Transcript Pedal - MARTIN DIGITAL ORGANS

Presentation
for Trinity Cristo Rey Lutheran
Church, Santa Ana, CA
by
Christopher Martin Digital Organs,
Downey, CA
Overview


Most digital organ companies use a few samples for each rank of pipes, bent to different pitches
throughout the rank. The samples are very short, and often the beginning and the release are
truncated. This was useful years ago for conserving memory and processing power, but with the
technology currently available, it is outdated.
Our organs use samples for each and every note in a rank. Our samples are very long—usually
between 5 and 13 seconds. We use entire sampled organs so that the different voices blend together
in the way a master pipe organ builder voiced them over many hundreds of hours.

The difference in realism is astonishing and readily apparent even to untrained ears.

All of our organs use the same software platform, so they share a lot of advanced features in common:

Built in audio and MIDI recording (the organ can play itself with the press of a button).

Randomization modeling for tuning and tremulants (to better imitate the sound of a
pipe organ).

Swell shoes apply filters to each and every pipe separately in real time.

Touchsreen menu interfaces built into a drawer in the console.

Easy access to transposition, temperaments, pitch adjustment, volume adjustment,
and a host of other menu functions.

Multichannel audio routing: different divisions of the organ are routed to different
groups of speakers. Within those groups, each speaker carries its own pipe-load so
that no one organ pipe sounds from more than one speaker. This fools the ear much
better into believing it is hearing thousands of pipes than any possible stereo mix.
Organ Models Available

Studio 2

Studio 3

Studio 3X

T3

T4

S3

S4
Studio 2
Studio 2 Features


2 high quality tracker touch keyboards, available in heavy (150g), medium
(125g) or light (100g) playing weights.
1 row of 20 thumb pistons for controlling the combination action including a Set,
Cancel, 5 generals, 5 divisionals, 5 banks of combination memory, and 3
coupler duplicates.

10 toe pistons (5 generals and 5 pedal divisionals).

A 32 note radiating and concave AGO standard pedalboard.

A 44 stop disposition, 3 couplers, and a Swell tremulant controlled with center
sprung, lighted rocker tabs.

One swell shoe.

A pedal lamp.


A touchscreen menu interface built into a drawer in the console for simple
access to advanced user functions.
20 temperaments available standard. Up to 300 temperaments available upon
request.
Studio 2 Options

Studio 2 Basic:

Add a crescendo shoe:
$450

Add a second row of engraved pistons:
$850

Add 4 LCD screens for displaying relevant information in real time:

Add wood-core, wood-covered keyboards (standard or reverse colors): $3800


Add French Romantic (Cavaillé-Coll) and German Baroque
(Silbermann) sample sets (including engraved label plates):
Studio 2 with full options:
$24,695
$1100
$1400
$32,295
Studio 2 Stoplist
Pedal
16' Principalbass
16' Contrabass
16' Soubasse
8' Octavbass
8' Gedackt
4' Octave
Mixtur IV
16' Basson
16' Bombarde
8' Trompete
Gt. to Ped.
Sw. to Ped
Great
16' Montre
8' Principal
' Flûte Harmonique
8' Gamba
8' Bourdon
4' Praestant
4' Rohrflöte
2 2/3' Quinte8
2' Superoctave
Cornet II-V
Mixtur V-VII
Cimbel IV-V
8' Trompete
4' Trompete
Sw. to Gt.
Swell (expr.)
16' Gedeckt
8' Principal
8' Geigenprincipal
8' Cor de nuit
8' Flûte
Traversiere
8' Bourdon a
cheminée
8' Gamba
8' Voix céleste
8' Salicional
4' Praestant
4' Flûte conique
2 2/3' Quinte
2' Doublette
Swell (cont'd)
2' Octavin
1 3/5' Terz
1 1/3' Larigot
Mixtur IV-VI
8' Trompette
8' Cromorne
8' Bassonhautbois
Tremulant
Studio 3
Studio 3 Features


3 high quality tracker touch keyboards, available in heavy (150g), medium
(125g) or light (100g) playing weights.
1 row of 20 thumb pistons for controlling the combination action including a Set,
Cancel, 5 generals, 5 divisionals, 5 banks of combination memory, and 3
coupler duplicates.

10 toe pistons (5 generals and 5 pedal divisionals).

A 32 note radiating and concave AGO standard pedalboard.

A 45 stop disposition, 9 couplers, and Swell and Positiv tremulants, controlled
with center sprung, lighted rocker tabs.

