Transcript The End of Something

The End of Something
By
Ernest
Hemingway
What happens in The End of Something?
This is a simple story, or at first seems so, and is one
that happens many times in the real world.
A young man, Nick, goes out with a young woman, Marjorie, at
night. They are in a boat on a lake, which Nick rows, setting
lines to catch fish.
They draw up the boat on a beach and begin to talk, while
Marjorie brings out a basket of food for supper.
Nick seems to be picking a quarrel with Marjorie, and eventually
tells her that their relationship is not fun any more.
Marjorie leaves, and after a while Nick's friend, Bill, arrives. He
asks about Marjorie, and we see that Nick must have told Bill
what he was going to do.
Nick tells Bill to go away - but Bill does not go far, helping himself
to a sandwich and going to look at Nick's fishing rods.
However…
Before we read this story, we read another
one, which tells of a town, made rich by
lumbering (cutting down trees, sawing them
up and selling the wood), which goes into
decline as the industry moves away.
Think:
Why does the author begin the
story like this?
The themes of this story
This story appears to be about relationships. There are at
least two kinds of relationship here, each of which could
be seen as a theme of the story - romantic love between
the sexes, and friendship here (but not necessarily
always) between members of the same sex.
A second theme may be the idea that (young) men and
women have fundamentally different ways of seeing
things - an idea echoed in the title of the best-selling
book: Men Are from Mars, Women Are from Venus!
A third, more general, theme is change - the change in the
once-happy relationship of boy and girl, and the
change in the fortunes of the once busy town.
Characters: Nick
In this story, for much of the time, it is Nick who seems to
be making things happen. It is only when he makes it
clear that he sees no future in the relationship that
Marjorie leaves him. It is not clear whether she is being
decisive, too, now or is simply angry or even distressed.
Nick clearly wants to end the relationship but cannot do so
easily without trying to manufacture a sort of quarrel. Is
he considerate? We could say either:
• Yes - because he is so worried about hurting Marjorie's
feelings.
• No - because he goes out fishing with her even though he
has planned what he has to do.
- What do you think?
Nick seems easier in his relationship with Bill - and seems to
have told him that he plans to break up with Marjorie.
Although he appears to have a quarrel with Bill, and tells
him to go away - this is not a break up in their
friendship, since Bill merely goes to look at Nick's fishing
rods while he calms down.
Nick does not manage to communicate clearly with Marjorie
until he tells her "it isn't fun any more" - she is happy as
she unpacks the basket to eat supper. Later he cannot
look directly at her. He may be relieved that she has her
back turned, so he does not need to face her.
Nick may also be confused about what he wants out of life.
He seems to link this with his relationship to Marjorie and since he feels that things have "gone to hell" inside
himself, then he concludes that he must break off with
Marjorie. But it is not clear that he is any happier at the
end of the story - he may just be relieved to have got rid
of a complication in his life.
The reader has no idea whether this is typical - whether
Nick is leaving Marjorie because he expects and believes
he will find a more fulfilling relationship or whether the
result would be the same with any and every partner.
At the end of the story, while Nick lies face down, he seems
to be aware of Marjorie's movements - "she was afloat in
the boat…He could hear Marjorie rowing."
What does this suggest about him?
Characters: Marjorie
The story shows Marjorie to be more passive at first, but
perhaps decisive in the end. That is, when she thinks
that Nick is unhappy, but that they still have a future
together, she tries to talk him round. When he makes it
clear that the relationship is over, she goes away as if
recognizing that this is right.
Is Marjorie a stronger or weaker character than Nick? It is
easy to assume that she is weaker, because Nick is ending
the relationship with her.
But this does not follow - maybe she is more ready to
accept that life is not perfect, and to make the most of
things.
It appears that earlier on, Nick taught Marjorie about
fishing. Now she seems to know as much as him, and he
is uneasy that she is his equal. In the end, Marjorie
seems to force the decision, by asking whether love is
not "any fun". Nick's "no" is the cue for her to leave.
At the end of the story, while Marjorie leaves, the narrative
stays with Nick. What does this suggest about Marjorie?
We know that Nick is confused and unhappy. We do not
find out how Marjorie reacts after she takes the boat
home.
Bill
Can we call Bill a character at all? Or is he in the story only
as Nick's friend - to show us more about Nick? What do
you think?
It is clear that Bill knows something about what is to
happen - suggesting that Nick has told him. We see how
he approaches the fire, but keeps his distance from Nick.
He asks three questions. The first two are yes-and-no
questions about what has happened, and Nick answers
them. When Bill asks about feelings, then Nick is not
ready to answer. But his reply probably does tell Bill how
he is feeling.
