~ Comics Books ~ Norman Yee, Fall 2008

Comic Books: aka comic strips, aka graphic novels, aka…

• • Can be defined as visual narratives with juxtaposed images. Words and text are not required, but in general adds to the narrative flow.

Comic Books Comic Strips Graphic Novels and Novellas Comic Magazines Fumetti (Italian) Bande Dessine (French) Manga (Japanese)

History:

or How I Learned to Stop Worrying and Love Wikipedia

• • • • • • • • Prehistory – Cave Paintings Ancient Times – Egyptian Hieroglyphics 1895 - Richard Felton Outcault’s The Yellow Kid, in Joseph Pulitzer’s The New York World newspaper 1930-1950 – The Adventures begin (The Golden Age) 1956-1971 – Creation of the Comic Code Authority (The Silver Age) 1971-1980 – Comics as Art (The Bronze Age) 1980-1987 – Death of a Superhero (The Iron Age) 1987-Present – Out of the Basement and into the Big Screen

1895 : Congratulations! It’s a Comic!

• • Richard Felton Outcault’s The Yellow Kid – first “real” comic strip Primarily humoristic – called the Funnies, the Famous Funnies, the Comics, etc.

1930-1950: It’s a bird! It’s a plane!

• • • • • Jerome Siegal and Joseph Shuster create Superman in June 1938.

Detective Comics (DC) introduces Batman in 1939.

Marvel Comics introduces the Human Torch and Captain America.

Will Eisner’s The Spirit (1940).

World War II a boon for comic books.

– – DC stressed a common interest in public welfare and a strong government Marvel stressed patriotism

1956-1971: It’s a Comic! Burn it with fire!

• • • • • • Loss of readers after WWII due to lack of purpose and competition with television and radio.

Attracted attention of Senate investigations, particularly popular “horror” themed comics.

Dr. Fredric Wertham’s The Seduction of the Innocent (1954).

Comics Code Authority – to self-police the industry.

Comic themes moved from consensus to critical.

Marvel introduces heroes with weaknesses such as the Hulk (i.e., anger management) and Spiderman (i.e., teenage angst).

1971-1980: We’re artists and we need money!

• • • • • Shift from social issues to an emphasis on form and stylistic details – Sharp rise in non-superhero comics such as Conan the Barbarian and Ghost Rider.

Reshuffling of comic creators and reimagining of popular characters.

Creation of the Academy of Comic-Book Arts (ACBA) and the Comic Guild.

– Largely unsuccessful.

First update of the Comics Code Authority.

DC And Marvel began to license out their characters to movie and television shows deals to make revenue.

1980-1987: Why so Serious? :(

• • • • Form becomes content.

Heroes began questioning their own heroism and face their mortality.

Growing popularity of anti heroes.

– Grim and gritty genres and stories.

Comic distribution shifts to specialty retail shops.

– – – Rising prices and profits.

Targets loyal fanbase over casual readers. Creates the “nerd niche” in comic book readership.

1987-Present: From nerd closets to Summer Blockbusters

• • • • Reconstruction of genre.

Comics become collector’s items by the 1990’s (TinTin @ A$1.32 million).

Marvel became first comic book publisher to be listed on the New York Stock Exchange (as MVL ).

CGI: Superhero movies’ best friend.

Manga: What the Neighbors were Doing

• • • • • • Widely by readers of all ages.

Broad range of genres and subjects.

Increasingly popular worldwide.

Originated during the US occupation of Japan. – Influenced by the American comic books that were brought over by soldiers. (1945-1952) But held onto Japanese culture and aesthetic traditions.

Creation of Astroboy by Tezuka Osamu and Sazae-san by Hasegawa Machiko.

1969 saw the first major entry of women artists into manga. (Year 24 Group aka The Magnificent 24s)

Manga Genres: Like Baskin-Robbins ice cream for your eyes!

Shonen Manga Shojo Manga • • Action-Adventure – usually with a male hero with slapstick humor and themes of honor.

Popular settings and themes include: science fiction, sports, robots, technology, and the supernatural.

• • Romance – usually done along themes of self-realizations with emotional and intense narratives.

Superheroine – developed into teams of girls and women working together.

Web Comics: In your webs, stealing your work hours!

• • • • T.H.E. Fox - Arguably the first webcomic published on Compuserve and Quantum Link in 1986.

The late nineties saw an exponential rise in webcomics.

Austin Osueke launches eigoMANGA in 2000, an independent comic book publisher that published his online “webmanga”. Garners attention from comic book industry and featured in comic book magazines.

Scott McCloud’s Reinventing Comics, a treatise on webcomics. Advocates digital comics as well as micropayments.

Cool Links: For the cool kids

References • • • • http://www.randomhistory.com/1-50/033comic.html

http://www.geocities.com/SoHo/5537/hist.htm

http://www.wikipedia.com

http://www.mangafox.com/ Sample Webcomics • • • • • • • http://www.sinfest.net/ http://www.snafu-comics.com/ http://www.nuklearpower.com/ http://penny-arcade.com/ http://www.megatokyo.com/ http://vgcats.com/ http://keychain.patternspider.net/