
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Building Creative Europe-on long term experience
Policy initiatives –
Green Paper on
CCI, Council
conclusions
Studies,
research
Public consultation
MEDIA 2007 –
interim evaluation
CREATIVE
EUROPE
Culture Programme
– interim evaluation
Impact Assessments
Pilot projects on
artist mobility
Open Method of
Coordination with
Member States
Structured dialogue with the sector
Culture
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What problems is Creative
Europe seeking to tackle?
4 challenges
Culture
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1. A fragmented market/cultural
space
2. The digital shift
3. Access to finance
4. Lack of data
Culture
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Challenge 1:
A fragmented market/cultural space
Problem
• Fragmented area, many small markets due to language
• Difficulties for artists and cultural works to break into new
countries
• Cultural and linguistic diversity a challenge
Creative Europe
• Capacity-building to help artists develop
international careers and foster international networks
• Support for the transnational circulation of works,
(international touring, literary translation,
and development of long-term audiences for
European cultural works)
Date: in 12 pts
Culture
Challenge 2: The digital shift
Problem
• Changing how art is made, disseminated, distributed, accessed,
consumed and monetised
• Engaging audiences as active participants, not just passive
observers
• Having excellent examples, but knowledge is fragmented across
Europe and under-developed
Creative Europe
• New focus on audience development
• Capacity-building to facilitate peer learning,
knowledge transfer and faster adjustment
Culture
Date: in 12 pts
Challenge 3: Access to finance
Problem
• Chronic difficulties for SMEs in the sector to access bank loans
• Banks don’t understand the sector, its risk profile and assets, and
lack an incentive to invest to develop expertise
Creative Europe
• Would create an entirely new financial facility
• Capacity-building to increase number
and geographical scope of banks
willing to develop portfolios of loans
Culture
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Challenge 4: Lack of data
Problem
• Very little comparable data in cultural field
• Difficult to pinpoint problems and their scale
• Difficult to develop evidence based policies
Creative Europe
• Support better and more comparable data collection,
studies, evaluation, statistical surveys
• Extension of mandate of European
Audiovisual Observatory to other
cultural and creative sectors
Culture
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How to tackle the problems?
• New and refocused objectives and
priorities
• Simplified instruments
Culture
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Creative Europe framework
Culture
MEDIA
Cross-sectoral
aprox.
aprox.
30 %
55 %
aprox.
15 %
Culture
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Main principles
• European added value of supported projects
• Complementary to national initiatives and other EU instruments
• Flexibility and space for experimentation
and new business models
Culture
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General objectives
• Foster the safeguarding and promotion of European cultural
and linguistic diversity
• Strengthening the competitiveness of the cultural and creative
sectors with a view to promoting smart, sustainable and inclusive
growth
• Recognizable and simple single entry point for
European cultural and creative sectors
• Simplification of administration and management
procedure (e.g. through more flat rate funding, framework
partnership agreements, grant decisions, use of online
Date: in 12 pts
applications and reporting)
Culture
Specific objectives
• Support the capacity of European CCS to operate transnationally
• Promote the transnational circulation of cultural and creative
works and operators and reach new audiences in Europe and
beyond
• Strengthen the financial capacity
of CCS, in particular SME
• Support transnational policy cooperation
in order to foster policy development,
innovation, audience building and
new business models
Culture
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Cultural Strand
• Shift from overarching goal of promoting European citizenship
to priorities targeting the real needs of the sectors
(capacity-building, transnational circulation of works and
operators)
• Successful measures maintained, but some simplifications (i.e.:
reduction in number of calls managed by EACEA from 9 to 4)
• New measures:
•
•
•
•
•
Cooperation projects
European networks
European platforms
Literary translation
Special actions
Culture
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Examples of actions in CULTURE
• Support cultural operators to develop skills and knowhow to
facilitate adjustment to the digital shift
• Support artists/cultural and creative professionals to
internationalise their careers
• Strengthen European and international networks to facilitate
access to new professional opportunities
• Support international touring, events and exhibitions
• Support literary translation
• Support for audience building and
building a long-term audience for
European cultural works
Culture
Date: in 12 pts
Media Strand
• Successful actions maintained (e.g. Europa cinemas)
• Actions targeted at specific actors in the audio-visual value
chain (e.g. producers, distributors and exhibitors)
• Actions include:
• Providing skills and building up networks, support developing
of audio-visual works
• support distribution of non-national films on
all platforms, encourage new business models
• Facilitate access to markets and
foster international cooperation
and co-production
• Support film literacy and
audience building
Culture
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Examples of actions in MEDIA
• Audience building and film literacy
• Capacity building in use of digital technology, management and
finance, TV writing
• Strengthen the capacity of companies to develop several
projects at the same time and enlarge their scope
• Support to innovative distribution platforms
• Support for international training,
distribution and promotion of films
(former MEDIA Mundus)
Culture
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Culture and Creative Sectors
• CCS FI - a logical next step from the current MEDIA
Production Guarantee Fund
• Potential to generate 1 billion Euros worth of loans
• Main actions:
• offering guarantees to financial institutions by
offering loans to SMEs in the CCS
• disseminating European-wide specific
financial expertise in CCS among EU banks
• strengthening the investment readiness
of CCS SMEs
Culture
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Access to the Programme
• International dimension is a cross-cutting element across
Creative Europe, because the cultural and creative sector has to
also look outside Europe
• Possibility of full participation of non EU member states integration of European Neighbourhood
• Possibility for targeted bilateral actions
with selected countries or regions
Culture
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Future
 Erasmus for All and Creative Europe
are under discussion by the Council and
the European Parliament
 The final decision is expected in 2013
Culture
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Thank you for your attention!
http://ec.europa.eu/education/erasmus-forall/index_en.htm
http://ec.europa.eu/culture/creativeDate: in 12 pts
Culture