Dual expression shoes.

A pedal lamp.


A touchscreen menu interface built into a drawer in the console for simple
access to advanced user functions.
20 temperaments available standard. Up to 300 temperaments available upon
request.
Studio 3 Options

Studio 3 Basic:

Add a crescendo shoe:
$450

Add a second row of engraved pistons:
$850

Add a third row of engraved pistons

Add 4 LCD screens for displaying relevant information in real time:
$1100
Add wood-core, wood-covered keyboards (standard or reverse
colors):
$5700


Studio 3 with full options:

Additional sample sets available upon request
$28,595
$850
$37,545
Studio 3 Stoplist
Pedal
16' Principalbass
16' Contrabass
16' Soubasse
8' Octavbass
8' Gedackt
4' Octave
Mixtur IV
16' Basson
16' Bombarde
8' Trompete
Gt. to Ped.
Pos. to Ped
Sw. to Ped
Sw. to Ped. 4'
Great
16' Montre
8' Principal
8' Flûte
Harmonique
8' Gamba
8' Bourdon
4' Praestant
4' Rohrflöte
2 2/3' Quinte
2' Superoctave
Cornet II-V
Mixtur V-VII
Cimbel IV-V
8' Trompete
4' Trompete
Pos. to Gt.
Sw. to Gt.
Sw. to Gt. 4'
Positiv
8' Principal
8' Cor de nuit
8' Salicional
8' Flûte
Traversiere
4' Praestant
4' Flûte conique
2 2/3' Quinte
2' Doublette
1 3/5' Terz
1 1/3' Larigot
Mixtur IV-VI
8' Trompette
8' Cromorne
Tremulant
Sw. to Pos.
Sw. to Pos. 4'
Swell
16' Gedeckt
8' Geigenprincipal
8' Bourdon a
cheminée
8' Gamba
8' Voix céleste
4' Flûte octaviante
2' Octavin
8' Bassonhautbois
Tremulant
Sw. to Sw. 4'
Studio 2 vs. Studio 3



Similar features, similar options, similar
stoplists.
The Studio 3 spreads the stops of the Studio
2 onto 3 manuals to better facilitate the
playing needs of liturgical worship and much
of the organ repertoire.
The Studio 3 has two enclosed expressive
divisions compared to one enclosed
expressive division on the Studio 2.
Studio 3X
Studio 3X Features


3 high quality tracker touch keyboards, available in heavy (150g), medium
(125g) or light (100g) playing weights.
1 row of 20 thumb pistons for controlling the combination action including a Set,
Cancel, 5 generals, 5 divisionals, and 5 banks of combination memory, and 3
coupler duplicates.

10 toe pistons (5 generals and 5 pedal divisionals).

A 32 note radiating and concave AGO standard pedalboard.

An 80 stop disposition and 16 couplers and tremulants controlled with center
sprung, lighted rocker tabs.

Dual expression shoes.

A pedal lamp.


A touchscreen menu interface built into a drawer in the console for simple
access to advanced user functions.
20 temperaments available standard. Up to 300 temperaments available upon
request.
Studio 3X Options

Studio 3X Basic:

Add a crescendo shoe:
$450

Add a second row of engraved pistons:
$850

Add a third row of engraved pistons

Add 4 LCD screens for displaying relevant information in real time:
$1100
Add wood-core, wood-covered keyboards (standard or reverse
colors):
$5700

Add a second sample set (plus engraved plates)
$1600

Add a third sample set
$1000

Add a fourth sample set
$1000

Studio 3X with full options:

