Transcript Document

The Mathematics of Phi
It’s a “phi-nomenon!”
By Geoff Byron, Tyler Galbraith, and
Richard Kim
The History of Phi
WHAT IS PHI?
Phi can sometimes be misunderstood
because it is known by so many different
names:
Ex: mean and extreme ratio, golden proportion,
golden mean, golden section, golden number,
divine proportion, φ, or sectio divina
Phi is most often known as the golden ratio
VALUES FOR PHI
Two quantities are said to be in the golden ratio, if
“the whole is to the larger part as the larger part is
to the smaller part.”
This can be demonstrated by:
ab a

a
b
Phi is equal to the following quadratic equation:


1 5
2
Therefore, we have Phi take on the values of 1.618 and
.618, which are often written as Phi = 1.618 and phi =
.618
THE GOLDEN MEAN
From the graphic above we can derive the
following about Phi:
A is 1.618 times B and B is 1.618 times C.
Alternatively, C is .618 of B and B is .618 of A.
WHO FOUND PHI?
There is debate over when and
by who Phi was actually
discovered.
Egyptians: The ratio is found in the
dimensions of the Egyptian’s
pyramids, yet there is no
mathematical or historical proof
that the Egyptians knew about Phi.
Euclid: Most often, the finding of
Phi is associated with the Greek
mathematician, Euclid, who wrote
about Phi in his series of books,
Elements, around 300 B.C.
Euclid is attributed with finding
the golden ratio and many of its
properties.
WHO FOUND PHI?
Fibonacci: Fibonacci is
given credit for adding to
the properties of Phi by
establishing the Fibonacci
Sequence, but it is
uncertain if Fibonacci
himself ever found the
connection between his
sequence and Phi.
WHERE DID THE NAME PHI
COME FROM?
It was not until the 1900’s that the numerical value
of 1.618 was given the name Phi.
Until then it was only referred to as the golden ratio,
divine proportion, golden mean, and golden section.
American mathematician Mark Barr first used the
Greek letter phi to designate the proportion
Reasons for choosing Phi:
Phi is the first letter of Phidias, who used the golden ratio in
his sculptures, as well as the Greek equivalent to the letter “F,”
the first letter of Fibonacci. Phi is also the 21st letter of the
Greek alphabet, and 21 is one of the numbers in the Fibonacci
series.
WHERE WAS PHI FIRST
SEEN?
Phi was first seen in
the design of the Great
Pyramids. (2560 B.C.)
It can also be seen
used excessively in the
design of the
Parthenon. (447 B.C.)
So, how is Phi derived?
Jacques Philippe Marie Binet
 Developed a
formula that finds
any Fibonacci
number without
having to start from
1, 1, 2, 3, 5, 8, etc….
What old mathematicians found out
about Phi
x  1  1  1  1  1  ...
Square both sides:
x  1  1  1  1  1  1  ...
2
x 1  x
2
x  x 1  0
2
Apply quadratic equation:
x
1 5
2
Notice that phi differs by sign:
  1.61803399...
   0.61803399...
What old mathematicians also
found about
x  x 1
2
Can you find the pattern?
x  x 1
2
x  2x 1
3
x  3x  2
4
x  5x  3
5
x  8x  5
6
x  13x  8
7
x  ????
n
Binet’s Formula
x  fib(n) x  fib(n 1)
n
Solve for fib(n).
x  
A :   fib(n)  fib(n  1)
n
B : ()  fib(n)()  fib(n  1)
n
Subtract B from A:
n  ()n  fib(n)  fib(n 1)  [ fib(n)()  fib(n 1)]
 n  () n  fib(n)  fib(n)()  fib(n  1)  fib(n  1)
 n  () n  fib(n)[  ()]
 n  (  ) n
fib(n) 
  (  )
 n  (  ) n
fib(n) 
5
 n  () n
fib(n) 
5
Finds any Fibonacci number,
assuming at n=1, Fib(1)=1.
What does Binet have to do with
Phi?
fib(n+1)
If we look at Binet’s
formula as it
approaches infinity,
it converges to phi.
1
2
3
5
8
13
21
34
55
89
144
233
377
610
987
1597
2584
4181
6765
fib(n)
1
1
2
3
5
8
13
21
34
55
89
144
233
377
610
987
1597
2584
4181
fib(n+1)/fib(n)
1
2
1.5
1.666667
1.6
1.625
1.615385
1.619048
1.617647
1.618182
1.617978
1.618056
1.618026
1.618037
1.618033
1.618034
1.618034
1.618034
1.618034
Looking at convergence from a
calculus perspective, what test
should we use to test
convergence???
The RATIO TEST!
 n 1  ( n 1 )
n 1
n 1
fib(n  1)


(


)
5
lim
 lim
 lim
n
n
n
n
n 
n


n


  (  )
fib(n)
  (  )
5
n 1

lim n  
n  
Applications of Phi
Phi in Nature
There is no other number that recurs
throughout life more so than does phi.
When looking at nature, we see Phi,
often times without realizing it.
Phi in Nature
The golden spiral is created by making adjacent squares of
Fibonacci dimensions and is based on the pattern of
squares that can be constructed with the golden rectangle.
If you take one point, and then a second point one-quarter
of a turn away from it, the second point is Phi times farther
from the center than the first point. The spiral increases by
a factor of Phi.
Phi in Nature
This shape can be found in many shells,
especially in nautilus.
Phi in Man
The Phi proportion itself
can be found in the very
bones that form our body's
skeleton. For example, the
three bones of any finger
are related to one another
by 1.618. Also, the wrist
joint cuts the length from
fingertip to elbow at 0.618
Ratios equal to Phi
Chin to Brow

Tip of Head to Brow
Navel to
Bottom of Foot

Tip of Head
to Navel
Phi in Design
The appearance of phi in all we see and
experience creates a sense of balance,
harmony and beauty. Mankind uses this
same proportion found in nature to achieve
balance, harmony and beauty in its own
creations of art, architecture, colors, design,
composition, space and even music.
Phi in Design
Works Cited
Freitag, Mark. "Phi: That Golden Number." Golden Ratio. 2006. 11
May 2006
<http://jwilson.coe.uga.edu/EMT669/Student.Folders/Frietag.Mark/Ho
mepage/Goldenratio/goldenratio.html>.
Obara, Samuel. "Golden Ratio in Art and Architecture." University of
Georgia Dept. of Mathematics Education. 2003. 11 May 2006
<http://jwilson.coe.uga.edu/EMT668/EMAT6680.2000/Obara/Emat66
90/Golden%20Ratio/golden.html>.
"Phi / Golden Proportion." Nature's Word | Musings on Sacred
Geometry. 2006. 11 May 2006
<http://www.unitone.org/naturesword/sacred_geometry/phi/in_nature/
>.
Place, Robert M. "Leonardo on the Tarot." The Alchemical Egg. 2000.
11 May 2006 <http://thealchemicalegg.com/leotaroN.html>.
"The Arts - Design and Composition." Phi the Golden Number. 2006.
11 May 2006 <http://goldennumber.net/design.htm>.