Early Christian and Byzantine Architecture

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Transcript Early Christian and Byzantine Architecture

Early Christian and Byzantine Architecture

Architectural History ACT 322 Doris Kemp

Topics

 Byzantine Architecture  The Ideal Byzantine Church  Central Plan  Domes  Lighting and Decoration  Hagia Sophia  Other Justinian Structures

Byzantine Architecture

 In the years around 500 A.D. the Western Empire laid in ruins  Rome had been sacked twice and Italy was in the hands of the Ostrogoths  The Eastern Empire lived on  Constantinople was the capitol of the Eastern Empire  Had been built on the Hellenic city of Byzantium (modern day Istanbul, Turkey)

Byzantine Architecture

 A formal shift from early Christian to Byzantine architecture can be seen in the early sixth century A.D.

 Timber-roofed Latin basilican churches gave way to domed, central-plan structures in the Eastern Empire

Byzantine Architecture: Ideal Byzantine Church

 No two Byzantine churches were identical  Features of the ideal Byzantine church:  Central plan  Pendentive dome  String focus on structure, lighting, and elaborate decoration

Byzantine Architecture: Ideal Byzantine Church

 Central Plan  The axis descended away from visitors  Leaves no possible active participation except weakly around a central axis  In most Byzantine churches, the centralized building core was square

Byzantine Architecture: Ideal Byzantine Church

 Domes  Central core of the church formed an integral part of a larger structure that included supporting structure and vaulting as well  The dome complimented the spatial core of the church  Domes were generally placed over cylinders, as at the Pantheon

Byzantine Architecture: Ideal Byzantine Church

 Domes  Occasionally, domes were placed over polygons or even squares  Created certain structural problems  Pendentive  Provided a way to set a circle (dome) atop a square   A Roman invention, though rarely used Byzantines used pendentives very often  Domes were used to invoke powerful images of the Christian heaven

Byzantine Architecture: Ideal Byzantine Church

Photo: Sullivan

Byzantine Architecture: Ideal Byzantine Church

 Lighting and Decoration   Articulation was very important in Byzantine architecture No visible surfaces were left in a natural state  All was dissolved in color and light:     Glowing marble pavements Richly veined marble walls Extensive mosaic cycles Rich patterns of light created by glass and structural features

Byzantine Architecture: Ideal Byzantine Church

Photo: Sullivan

Byzantine Architecture: Hagia Sophia

 Hagia Sophia  Symbolizes the “ideal” Byzantine church  Built as the new Cathedral of Constantinople by the Emperor Justinian in 532 – 537 A.D.

 Intended to be the keystone of Justinian’s massive architectural campaign

Byzantine Architecture: Hagia Sophia

Photo: Sullivan

Byzantine Architecture: Hagia Sophia

 Hagia Sophia  Justinian believed that only natural scientists and philosophers would be able to create the structure he had seen in his dreams  Designed by two men:  Anthemius of Tralles   Natural scientist Mathematician  Isidorus of Miletus  Professor of stereometry and physics at Constantinople

Byzantine Architecture: Hagia Sophia

Photo: Sullivan

Byzantine Architecture: Hagia Sophia

 Hagia Sophia  Built in an amazing five years  Its first dome was destroyed by an earthquake and rebuilt in 563 A.D.

 Was converted to a mosque by the Ottoman Turks

Byzantine Architecture: Hagia Sophia

 Hagia Sophia  Has some structural problems  Main piers are of excellent solidarity, built of massive ashlar masonry  Rest of the building, however, was built of brick in thick mortar beds  The dome generates tremendous pressure  Corners are supported by pendentives but the sides have little support

Byzantine Architecture: Hagia Sophia

Photo: Sullivan

Byzantine Architecture: Hagia Sophia

Photo: Sullivan

Byzantine Architecture: Other Justinian Structures

 No other Byzantine churches approach even half the scale of Hagia Sophia  Two churches bear a resemblance to Hagia Sophia  SS. Sergious and Bacchus  S. Vitale

Byzantine Architecture: Other Justinian Structures

 SS. Sergius and Bacchus  Located in Constantinople  Built as a palace chapel between 527 and 536  Many historians believe it was an experimental version of the Hagia Sophia

Byzantine Architecture: Other Justinian Structures

Photo: Sullivan

Byzantine Architecture: Other Justinian Structures

 S. Vitale  Located in Ravenna, Italy  Very precise and strict double-shell form that featured a dome  Featured mosaics of Justinian and his queen, Theodora, and their court

Byzantine Architecture: Other Justinian Structures

Photo: Sullivan

Byzantine Architecture: Other Justinian Structures

 Church of St. John the Evangelist   Built at his tomb in the Hellenistic city of Ephesus on the coast of Asia Minor c. 548 A.D.

Photo: Sullivan

Byzantine Architecture: Other Justinian Structures

 S. Marco   Located in Venice, Italy Although built in the Romanesque Period (c. 1063 – 1094), it is considered more Byzantine in style than Romanesque Photo: Sullivan

References

    Sullivan, Mary; http://www.bluffton.edu/~sullivanm/ http://www.brynmawr.edu/Acads/Cities/wld/wdpt1.html

Trachtenburg/Hyman; Architecture: From Prehistory to Postmodernity Wodehouse/Moffett; A History of Western Architecture

Early Christian and Byzantine Architecture

Architectural History ACT 322 Doris Kemp