$34,095
$850
$46,645
Studio 3X Stoplist
Pedal
32' Soubasse
16' Principalbass
16' Soubasse
16' Contrebasse
8' Octavbass
8' Gedäckt
8' Cello
4' Octave
4' Tibia
Zinck III
Mixtur IV
32' Bombarde
16' Bombarde
16' Basson (Pos.)
8' Trompete
4' Clairon
Great
16' Montre
8' Principal
8' Flûte harmonique
8' Bourdon
8' Gamba
4' Praestant
4' Rohrflöte
2 2/3' Quinte
2' Superoctave
Cornet II-VII
Mixtur V-VII
Cimbel IV-V
16' Trompete
8' Trompete
4' Trompete
Crescendo On
Solo (floating; expressive)
16' Rohrbourdon
8' Principale
8' Voce humana
8' Konzertflöte
5 1/3' Nazard
4' Octave
3 1/5' Tierce
2 2/7' Septième
Solo (cont'd)
2' Flûte
Sesquialtera II
Plein jeu III-V
8' Cor anglais
8' Tuba mirabilis
Chamade (floating)
16' Chamade
8' Chamade
4' Chamade
Positiv (expressive)
8' Principal
8' Cor de nuit
8' Salicional
8' Unda maris
4' Praestant
4' Flûte conique
2 2/3' Quinte
2' Doublette
1 3/5' Terz
1 1/3' Larigot
1' Piccolo
Mixtur IV-VI
16' Dulzian
8' Trompette
8' Cromorne
8' Clarinette
Couplers
Gt. to Ped
Pos. to Ped
Sw. to Ped
Solo to Ped
Chamade to Ped
Pos. to Gt.
Sw. to Gt.
Solo to Gt.
Swell (expressive)
16' Violon
8' Geigen Principal
8' Bourdon a cheminée
8' Gamba
8' Voix Céleste
4' Violine
4' Flûte octaviante
2 2/3' Nasard
2' Octavin
1 3/5' Tierce
Progressio II-IV
16' Bombarde
8' Trompette
harmonique
8' Basson-Hautbois
8' Voix humaine
4' Clairon harmonique
Couplers (cont'd)
Chamade to Gt.
Sw. to Pos.
Solo to Pos.
Chamade to Pos.
Solo to Sw.
Chamade to Sw.
Pos/Solo. Trem
Sw. Trem
Studio 3 vs. Studio 3X

Similar features and options

Much larger stoplist and alternate stoplists

More powerful computer system (to process
the larger stoplist)
T3
T3 Features


3 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing
weights.
3 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 15 generals, 15
divisionals, 10 banks of combination memory, coupler duplicates, volume controls, and user assignable
pistons.

Lighted magnetic reed pistons.

Ergonomic toe stud mounts, angled stopjambs, and ornamented console.

15 toe pistons (10 generals and 5 pedal divisionals).

5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes,
pitch, volume, temperament, transposition, etc.).

A 32 note radiating and concave AGO standard pedalboard.

An 80 stop disposition and 16 couplers and tremulants controlled with center sprung, lighted rocker tabs.

Dual expression shoes and a crescendo shoe.

A pedal lamp and lighted acrylic music desk.

A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions.

20 temperaments available standard. Up to 300 temperaments available upon request.

Double manual and pedal harpsichord and chamber organ.
T3 Options

T3 Basic:
$48,395

Add wood-core, wood-covered keyboards (standard or reverse colors): $3100

Add a second sample set (plus engraved plates)
$1600

Add a third sample set
$1000

Add a fourth sample set
$1000

T3 with full options:
$55,095
T3 Stoplist
Pedal
32' Soubasse
16' Principalbass
16' Soubasse
16' Contrebasse
8' Octavbass
8' Gedäckt
8' Cello
4' Octave
4' Tibia
Zinck III
Mixtur IV
32' Bombarde
16' Bombarde
16' Basson (Pos.)
8' Trompete
4' Clairon
Great
16' Montre
8' Principal
8' Flûte harmonique
8' Bourdon
8' Gamba
4' Praestant
4' Rohrflöte
2 2/3' Quinte
2' Superoctave
Cornet II-VII
Mixtur V-VII
Cimbel IV-V
16' Trompete
8' Trompete
4' Trompete
Crescendo On
Solo (floating; expressive)
16' Rohrbourdon
8' Principale
8' Voce humana
8' Konzertflöte
5 1/3' Nazard
4' Octave
3 1/5' Tierce
2 2/7' Septième
Solo (cont'd)
2' Flûte
Sesquialtera II
Plein jeu III-V
8' Cor anglais
8' Tuba mirabilis
Chamade (floating)
16' Chamade
8' Chamade
4' Chamade
Positiv (expressive)
8' Principal
8' Cor de nuit
8' Salicional
8' Unda maris
4' Praestant
4' Flûte conique
2 2/3' Quinte
2' Doublette
1 3/5' Terz
1 1/3' Larigot
1' Piccolo
Mixtur IV-VI
16' Dulzian
8' Trompette
8' Cromorne
8' Clarinette
Couplers
Gt. to Ped
Pos. to Ped
Sw. to Ped
Solo to Ped
Chamade to Ped
Pos. to Gt.
Sw. to Gt.
Solo to Gt.
Swell (expressive)
16' Violon
8' Geigen Principal
8' Bourdon a cheminée
8' Gamba
8' Voix Céleste
4' Violine
4' Flûte octaviante
2 2/3' Nasard
2' Octavin
1 3/5' Tierce
Progressio II-IV
16' Bombarde
8' Trompette
harmonique
8' Basson-Hautbois
8' Voix humaine
4' Clairon harmonique
Couplers (cont'd)
Chamade to Gt.
Sw. to Pos.
Solo to Pos.
Chamade to Pos.
Solo to Sw.
Chamade to Sw.
Pos/Solo. Trem
Sw. Trem
Studio 3X vs. T3




