Transcript Medieval English Music

Medieval
English
Music
Medieval English Music
We use the term Anglo-Saxon England to refer to England in the period
between 410aD and 1066aD. 'Anglo Saxon' refers to settlers from
the German regions of Angeln and Saxony, and also to the Jutes and
the Frisians from Denmark, the Scots from Ireland (yes!) and the
Picts from Scotland, who were also making their way over to
Britain after the fall of the Roman Empire around AD 410 and
settling in the British Isles.
(The Roman armies withdrew from Britain early in the fifth century because
they were needed back home to defend the crumbling centre of the
Empire. Britain was considered a faraway outpost of little value.)
The Anglo-Saxon settlers were effectively their own masters in a new
land and they replaced the Roman stone buildings with their own
wooden ones, and spoke their own language, which eventually
evolved into English spoken today.
Medieval English Music
Medieval English Music
• England became Christian in the 7th century.
• The Vikings begin raiding Britain in 787 and continue
periodically until the 11th century. In less than a hundred
years, these ferocious Danes ruled most of eastern England,
and remained in power until the Anglo Saxons striked back
under Alfred the Great in 878.
• The Danes suddenly found themselves restricted to an area
called the ‘Danelaw’ – roughly the areas north east of a
diagonal line from Chester to London. But the Danes
retaliated, and by 980, a series of fresh assaults brought the
rest of England under the rule of a Danish king, Cnut (Canute),
in 1016. Danish dominance lasted until 1042.
Medieval English Music
In 1066, William of Normandy invades England, which is the
beginning of a new social and linguistic era. The Normans were
in fact of Viking ascent (just Vikings that had established
themselves in Normany a few centuries before).
The Normans did effectively wipe out the Anglo Saxon ruling
class and substituted noble titles, and positions of power within
the church with their own men. Many Anglo Saxon noble
women were compelled to marry Norman men.
French is rapidly established as the language of power and the
court. William appoints French-speaking supporters to all the
key positions of power, and this elite of barons, abbots and
bishops retains close ties with its native Normandy.
Medieval English Music
We don't know a lot about Anglo Saxon & Viking music, but some of their instruments were
these:
Medieval English Music
→ Here is an example of how a Viking instrument sounded: a bukklehorn (a goat's horn)
http://www.youtube.com/watch?v=WaYgzMnerBA&list=PL560E2BDF986F82A9
→ Here is an example of Corwen Broch playing a replica of the Trossingen Lyre, a 6th
century lyre found in Germany, which is very similar to an Anglo Saxon lyre:
http://www.youtube.com/watch?v=R1f29rtaRYk
→ Here is an example of an Anglo Saxon poem called 'Deor' played with music
composed for an Anglo Saxon lyre (music created by the player!). Notice how Anglo
Saxon English sounds read alone first:
http://www.youtube.com/watch?v=qYmOw_xzzIc
http://www.youtube.com/watch?v=c3ZvjTHpb1A
Medieval English Music
Welund him be wurman wræces cunnade,
anhydig eorl earfoþa dreag,
hæfde him to gesiþþe sorge and longaþ,
wintercealde wræce, wean oft onfond
siþþan hine Niðhad on nede legde,
swoncre seonobende on syllan monn.
Þæs ofereode, þisses swa mæg.
Beadohilde ne wæs hyre broþra deaþ
on sefan swa sar swa hyre sylfre þing,
þæt heo gearolice ongietan hæfde
þæt heo eacen wæs; æfre ne meahte
þriste geþencan hu ymb þæt sceolde.
Þæs ofereode, þisses swa mæg.
Weland himself, by means of worms (swords?),
experienced agony,
the strong-minded noble
endured troubles;
he had for his companions
sorrow and longing,
winter-bitter wrack,
he often found misery
after Niðhad
put fetters on him,
supple sinew-bonds
on the better man.
That was overcome,
so may this be.
Beadohild was not
as sad in mind
for the death of her brothers
as for her own trouble,
she had
clearly realized
that she was pregnant;
she could never
think resolutely
of how that would have to (turn out).
That was overcome,
so may this be.
