Transcript Charles Demuth PowerPoint

Charles Demuth
THE LIFE AND PAINTINGS OF CHARLES DEMUTH
CREATED BY: BRUCEBLACKART.COM
Percisionism: Modernism in America
PERIOD:
1915-1930
LOCAL:
United States
ARTISTS: Charles Sheeler (1883-1965), Charles Demuth (1883-1935) and Georgia O’Keeffe (1887-1986)
FEATURES:
Sleek Urban and Industrial forms: Combines Cubistic Ideas with Industrial Landscapes.
American themes – devoid of human sitters – painted in geometric planes.
Compare and contrast the Cubist work by Picasso with this painting by Demuth.
How are they similar? How are they different?
Trees and Barns: Bermuda
1917
Watercolor over pencil on paper
9 1/2 x 13 7/16 in (24.1 x 34.1 cm)
Williams College Museum of Art, Williamstown, Massachusetts
Charles Demuth, (1883 – 1935)
is best know for the style of art
he created called, Precisionism.
This poetic style blends cubist
ideas with realism to create
striking graphic works. He was
introduced to photrapher Alfred
Stieglitz through his friend
Marsden Hartley. Stieglitz
arranged a one man show for
him in 1926 at his gallery,
Intimate Gallery.
The Figure 5 in Gold
1928
Oil on composition board
36 x 29 3/4 in. (91.4 x 75.6 cm)
Metropolitan Museum of Art, New York
Describing its importance, Judith H.
Dobrzynski in The Wall Street
Journal wrote: "It's the best work in a
genre Demuth created, the "poster
portrait". It's a witty homage to his
close friend, the poet William Carlos
Williams, and a transliteration into
paint of his poem, "The Great Figure".
It's a decidedly American work made at
a time when U.S. artists were just
moving beyond European influences.
It's a reference to the intertwined
relationships among the arts in the
1920s, a moment of cross-pollination
that led to American Modernism. And
it anticipates pop art."
"The Great Figure," by his friend
William Carlos Williams:
Among the rain
and lights
I saw the figure 5
in gold
on a red
firetruck
moving
tense
unheeded
to gong clangs
siren howls
and wheels rumbling
through the dark city.
Some say that
this painting
predicted Pop
Art. Do you
think Andy
Warhol knew
of Demuth’s
work?
Modern Conveniences
1921
Oil on canvas
25 3/4 x 21 3/8 in. (65.4 x 54.3 cm)
Columbus Museum of Art, Ohio
Demuth lived
and worked in
the Chadds
Ford area of
Pennsylvania.
His house is
now a museum.
My Egypt
1927
Oil on composition board
35 3/4 x 30 in. (90.8 x 76.2 cm)
Whitney Museum of American Art, New York
Flowers and flames. And
color. Color as color, not as
volume or light – only as
color. (Charles Demuth)
NOTICE HOW HE USES
DIAGONALS TO BREAK UP THE
VERTICALITY OF THE SILOS.
WHY MIGHT THIS BE CALLED “My Egypt?”
Buildings, Lancaster
1930
Oil on board
24 x 20 in (61 x 50.8 cm)
Whitney Museum of American Art, New York
In 1927, Demuth started a series of seven panel
paintings depicting factory buildings in his
hometown. He finished the last of the
seven, After All in 1933 and died two years later.
Six of those paintings are highlighted in Chimneys
and Towers: Charles Demuth’s Late Paintings of
Lancaster, a 2007 Amon Carter
Museum retrospective of his work, displayed in
2008 at the Whitney Museum of American Art.
Bathers 1916
Watercolor and pencil on paper
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution.
Demuth suffered either an injury
when he was four years old or may
have had polio or tuberculosis of
the hip that left him with a marked
limp and required him to use a
cane. He later
developed diabetes and was one of
the first people in the United
States to receive insulin. He spent
most of his life in frail health, and
he died in Lancaster at the age 51
of complications from diabetes.
Red Chimneys
“Paintings must be understood through the eyes, and that's not the word either. No writing, no
talking, no singing, no dancing will explain them. They are the final, the tenth whoopee of sight.”
(Charles Demuth)
Bermuda Landscape 1917
watercolor and pencil on paper mounted on cardboard
Hirshhorn Museum and Sculpture Garden, Smithsonian
Institution.
Boxer 1907
crayon, ink, and Chinese white on paper
Hirshhorn Museum and Sculpture Garden, Smithsonian Institute.
Business 1921
oil on canvas
Art Institute of Chicago, Chicago, IL
Circus 1917
watercolor and pencil on paper
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Washington, D.C.
Flowers (Cyclamen) 1920
Watercolor and graphite on off-white woven paper
Art Institute of Chicago, Chicago, IL
Mt. Gilboa #5 1912-1915
Watercolor on paper
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Washington, D.C.
Woman with Black Hair and Two Children
Pencil and watercolor on paper
Smithsonian American Art Museum
Paintings must be looked at
and looked at and looked at...
No writing, no talking, no
singing, no dancing will
explain them. (Charles
Demuth)
END OF SLIDE SHOW
This slide show was created by:
bruceblackart.com