Similar stoplists
All optional features of Studio Series are
standard in T Series except wood keyboards
Lighted magnetic reed pistons in T Series
Ergonomic toe piston mounts, angled
stopjambs, and ornamented console
T4
T4 Features


4 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing
weights.
4 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 20 generals, 20
divisionals, 15 banks of combination memory, coupler duplicates, volume controls, and user assignable
pistons.

Lighted magnetic reed pistons.

Ergonomic toe stud mounts, angled stopjambs, and ornamented console.

25 toe pistons (15 generals, 5 pedal divisionals, and 5 couplers).

5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes,.
pitch, volume, temperament, transposition, etc.)

A 32 note radiating and concave AGO standard pedalboard.

A 96 stop disposition and 34 couplers and tremulants controlled with center sprung, lighted rocker tabs.

Triple expression shoes and a crescendo shoe.

A pedal lamp and lighted acrylic music desk.

A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions.

20 temperaments available standard. Up to 300 temperaments available upon request.

Double manual and pedal harpsichord and chamber organ.
T4 Options

T4 Basic:
$57,395

Add wood-core, wood-covered keyboards (standard or reverse colors): $4900

Add a second sample set (plus engraved plates)
$1600

Add a third sample set
$1000

Add a fourth sample set
$1000

T4 with full options:
$65,895
T4 Stoplist
Pedal
32' Majorbass
32' Soubasse
32' Violon
16' Principalbass
16' Soubasse
16' Contrebasse
16' Violon (Sw.)
10 2/3' Grossquinte
8' Octavbass
8' Gedäckt
8' Cello
4' Octave
4' Tibia
Tercsept II
Zinck III
Compensum VII
Mixtur IV
32' Bombarde
16' Bombarde
16' Basson (Pos.)
8' Trompete
4' Clairon
Solo (expressive)
16' Rohrbourdon
8' Principale
8' Voce humana
8' Konzertflöte
5 1/3' Nazard
4' Octave
3 1/5' Tierce
2 2/7' Septième
Great
16' Montre
16' Bourdon
8' Principal
8' Flûte harmonique
8' Bourdon
8' Gamba
4' Praestant
4' Rohrflöte
2 2/3' Quinte
2' Superoctave
Cornet II-VII
Mixtur V-VII
Cimbel IV-V
16' Trompete
8' Trompete
4' Trompete
Solo (cont'd)
2' Flûte
Sesquialtera II
Plein jeu III-V
8' Cor anglais
8' Tuba mirabilis
Chamade (floating)
16' Chamade
8' Chamade
4' Chamade
Positiv (expressive)
16' Principal
16' Quintatön
8' Principal
8' Cor de nuit
8' Flûte traversière
8' Salicional
8' Unda maris
4' Praestant
4' Flûte conique
2 2/3' Quinte
2' Doublette
1 3/5' Terz
1 1/3' Larigot
1' Piccolo
Mixtur IV-VI
Septnon II
16' Basson
16' Dulzian
8' Trompette
8' Cromorne
8' Clarinette
Tremulant
Swell (expressive)
16' Gedeckt
16' Violon
8' Geigen Principal
8' Flûte harmonique
8' Bourdon a cheminée
8' Gamba
8' Voix Céleste
8' Aeoline
4' Violine
4' Flûte octaviante
2 2/3' Nasard
2' Octavin
1 3/5' Tierce
Progressio II-IV
Cymbale IV
16' Bombarde
8' Trompette harmonique
8' Basson-Hautbois
8' Voix humaine
4' Clairon harmonique
4' Hautbois
Tremulant
Couplers
Gt to Ped
Pos to Ped
Sw to Ped
Solo to Ped
Chamade to Ped
Pos to Gt
Sw to Gt
Solo to Gt
Chamade to Gt
Sw to Pos
Solo to Pos
Chamade to Pos
Solo to Sw
Chamade to Sw
Chamade to Solo
Gt to Ped 4'
Pos to Ped 4'
Couplers (cont'd)
Sw to Ped 4'
Gt to Gt 16'
Gt to Gt 4'
Pos to Gt 16'
Pos to Gt 4'
Sw to Gt 16'
Pos to Gt 4'
Sw to Gt 16'
Sw to Gt 4'
Pos to Pos 16'
Pos to Pos 4'
Pos Unison Off
Sw to Pos 16'
Sw to Pos 4'
Sw to Sw 16'
Sw to Sw 4'
Crescendo On
T3 vs. T4




