Chapter 7-Texture

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Transcript Chapter 7-Texture

Texture

What Is Texture?

Texture

refers to how the surface of something feels to the touch.

 It is perceived through touch & vision.

QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture.

Actual Texture

 Actual Textures occur in real objects that you can actually touch. QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture.

Simulated Texture

QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture.

 An imitation of an actual texture using a visual illustration of a real texture  You can see these textures and imagine how they feel, but they would only feel like the surface painted on.

 It’s the illusion of a 3D surface.

Invented Texture

 The impression of texture, invented by the artist, that it is used in a decorative, rather than realistic way QuickTime™ and a TIFF (Uncompressed) decompressor are needed to see this picture.

Glossy v. Matte

 Glossy refers to a smooth & shiny surface, like a newly waxed floor. Reflects bright light.

 Matte means dull- smooth but not shiny, like the surface of a chalkboard. Reflects soft, dull light.

Smooth v. Rough

 smooth-reflects light evenly; ex: plastic, chrome, table top  rough-reflects light unevenly; ex: fur, grass, sand paper

Methods Used by Artists to Add Texture to Their Work:

Decalcomania

pulling apart -a technique of creating random texture patterns by applying thick paint to two surfaces, pressing them together, and then 

Frottage:

a method of creating texture by rubbing a crayon over a piece of paper on a rough surface to capture the texture or scraping across a freshly painted canvas that has been placed over a similar surface 

Grattage:

the technique of scratching into wet paint with a variety of tools to create texture

Collage

 artistic composition of materials, such as fabric or paper, pasted over a surface  initiated by Picasso in 1912 when he pasted a section of commercially printed oilcloth to his cubist painting, Still Life with Chair Caning