Transcript Fundamentals of Programming
Introduction to Acoustics
dr inż. Michał Bujacz
Visitng hours: tuesday 15:00-16:00 wednesday 10:00-11:00 „Lodex” 207
Acoustics
[gr.
akoustikós
hearing’] ‘related to field of physics and engineering that deals with the study of all mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound http://www.physics.byu.edu/ 2
Sound
„
phys.
mechanical disturbance in a compressive medium capable of inducing an auditory sensation, as well as the auditory sensation itself” (Encyklopedia PWN) 3
Longitudinal wave (wzdłużna)
Particles oscillate in the direction of wave propagation. Areas of increased and decreased pressure. What’s the range of movement of the air particles moved by sound ?
0.008nm
t
o 0.1 mm http://www.physics.byu.edu/ 4
Harmonic signal
E
0
T x
(
t
) 2
dt P
1
T
0
T x
(
t
) 2
dt
Physics vs. perception Physical definitions:
-
Intensity
(natężenie) or amplitude (amplituda)
Psychoacustic definitions:
-
Loudness
(głośność) -
Frequency
(częstotliwość) -
Pitch/tone
(wysokość/ton) -
Tembre
(barwa) -
Spectrum
(widmo) -
Speed
(prędkość) 6
Speed of sound
c
C sztywnosc
gestosc
c = 344 m/s c = 331 + 0,6*T[ o C]
Substance
Carbon Dioxide Oxygen Helium Ethanol Mercury Water Copper Glass Steel
Temperature (°C)
0 0 0 20 20 20 -
Speed (m/s)
259 316 965 1162 1450 1482 5010 5640 5960 7
Intensity of sound
Intensity = the amount of energy passing through an area in time
I
P
4
r
2
W m
2
A
How does amplitude change with distance ?
P
~
E
~
p
2 ~
A
2 ~
I
~ 1
r
2 ~ 1
r
http://hyperphysics.phy-astr.gsu.edu
8
Measures of sound level Pressure
(rms) from 0.00002 N/m2 (threshold of hearing) to 20 N/m (threshold of pain) atmospheric pressure 100000 N/m2 9
Decibel scale
Ratio of power:
L dB
10 log 10
P P
0 1 Ratio of amplitude:
L dB L dB
10 log 10 20 log 10
A
1 2
A
0 2
A A
1 0 -10 -20 -30 -40
3
0
-3 -6 dB
60 50 40 30 20 10
6 power ratio
1 000 000 100 000 10 000 1 000 100 10 3.98
2
1
0.5
0.251
0.1
0.01
0.001
0.000 1
amplitude ratio
1 000 316.2
100 31.62
10 3.162
2
1.414
1 0.7071
0.5
0.3162
0.1
0.03162
10 0.01
Confusing „sound levels” Sound Power Level (SWL)
- energy emitted by sound source per second (cause)
Sound Pressure Level (SPL)
- pressure (amplitude) changes at receiver (effect)
Sound Intensity Level (SIL)
- energy delivered to receiver area per second (effect)
p
0 20 μPa
P
0 10 12 W m 2 11
http://www.physics.byu.edu/ 12
Loudness
1Fon = 1dBSPL at 1kHz 13
Frequency
14
Audio frequency ranges Tones
Low bass : 20 – 80 Hz Upper bass : 80 – 320 Hz Lower mid : 320 – 2560 Hz Upper mid : 2560 – 5120 Hz High/treble : 5120 Hz – 20000 Hz
Examples
Lowest two octaves.
Explosions, storms, lowest church organ notes 3 th – 4 th o ctaves Drums, bass, cellos, wind instruments 5 th – 7 th o ctaves Most instruments and human speech 8 th o ctave Highest notes on most instruments, whistles, most sensitive perception range 9 th 10 th octave Percussion (hi-hat, cymbal), higher harmonics of sounds, noise 15
Human perception
16
Musical tone (pitch)
Musical scales – divided into octaves (intervals), e.g. C (dur) A 4 = 440Hz Psychoacoustic scales – Mel or Bark 17 http://www.sfu.ca/
Freq. components
18
Fourier transform
19
Spectrum of a sound
20
Real spectrum
Częstotliwość (Hz) 21
Cutting the spectrum into octaves
22
Tembre/quality
Set of features distinguishing sounds of the same base frequency on different instruments Spectrum dependent (harmonics and noise) and transients (sudden changes) Described semantically (np.brightness, warmth, coarsness, clarity) 23
Sound envelope
24
Anatomy of hearing
25
Cochlea
26
Future topics
Psychoacoustics Spatial audio Room acoustics (wave phenomena) Spectrum analysis (Fourerier, DFT, FFT) Noise and sound standards Math of Music Electroacoustics Studio equipment Sound synthesis Speech signals Speaker sets 27