80 stops on T3; 96 on T4
4 manual dropsill console with extra stop
controls allows for playing larger sample
sets such as Marcussen and Willis
Only the Chamade division is floating on T4
since the Solo has its own keyboard
Triple expression shoes on T4 vs. dual on
T3
S3
S3 Features


3 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights.
3 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 15 generals, 15 divisionals, 10 banks of
combination memory, coupler duplicates, volume controls, and user assignable pistons.

Lighted magnetic reed pistons.

Ergonomic toe stud mounts, angled stopjambs, and ornamented console.

15 toe pistons (10 generals and 5 pedal divisionals).

5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes, pitch, volume,
temperament, transposition, etc.).

A 32 note radiating and concave AGO standard pedalboard.

A row of 32 couplers programmed standard for all sample sets.

2 touchscreens built into stopjambs allowing theoretically unlimited sample sets to be playable from the same console.

Stopjamb graphics for each sample set, allowing a virtual experience of the original organ from which the sample set was made.

Dual expression shoes and a crescendo shoe.

A pedal lamp and lighted acrylic music desk.

A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions.

20 temperaments available standard. Up to 300 temperaments available upon request.

Double manual and pedal harpsichord and chamber organ.

Easily expandable at any time to include additional organ sample sets.
S3 Options

S3 Basic:
$48,395

Add wood-core, wood-covered keyboards (standard or reverse colors): $3100

Add a second sample set
$1000

Add a third sample set
$1000

Add a fourth sample set
$1000

S3 with full options:
$54,495
T3 vs. S3


Similar design and price
The physical stop controls of the T3 are
desirable for those who prefer a more
traditional experience at the organ console.
The touchscreens of the S3 allow for control
of unlimited organs and as many stops as
are on the stopjamb graphcis. For example,
a theater organ or 256 stops is easily
playable on the S3, but only limited stops
would be accessible from the T3.
S4
S4 Features


4 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights.
4 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 15 generals, 15 divisionals, 10 banks of
combination memory, coupler duplicates, volume controls, and user assignable pistons.

Ergonomic toe stud mounts, angled stopjambs, and ornamented console.

25 toe pistons (15 generals, 5 pedal divisionals and 5 couplers).

5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes, pitch, volume,
temperament, transposition, etc.).

A 32 note radiating and concave AGO standard pedalboard.

A row of 32 couplers programmed standard for all sample sets.

2 touchscreens built into stopjambs allowing theoretically unlimited sample sets to be playable from the same console.

Stopjamb graphics for each sample set, allowing a virtual experience of the original organ from which the sample set was made.

Triple expression shoes and a crescendo shoe.

A pedal lamp and lighted acrylic music desk.

A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions.

20 temperaments available standard. Up to 300 temperaments available upon request.

Double manual and pedal harpsichord and chamber organ.

Easily expandable at any time to include additional organ sample sets.
S4 Options

S4 Basic:
$57,395

Add wood-core, wood-covered keyboards (standard or reverse colors): $4900

Add a second sample set
$1000

Add a third sample set
$1000

Add a fourth sample set
$1000

S4 with full options:
$65,295
Recommended Audio System

8 channel amplifier:
$2000

8 speakers:
$3600

2 subwoofers:
$4000

Total:
$9600

Labor involved in routing cables for the
audio system can be contracted by us or
performed by qualified church personnel.
Additional Sample Sets

French romantic (Cavaillé-Coll, the greatest organ
builder of 19th century Franch)

German/Dutch Baroque (Silbermann; Schnitger)

Neo-Baroque (Marcussen)

English Cathedral (Father Willis)

American Late Romantic Symphonic (E.M.
Skinner)

