The History of Othello
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Transcript The History of Othello
The History of Othello
Shaneé Sullivan
In Breif
A.K.A.
The Tragedy of Othello, The Moor of
Venice
Based on a Italian short story: Un Captiano
Moro (A Moorish Captain)
Centered around four themes: love, jelousy,
racism, and betrayal
Performance History
Has not been a decade when Othello was not staged
(except during the time of commonwealth)
First known performances of Othello was in 1604
in WhiteHall for King James VI (Richard Burbage
as Othello)
Other performances include royal performances in
honor of King James VI’s daughter in 1613 and
many performances in the Globe, Blackfriars
Theatre and at the Hampton Court from 1610-1636
Performance History
Commonwealth collapse (1660) Charles II reopened
theatres
Charles II a royal warrant stating that only women
should play the parts of women; that year Margaret
Huges (Desdemona) and this prologue was written
for the occasion:
“ I saw the lady dressed.
The woman plays today: mistake me not;
No man in gown, or page in petticoat;
A woman to my knowledge, yet I can't
(If I should die) make affidavit on't.'
Edits
In the 1700’s Othello was molded to fit the style
and expectations of the period (offensive speeches
were removed from the play)
In the 18th century, Othello’s character was molded
to fit traditional hero standards (lines were cut
from the play to mask Othello’s rougher character
flaws)
Desdemona and Cassio in bed
Othello’s Epileptic Fit
Lines from the Willows Song
Character History
Othello
Richard Burbage- First to play
Othello
Edmund Kean- Normally
played Iago
Ira Aldridge- first black actor to play
Othello in England
Paul Robeson- first black actor to
play Othello in USA
Henry Irving and Edwin Boothalternated roles of Othello/ Iago
Orson Welles
James Earl Jones
Patrick Stewart- portrayed the Moor
as a white man and other characters were
black actors
Lawrence Fishburne
Othello in Different Genres
Opera
Film
Orson Welles (1952)
"O“
Othello (1995)
Television
Gioacchino Rossini- No handkerchief, Iago was a reject admirer
Giuseppe Verdi's- closer to Shakespeare’s text, cut from 3500 lines to
800 lines, left out act 1
Othello (PBS)
Sanford and Son
Ballet
José Limón- The Moor's Pavane (1949)
John Neumeier- Othello (1985)
Fun with Othello
Othello
Rap
Works Cited
http://www.pbs.org/wgbh/masterpiece/othello
/
http://www.rsc.org.uk/othello/about/stage.ht
ml
http://en.wikipedia.org/wiki/Othello