What does Bill's last action in the story suggest? Do you
think any of these answers makes sense?
• Bill is hungry and interested in seeing Nick's fishing
tackle.
• Bill is very hard-hearted and does not care how Nick
feels.
• Bill knows that Nick is not ready to talk freely but does
not want him to go right away. He finds something to do
while Nick is feeling sorry for himself.
Do you think that the way Bill supports Nick is typical of
men? Would one of Marjorie's (girl) friends
comfort her in the same way, do you think?
Ernest Hemingway's technique
Structure
One way to form a sense of the structure is to try and
answer these questions:
• As you read the story for the first time, can you tell what
is going to happen? And if so, when? If you re-read it can
you find clues that you missed first time?
• Is it clear right from the start that Nick is planning to
leave Marjorie?
• Does the title give this away, or does the story about
Horton's Bay explain the title sufficiently for us not to
expect the end of anything else?
We can also see the story in terms of a sequence of
episodes - if we made a film of it, these would be
scenes.
• First is a prologue - the story of the lumbering town that
died.
• Then comes the account of Nick's and Marjorie's rowing without any real introduction of these people.
• Next comes the conversation on the beach, leading to
Marjorie's taking the boat.
• Finally comes the conclusion or epilogue - where Nick's
friend arrives to console him.
In terms of the classic description of a story as having a
beginning, middle and end, then this example fits the pattern
perfectly - though we might be unsure what the real beginning
is. Is it either of these?
• The preliminary story of Hortons Bay, or
• "Nick and Marjorie rowed along the shore"
- What do you think?
In terms of what happens, the story would make sense without
the opening passage - or would it?
Do you think that the story would work as well, if it began with
Nick and Marjorie and ended with Nick and Bill, and omitted
the description of the old lumbering town?
What is the relationship, in your view, between the story
of Hortons Bay and the story of the young couple?
Why does Ernest Hemingway arrange the two
parts like this?
Language
Dialogue
The story makes a lot of use of conversation, set out as dialogue.
(You can imagine that it would be easy to make this into a
feature film or TV drama, perhaps.) How does the use of direct
speech help the reader? What does it reveal of Nick's and
Marjorie's situation? How do Bill's comments make things more
or less clear?
Writers can set out conversation as direct speech (the exact
words spoken, in speech marks: "Come and eat, Nick") or
reported speech (which gives the information indirectly:
Marjorie told Nick to come and eat). In this story, we find
mostly direct speech.
Look at the story from the point where Marjorie unpacks the
basket for supper and the end of the narrative. How much
speech is there, compared to narration (telling what happens)
and description? If you like, you may look at how much
(or little) of the story is not in the form of direct
speech. What is the effect on you as the
reader here?
Body Language
We can also look at the characters' body language - the way
they stand or move, and the gestures that reveal their
thoughts or feelings. Here are some examples:
• Nick is afraid to look at Marjorie.
• Marjorie turns her back to Nick.
• Nick is able to look at her back (but maybe not her face).
• Nick lies face down on the blanket.
• Bill does not touch Nick.
Can you find any other examples? What do
these details tell you?
Narrative style
Hemingway is a very physical and visual writer. He tells the
reader what happens - things that you would see and
hear if you were there. Think of things like the moonlight
or the sound of Marjorie's rowing. He also describes
things that are in people's thoughts: "She was afloat in
the boat on the water with the moonlight on it…" (This
seems to be what Nick is thinking.) The sentences are
short and use simple or compound forms - a single
statement or two statements joined by a conjunction like
"and".
Hemingway is particularly concerned to describe physical
processes, like the removal of the lumbering equipment
from Hortons Bay or the way Nick prepares
perch as bait to catch the bigger fish (trout).
Symbolism
The title of the story makes it clear that there is a parallel
or analogy between the history of Hortons Bay and the
story or personal history of Nick and Marjorie. This is a
simple comparison - of something that was good and
productive, but that comes to an end because
circumstances change. At the same time, the people in
the story are aware of what happened to the town and
feel some nostalgia - but their shared affection for the
"old ruin" is not enough to keep their love alive.
Comparisons
It is easy to make comparisons in the story. Where the
writer shows how different things are by comparing them
(writing of them together), there is a contrast. We are
led to make comparisons between these things, among
others:
• The attitudes of Nick and Marjorie
• Things thriving (Hortons Bay or a relationship) and
coming to an end
• Past and present
• Men's and women's ways of thinking and acting
Can you think of any others? You can also, of course,
compare this story with other stories that have a
similar theme - stories about growing up,
gaining independence and leaving home.