Harpsichord

Chamber Organ
Harpsichord Stoplist
Manual I
16'
8'
4'
2'
Koppel
Pedal
16'
16' Bass (lowest notes
only)
8'
Manual II
16'
8'
Laute
Chamber Organ Stoplist
Manual
8' Bordun
4' Flauto
2' Prinzipal
1 1/3' Quint
Mixtur II
Cavaillé-Coll Stoplist (for Studio 2)
Pédale
16' Soubasse
(G.O.)
16' Contrebasse
8' Violon (G.O.)
8' Bourdon (G.O.)
16' Bombarde
Grand Orgue
16' Bordun
8' Montre
8' Bourdon
8' Flûte
harmonique
8' Salicional
4' Prestant
4' Flûte douce
2' Doublette
Récit expressif
8' Cor de nuit
8' Viole de gambe
8' Voix Celeste
4' Flûte octaviante
2 2/3' Nasard
2' Flageolet
Plein jeu III
16' Basson
8' Trompette
4' Clairon
8' Basson et
hautbois
8' Voix humaine
Trémolo Fonds
Trémolo Anches
Accouplement
Tirasses-G.O. à
Pédale
Tirasses-Récit à
Pédale
Récit Anches
Récit à G.O.
Récit à G.O. O. Gr.
L'Orage
Silbermann Stoplist (for Studio 2)
Pedal
32' Gross
Untersatz
16' Principal
8' Octaven Bass
16' Posaune
8' Trompete
Bass Ventil
Hauptwerk
16' Principal
8' Octav Principal
8' Viol di Gamba
8' Rohr Flöte
4' Octava
4' Spitz Flöte
3' Quinta
2' Octava
Tertia
Mixtur IV
Cymbel III
Cornet IV
16' Fachott
8' Trompete
Tremulante
Klingel
Oberwerk
16' Quintadena
8' Principal
8' Gedackts
8' Quintadena
4' Rohr Flöte
4' Octava
3' Nasat
1 1/3' Quinta
Sechst Quint Altra
1' Sifflöt
Mixtur III
8' Vox Humana
OW-HW Coupler
Schwebung
Schnitger Stoplist (for Studio 3 and
3X, T3 and T4, S3 and S4)
Pedaal (Pedal)
16' Praestant
16' Subbas
8' Octaav
8' Holpyp
4' Superovtaav
2' Vlakfluit
Mixtuur VIII
32' Fagot
16' Basuin
8' Trompet
4' Trompet
2' Cornet
Hoofdwerk (Great)
16' Praestant
16' Quintadena
8' Octaav
8' Roerfluit
4' Octaav
4' Speelfluit
3' Nasaat
2' Superoctaav
Ruyschpijp II
Mixtuur VI
Cimbel III
16' Trompet
8' Trompet
8' Vox humana
Borstwerk (Floating)
8' Fluitgedekt
4' Praestant
4' Roerfluit
3' Spitsfluit
2' Superoctaav
2' Gemshoorn
1 1/2' Quintanus
1' Nachthoorn
Sexquialtera II
Mixtuur III-IV
8' Dulciaan
8' Regaal
Couplers
Hoofdwerk Pedaal
Bovenpositief Hoofdwerk
Rugwerk Hoofdwerk
Borstwerk Hoofdwerk
Borstwerk Bovenpositief
Borstwerk Rugwerk
Afsluiter Pedaal (ventil)
Afsluiter Hoofdwerk (ventil)
Rugwerk (Positiv)
8' Praestant
8' Quintadena
8' Roerfluit
4' Octaav
4' Fluit
3' Quintfluit
2' Superoctaav
Sexquialtera II
Scherp IV
Cimbel III
16' Fagot
8' Schalmey
Couplers (cont'd)
Afsluiter Rugwerk (ventil)
Afsluiter Bovenpositief
(ventil)
Afsluiter Borstwerk (ventil)
Tremulant Rugwerk
Tremulant HW+BP+BW
Bovenpositief (Swell)
8' Praestant
8' Holpyp
8' Viola
6' Quinta
4' Octaav
4' Holpyp
3' Quinta
2' Superoctaav
2' Woudfluit
1 1/2' Sifflet
Tertiaan II
Scherp V
8' Viola di Gamba
4' Trompet
Cavaillé-Coll Stoplist (for Studio 3
and 3X, T3 and T4, S3 and S4)
Pédale
Jeux de Fonds
32' Bourdon
16' Soubasse
16' Contrebasse
8' Grosse Flûte
8' Violoncelle
8' Bourdon doux
4' Flûte
Jeux d'Anches
32' Contrebombarde
16' Bombarde
8' Trompette
4' Clairon
Tirasses
G.O
Positif
Récit
Grand Orgue
Jeux de Fonds