Medieval English Music
Medieval English music after the Norman conquest:Courtly Love and the
Troubadours
th
In the 11th and 12 centuries Troubadours, Trouveres and Minstrels were the poets
and musicians who influenced Middle Ages music singing songs of courtly love. The
aristocratic troubadours were poets who originated in the south of France, where
they wrote the lyrics in Provencal (langue d'oc). The troubadours of the north of
France wrote in French (langue d'oil)and were called called trouvères. The poetry of
the troubadours and the trouvères was invariably linked with music. The songs of
French troubadours were heard in English courts as a result of England's political
affiliations and royal marriages. Since the Norman Conquest the language of the
English court was French so the songs and music of the French troubadours and
minstrels were easily assimilated into English society. The tales of King Arthur and
the Knights of the Round Table, originating with music and the poems of the English
and Welsh Bards, were themes which were included in the lyrics of the Troubadour
and minstrels songs. Noble ladies of the Medieval period were famous for their
patronage of Middle Ages music. Eleanor of Aquitaine married King Henry II of
England in 1152 and brought her love of music and the troubadours to the English
court transferring the tradition to England.
Medieval English Music
Medieval English music after the Norman conquest: a late 13th century
secular madrigal (=non religious song):
Bryd one brere:
Once upon a time, a bored English cleric flipped over a papal bull which was already a hundred years old and
began to write down a song. That song today is recognized as being the oldest extant English love song.
Bryd one Brere is an honest confession of undying love (from the poet to a bird in a tree), devotion, and
praise of a lady. It eloquently conveys the very heart of amor courtoise.
Bryd one brere, brid, brid one brere,
Kynd is come of love, love to crave
Blythful biryd, on me thu rewe
Or greyth, lef, greith thu me my grave.
Hic am so blithe, so bryhit, brid on brere,
Quan I se that hende in halle:
Yhe is whit of lime, loveli, trewe
Yhe is fayr and flur of alle.
Mikte ic hire at wille haven,
Stedefast of love, loveli, trewe,
Of mi sorwe yhe may me saven
Ioye and blisse were were me newe.
Medieval English Music
This is a traditional version of the song:
http://www.youtube.com/watch?v=HIk8N5xrDKg
This is a modern version by Medieval Babes:
http://www.lastfm.es/music/Mediæval+Bæbes/_/Byrd+One+Brere
Now try and sing the song yourself with this music only version:
http://www.youtube.com/watch?v=XsFVPFW4bQg
Medieval English Music
Stringed instruments:
The Harp - The harp was a favorite instrument of the troubadours and minstrels
and was about 30 inches in length
The Fiddle - There were a variety of Medieval Fiddles which were played with a
bow or plucked and usually held under the chin or in the crook of the arm. Easily
portable and one of the most popular street musical instruments
The Rebec - The rebec was an instrument with a round pear-shaped body much like
an early violin
The Psaltery - The Psaltery was a musical instrument of the Middle Ages which was
a cross between a harp and a guitar
The Dulcimer - The Dulcimer was played by striking the strings with small hammers
The Hurdy-gurdy - the hurdy-gurdy was introduced to England during the 12th
century - the bow was replaced by strings attached to a wheel which was cranked
by a handle
The Viol - Viols were played with a bow and held on the lap or between the legs
Medieval English Music
Wind instruments:
The Flute - Similar to our modern flutes. This type of Musical instruments played by
flute-minstrels of the Middle Ages
The Trumpet - Long instrument made of metal, often in four parts - often associated
with fanfares and pageants
The Pipe - The pipe was an extremely basic instrument usually having only three
melody holes
The Shawn - The shawn was a reed instrument with vent holes Recorder - The
recorder was also an extremely basic instrument with melody holes
The Bagpipe - The Bagpipe was an ancient instrument, used by the poorest people and
was made using a goat or sheep skin and a reed pipe
The Crumhorn - The crumhorm (Curved Horn) was introduced in the 1400's as a double
reed musical instrument
The Gemshorn - The gemshorn was made of an ox horn and played as a flute-like
musical instrument
The Lizard - The lizard was a descriptive term for an s-shaped horn
Medieval English Music
Percussion instruments:
The Drum - Drums were made initially from a hollow tree trunk, clay or metal and
covered by skins of water animals - also called tambours
The Cymbal - Thin round concave metal plates The Triangle - The triangle was a
musical instrument introduced during the 14th century
The Tambourine - This Musical instrument was traditionally used by a woman