Transcript Auteur

What is auteur?

Questions of Auteurism A Case Study of Peter Weir

What is

auteur?

1 A director who make films which reflect his/her personal vision and preoccupations.

2 A director who has a distinct style and consistent themes.

SIGNATURE François Truffaut, ‘Une Certaine tendence du cinéma française’ (A Certain Tendency in the French Cinema) 1954

What is

auteur?

• Though film making is collaborative work • Directors (auteurs) oversee all narrative, visual and audio elements of motion pictures. • “ The filmmaker/author writes with his camera as a writer writes with his pen.” ‘

Caméra Stylo’

(camera-pen) Alexander Astruc, ‘Naissance d’une nouvelle avant-garde’,

L’Ecran Français

, 30th March, 1948

What is

auteur?

• • •

Auteur

or

metteur-en-scène Auteur

- a director who expresses his/her unique preoccupation and holds on to his/her signature style

Metteur-en-scène

(one who puts it in the scene theatre director) - a (highly) competent film maker but lacks ‘the consistency that betrayed the profound involvement of personality’

Who Are

Auteurs?

• Directors who have a distinct visual style … Alfred Hitchcock, Orson Wells … Stanley Kubrick, Wang Kar-wai • Directors who have a consistent theme … Jean Renoir (humanism), Douglas Sirk (melodrama) … Theo Angelopoulos (modern Greek history), Ken Loach (socialist conscience)

Auteur

Theory (

Politique des auteurs

)

Auteur

theory - a critical attitude to consider a film as a product of a single person director - auteur • Andrew Sarris, ‘Notes on the Auteur Theory’, 1964

Auteur

Theory (

Politique des auteurs

)

To analyse a film as a work of a single author (

auteur

) → auteurism To identify the characteristics of a director’s work which makes him a

auteur

→ auteurism

Criticism against

auteur

theory

• Filmmaking as collaborative and collective actions.

• Making a film involves many other creative talents than director.

• Scriptwriter, photographer, editor, art director, actor, etc.

Criticism against

auteur

theory Figures other than cirectors, who played a prominent role Cesare Zavattini (1902 1989) Screenwriter for Vittorio De Sica and Luchino Visconti

Shoeshines

,

Bicycle Thieves

,

Umberto D

,

Bellisima

, etc.

Criticism against

auteur

theory Ruth Prower Jhabvala (1927 - ) Screenwriter for James Ivory

Room with a View, Howard’s End, Remains of the Day

Criticism against

auteur

theory Gordon Wills Most important cinematographer in the 70s and 80s

The Godfather, Annie Hall, Manhattan, All the President’s Men

Criticism against

auteur

theory • Vittorio Storaro • Italian cinematographer who have worked for first Bernardo Bertolucci, and then Carlos Saura and Francis Ford Coppola

Criticism against

auteur

theory • Miyagawa Kazuo (1908-1999) Greatest Japanese photographer, operated the camera and shot for Mizoguchi Kenji, Kurosawa Akira, Ichikawa Kon and Shinoda Masahiro

Rashomon, Ugetsu, Yojinbo, Tokyo Olympiad, McArthur’s Children

Criticism against

auteur

theory • David Lean (1908-1991) British film director Established the classic editing techniques Edited for film directors such as Anthony Asquith and Michael Powell

Pygmalion, Major Barbara, 49th Parallel

Criticism against

auteur

theory • Alexandre Trauner (1906-1993) French art and production designer

Le Jour se léve, Les Enfants du paradis, Le Portes de la nuit, Kiss Me Stupid, Don Giovanni, Round Midnight, Subway

Criticism against

auteur

theory • Credit for

Round Midnight

(1986) Producer: Irwin Winkler Director: Bertrand Tavernier Writer: David Rayfiel, Bertrand Tavernier Music: Harbie Hancock Editor: Harmand Psenny Production Design: Alexandre Trauner

Criticism against

auteur

theory •

Positif,

founded one year after

Cahiers du cinema

in 1952 • Firm opposition to author theory • A signed article naming the most overrated directors: Fritz Lang, Nicholas Ray, Howard Hawkes and Alfred Hitchcock

Criticism against

Auteur

Theory • Legitimacy of privileging a director - can a director be more important than his film? • ‘There are no good or bad films, but there are only good or bad directors.’ François Truffaut

In the Case of Peter Weir

• Peter Weir (1944 - ) • Australian born and now working in Hollywood • Worked in ATN-7 (a TV company in Sydney) • Made documentaries for CFU

In the Case of Peter Weir

Picnic at Hanging Rock

(1975) • A tale of private school girls who mysteriously disappear in the Australian outback.

In the Case of Peter Weir

Gallipoli

(1981) Rural Australian boys are caught in the slaughter of WWI in Turkey.

In the Case of Peter Weir

The Year of Living Dangerously

(1983), An Australian journalist is assisted by a local Indonesian cameraman while the third-world capital collapses.

In the Case of Peter Weir

Witness

(1985) It brings a city detective into the unfamiliar world of Pennsylvania’s Amish community.

In the Case of Peter Weir

The Mosquito Coast

(1986) An American with his family tries to establish civilization in a remote jungle and ending in a disaster.

In the Case of Peter Weir

Green Card

(1990) A comedy in which a Frenchman tries to obtain a green card on bogus marriage with an American woman.

In the Case of Peter Weir

Truman Show

(1998) • A story of one man’s life not knowing that he is a star of a 24 hour TV series.

Weir as an

auteur

Juxtaposition of : civilization and ‘primitiveness’; the knowable and the unknowable; culture and nature ‘Clashes’ of civilizations and cultures Erosion of humanity by civilization