16' Montre
16' Bourdon
8' Montre
8' Gambe
8' Bourdon
8' Flûte harmonique
4' Prestant
4' Flûte octaviante
Positif
Jeux de Fonds
16' Bourdon
8' Montre
8' Salicional
8' Unda maris
8' Cor de nuit
4' Prestant
4' Flûte douce
Carillon III
Jeux d'Anches
2' Doublette
2 2/3' Quinte
Cornet V
Plein-jeu VII
16' Bombarde
8' Trompette
4' Clairon
Jeux d'Anches
2 2/3' Nasard
1 3/5' Tierce
16' Basson
8' Cromorne
8' Trompette
Accouplements
Positif - G.O.
Récit - G.O.
Récit - Positif
G.O. Sub
Récit Sub
Cop. G.O
Appels
Pédale
G.O.
Positif
Récit
Récit (espressif)
Jeux de Fonds
16' Quintaton
8' Diapason
8' Viole de gambe
8' Voix céleste
8' Flûte traversière
4' Flûte octaviante
8' Basson-hautbois
8' Clarinette
8' Voix humaine
Jeux d'Anches
2 2/3' Nasard
2' Octavin
Cornet II-V
Plein-jeu
16' Bombarde
8' Trompette
4' Clairon
Tremolo (Récit)
Skinner Stoplist (for Studio 3 and 3X,
T3 and T4, S3 and S4)
Pedal
32' Untersatz
16' Open Diapason
16' Diapason (Great)
16' Contra Bass
16' Bourdon
16' Gamba (Choir)
8' Octave
8' Gedeckt
8' Cello (Choir)
4' Super Octave
32' Bombarde
16' Trombone
8' Tromba
Great
16' Double Diapason
8' First Diapason
8' Second Diapason
8' Harmonic Flute
4' Octave
4' Flute
2 2/3' Twelfth
2' Fifteenth
Harmonics III
8' Tromba
4' Clarion
8' Trompette en Chamade
Great-Choir Chimes
Carillon
Couplers
Swell to Pedal 8'
Great to Pedal 8'
Choir to Pedal 8'
Swell to Pedal 4'
Great to Pedal 4'
Choir to Pedal 4'
Swell to Great 8'
Choir to Great 8'
Couplers (cont'd)
Swell to Choir 8'
Swell Unison Off
Swell 16'
Swell 4'
Swell to Great 16'
Swell to Great 4'
Swell to Choir 16'
Swell to Choir 4'
Choir 16'
Choir 4'
Choir to Great 16'
Choir to Great 4'
Choir
16' Gamba
8' Concert Flute
8' Gamba
8' Gamba Celeste
8' Dulciana
4' Flute
4' Gambette
2 2/3' Nazard
8' Clarinet
8' Orchestral Oboe
8' French Horn
8' Tuba Mirabilis
Harp
Celesta
Zimbelstern
Tremolo
Swell
8' Diapason
8' Rohrflute
8' Flauto Dolce
8' Flute Celeste
8' Salicional
8' Voix Celeste
4' Octave
4' Flute (triangular)
2' Flautino
Mixture V
16' Waldhorn
8' Trumpet
4' Clarion
8' Oboe d'Amore
8' Vox Humana
Celesta
Tremolo
Father Willis Stoplist (for T4, S3 and
S4)
Pedal
32' Double Open Bass
16' Open Bass
16' Open Diapason
16' Bourdon
8' Principal
8' Stopped Flute
4' Fifteenth
4' Open Flute
Mixture IV
32' Bombarde
16' Ophicleide
16' Trombone
8' Trumpet
4' Clarion
Solo
8' Viola da Gamba
8' Voix Celestes
8' Harmonic Flute
4' Concert Flute
2' Hohl Flute
8' or 16' Orchestral Oboe
8' or 16' Clarinet
8' Cor Anglais
Great
16' Double Open Diapason
16' Bourdon
8' Open Diapason No.1
8' Open Diapason No.2
8' Open Diapason No. 2
8' Claribel Flute
8' Stopped Diapason
4' Principal No.1
4' Principal No.2
4' Flute
2 2/3' Twelfth
2' Fifteenth
Mixture III
Mixture IV
16' Double Trumpet
8' Trumpet
4' Clarion
Solo (cont'd)
8' or 16' Tromba
4' Glockenspiel
8' Tuba
Tremulant
Solo Octave
Solo Suboctave
Solo Unison Off
Solo low pressure 16'
Solo high pressure 16'
Great to Solo
