Transcript Slide 1
What is it? Fashion is a current trend or style in clothes that is popular with a group of people for a time Why do we need it? We follow fashion for a number of reasons: people like change, we tire of old styles, we like to be noticed, some feel it is a status symbol How is it created? Some changes occur through developments in the textile industry – new fabrics, new construction processes Who creates it? Fashion designers targeting different sectors of the market introduce changes F A S H I How a designer dress is created Design F A Research S Make Evaluate THE DESIGN PROCESS H I Creating and Influencing the Fashion Image Fashion image is what people are wearing or admire at a particular period of time. Why do we admire a particular style one day and dismiss it at another? Its depends on what is the popular trend at the time. Whether we choose styles that are figure hugging that show off our body shape like skinny jeans or leggings, or we cover up, hide our figures in for example loose clothing – summer maxi clothing for example. F A S H The favoured shape or silhouette determines the style of our clothes I The Makers of Fashion Fashion is created by designers who work for the fashion houses around the world F The main fashion capitals are: LONDON NEW YORK Fashion began in the 19th century with high class dressmakers making clothes for the upper classes and royalty. Designs were copied, restyling the garments rather than new designs. PARIS MILAN TOKYO This changed when Charles Frederick Worth created the first ever collection which he presented to his clients on models. The beginning of a fashion collection as we know it today. a S H I Teenagers and Street Style Teenagers have always played an important role in the development of trends. This began in the 1950’s when the youths of the day wore clothing that reflected their interests for a particular type of music. Rock & Roll: Mods and Rockers, Teddy boys with pointed shoes and flicked hairstyles Girls with large fuller skirts with yards of nylon petticoats underneath F A S H I Beatlemania – 1960’s Straight line jackets and the mini skirt for girls Punk - mid 70’s Vibrant hair Black clothes and make-up Mixtures of layers held together by safety pins and chains F A S H I Influences on Fashion Media > Lifestyle > History > New Technology MEDIA: TV, Films, Magazines featuring street/music trends, and lesser known young designers LIFESTYLE: More leisure/sporting influence Travel – increase in leisure wear, Contemporary styles influenced by traditional garments in other countries F A S H Issey Miyake I HISTORICAL INFLUENCES Fashion designers take inspiration from other periods in history Vivienne Westwood has had a major influence on modern fashion, many of her designs have been inspired by historical trends This is called revivalist fashion F Vivienne Westwood Mini Crini collection A Vivienne Westwood Anglo-mania scribble print corset top S H NEW TECHNOLOGY New technology leads to developments in fabrics which inspire designers Space travel has led to many new developments in fabrics I STREET STYLE Youth groups or youth sub-cultures Social Class > Ethnic Origin >Age > Religion > Politics Features which help to characterise different subcultures: Strong group identity - reflected in uniformity of dress. Desire for self-expression – making a stand against society’s values: ‘hippies’, ‘punks.’ Individuality – different from other groups. Sense of territory – frequenting certain places, discouraging others. Creativity - original clothes and hairstyles. F A S H I Fashion aimed at very wealthy individuals who can afford to pay for one-off exclusive designs HAUTE COUTURE F Designers or couturiers generate ideas for each season A Each designer produces a collection of garments which are modelled to an invited audience twice a year S Customers who can afford it, can order from these collections for the coming season H I FASHION DESIGNERS PARIS John Galliano – Dior Christian Lacroix –Christian Lacroix Carl Lagerfeld – Chanel John Paul Gautier - John Paul Gautier F LONDON A NEW YORK S MILAN H Vivienne Westwood - Vivienne Westwood Matthew Williamson- Matthew Williamson Jasper Conran - Jasper Conran Calvin Klein – Calvin Klein Ralph Lauren – Ralph Lauren Donna Karen – Donna Karen DKNY Donatella Versace – Versace Giorgio Armani – Armani TOKYO Issey Miyake - Issey Miyake I Ready–to-Wear Prêt-à-Porter A ready-to-wear collection is aimed at wealthy individuals who are prepared to pay for a well designed garment but cannot afford the one-off designs produced by the top fashion houses Larger quantities are produced Sold in up-market retail chains stores Some large multiple department stores also sell ready–towear collections e.g. Julian Macdonald at Debenhams F A S H I INDUSTRIAL CLOTHING MANUFACTURE mass production Aimed at mass market with clear target groups F All sizes gathered from statistical analysis of body sizes Garments produced in limited range of sizes No individual influence on styles A wide range of styles to choose from Large scale manufacture means garments are cheaper to produce: Large workforce, large factories, availability of machinery Bulk buying of raw materials can reduce costs Manufacturing in bulk reduces labour costs Styling is simplified A S H I F A S H I BESPOKE DIFFUSION F Clothing made specifically for individual clients Tailors – suits Wedding dresses People with unusual body proportions – very tall Matthew Williamson Muse Collection A S H Diffusion line collections are garment ranges designed to be available in high fashion boutiques Garments can still cost hundreds of pounds but not as much as couturier designs I ON THE CATWALK INSPIRATION PERSONAL EXPERIENCES & FROM THE WORLD AROUND THEM THIS FORMS THE BASIS OF THEIR IDEAS FOR THE COLLECTION F A COLOURS S SILHOUETTES UNDERLYING TRENDS H DESIGNS FABRICS I STORYBOARDS F STORYBOARDS (MOOD BOARDS) A Helps develop a theme: colour palette fabric swatches basic sketches for shape and style features ideas for trims and fastenings fabric designs First sketches are developed based on the details contained in the storyboard. S H First samples are made. The collection begins to take shape. I DEVELOPMENT OF THE COLLECTION F The team work together to produce the final collection. The designer works on sketches that are technically correct so that the pattern cutters and machinists can make the garments. A S H I Toiles (or prototypes) are made and checked for fit, style, proportions, fabrics details, alterations are made is necessary. THE SHOW Completed garments are stored ready for the show. A venue is booked. Tickets are sent to an invited audience and the fashion press. FASHION FORECASTERS Market research specialists and analysts who specialise in predicting emerging trends and make suggestions for future seasons. F A S H I