Choir
8' Open Diapason
8' Claribel Flute
8' Lieblich Gedacht
8' Dulciana
4' Gemshorn
4' Lieblich Flute
2 2/3' Nazard
2' Spitzflute
1 3/5' Tierce
Mixture III
8' Trumpet
Swell
16' Contra Gamba
8' Open Diapason
8' Stopped Diapason
8' Salicional
8' Vox Angelica
4' Principal
4' Lieblich Flute
2' Fifteenth
Mixture III
16' Dulzian
8' Oboe
Tremulant
Double Trumpet
Trumpet
Clarion
Couplers
Great to Pedal
Swell to Pedal
Choir to Pedal
Solo to Pedal
Swell to Pedal 4'
Choir to Pedal 4'
Solo to Pedal 4'
Great & Pedal combinations
coupled
Swell to Great
Swell to Great 16'
Swell to Great 4'
Choir to Great
Choir to Great 16'
Choir to Great 4'
Couplers (cont'd)
Solo to Great
Solo to Great 16'
Solo to Great 4'
Swell to Choir
Swell to Choir 16'
Swell to Choir 4'
Solo to Choir
Solo to Choir 16'
Solo to Choir 4'
Solo to Swell
Solo to Swell 16'
Solo to Swell 4'
Swell 16'
Swell 4'
Marcussen Stoplist (for T4, S3, and
S4)
Pedaal
32' Praestant
16' Octaaf
16' Open Subbass
10 2/3' Gedekte Quint
8' Octaaf
8' Gemshoorn
5 1/3' Roerquint
4' Octaaf
4' Koppelfluit
2' Nachthoorn
1' Dwarsfluit
Ruispijp V
Cornet III
Mixtuur X
32' Bazuin
16' Bazuin
16' Fagot
8' Trompet
4' Trompet
2' Zink
Hoofdwerk
16' Praestant
8' Octaaf
8' Openfluit
5 1/3' Quint
4' Octaaf
4' Spitsfluit
2' Octaaf
Ruispijp III-IV
Mixtuur VIII-X
Scherp VI-VIII
16' Trompet
8' Trompet
Cornet V
Borstwerk
8' Gedekt
4' Praestant
4' Blokfluit
2 2/3' Nasard
2' Octaaf
2' Gedekte fluit
1' Octaaf
II Tertiaan
IV-V Scherp
16' Regaal
8' Kromhoorn
8' Regaal
Rugwerk
16' Quintadeen
8' Praestant
8' Holpijp
8' Quintadeen
4' Octaaf
4' Roerfluit
2 2/3' Quint
2' Octaaf
2' Woodfluit
1 1/3' Sifflet
Sesquialter II-IV
Mixtuur VI-VIII
Scherp IV-VI
16' Dulciaan
8' Trompet
8' Kromhoorn
Tremulant
Chamadewerk
Bas
8' Orlos
4' Clarin Fuerte
8' Trompeta de Batalla
8' Trompete Brillante
2' Clarin
Discanto
8' Orlos
4' Clarin Fuerte
8' Trompeta de Batalla
8' Trompete Brillante
16' Trompeta Magna
Bovenwerk
16' Gedekt
8' Praestant
8' Baarpijp
8' Roerfluit
8' Viola di Gamba
8' Viola di Gamba ZW
4' Octaaf
4' Openfluit
3 1/5' Terts
2 2/3' Roerquint
2' Nachthoorn
1 3/5' Terts
Mixtuur V-VII
Cimbel III
16' Bombarde
8' Trompette
8' Voix Humaine
4' Clairon
Tremulant
Couplers
Hoofdwerk + Pedaal
Rugwerk + Pedaal
Bovenwerk + Pedaal
Rugwerk + Hoofdwerk
Bovenwerk + Hoofdwerk
Borstwerk + Hoofdwerk
Bovenwerk af
Chamade aan
Brustwerk + Chamade
Note regarding additional sample sets
The sample sets represented here are by no means
comprehensive. We've chosen what we believe
are both the best and most useful sample sets
available for general use. However, for interested
organists who would put them to good use, the sky
is the limit. Organs from the Italian Renaissance,
Spanish Baroque, French Baroque and Classical,
English Baroque, German Romantic, 20th century
theater organs and many more are available.
Nearly every major school of organbuilding is
represented in sampled form and available for use.