Transcript my portfolio

 Vincenzo Scolamiero Without permission in a field
As a karstic river resurfacing from the subsoil, as wind that wedges into the closed walls of a
labyrinth, often given up for lost in the name of a conforming and rational norm, the naturalistic
vision has returned to happily pulsate in the heart of visual arts, in a line of art in which
nowadays are employed different forms of media, from installation, to video, up to sculpture,
painting and photography.
Vincenzo Scolamiero represents one of the most interesting and innovative artists in this field of
contemporary art , due to his reflective quality in the elaboration of paintings that do not hide his
intellectual mold and the density of culture and references that characterize him, but that take
form through a persistent sublimation of data, inspired precisely by nature and inserted in a
limpid and refined executive system.
Scolamiero, indeed, reflects on such an arduous theme by a work that is utterly distant from any
descriptive or illustrative temptation, favoring a creation, complex because of its structural
connections, but of inflexible levity in its executive phase.
It must be said that Scolamiero finds in his idea of lightness a profound sense, similar to the one
Italo Calvino formulated in his "Six Memos for the next Millenium", where, significantly, he
compared to the value of lightness the one of exactitude.
Lightweight and exact appears Scolamiero's painting technique, originated from a strict discipline
worthy of an artist or an Oriental mind, in which the often hesitant vibration of the thin painterly
matter solders itself to the light, resulting in resplendent and ravishing clarity.
Scolamiero arrived to the results of this last cycle through a long path of purification, in which the
interior meditation seems to instill an energetic vitality to the impalpable but poweful bone
structure of technique and style, in a slow interior journey where the matter of the world is
slowly absorbed and rarefied by the archetypical force of painting, which interprets and
transforms the apparent reality of things.
Lorenzo Canova in monographic catalogue: Without permission in a field
Without permission in a field 2014 From the series: Some poignant ruins IX, sufflower oil on canvas, 39,37x59'', 2014 From the series: Without permission in a field IV, sufflower oil on panel, 29,5x66,9”, 2014 +
particular From the series: Without permission in a field V, sufflower oil on panel, 29,5x66,9”, 2014 It is evening, it is night, it is nearly dawn, the light is yellow and white, on shades of black.
Oblique golden rays insinuate themselves low between shapes, detecting volumes,
outlining profiles. Rocks, stones, soil, a small skull.
And then lichen, mold, corollas, spikes, tenuous glares placed to intercept lights on
different levels of depth, to ignite them; the rough edges, the shady fracture, the
backsides, the hips, and all that is behind, the obscure part of weight. Some aspects are
underlined, multifaceted, other more rarified and veiled, according to the quality of light,
but completely detectable in the tembling flicker.
A jumble of shades and lights in all gradations, not in a Byzantine ideal harmony, but
incisive in their raw exactitude, enough to build forms of real life, and alive, and beautiful,
as only painting is able to do.
We observe with great attention, more than once, we pause, we spend the time it takes to
make ours the gaze of who painted, to understand the key to his language, that is to the
way in which he uses the painterly matter; to find the path and retrace it, to let it lead us
step by step and see what it says.
Sharp gaze, penetrating gaze, sincere, patient, meticulous, micro and macroscopic.
Since if in the infinitely small there is all of what is large, in the infinitely large there is all
of what is small.
Antonio Mercadante in monographic catalogue: Without permission in a field
From the series: Some poignant ruins VIII, sufflower oil on panel, 27,5x23,6”, 2014 From the series: Without permission in a field X, sufflower oil on canvas, 27,5x19,6”, 2014 From the series: Some poignant ruins, blue,
sufflower oil on panel, 67x13”, 2014 +
particular Willow leaf and iron rope 2012 -­‐ 2013 Twigs of grass or leaves, safflower oil on wood panel, 12.9x16.5”, 2012 The color, even when it is dominated by darker backgrounds, tends to amplify
the depiction’s surfaces, giving breath to the empty spaces, to the distances
between the lines and the shapes, to the thinning of the atmosphere in which
the objects seem to waver as if they moved in a three-dimensional painting.
Stefano Catucci in monographic catalogue: Without species
From the series: Willow leaf and iron rope, safflower oil on
wood panel, particular, 2012 From the series: Willow leaf and iron rope, safflower oil on wood panel, 16.5x12.9”,
2012 From the series: Willow leaf and iron rope, safflower oil on wood panel, 27.5x47.2” each, 2012 Amazing love, installation, sacred art museum Shrine of Divine Love , Rome, 15 tables, safflower
oil on panel, 12.9x8.2” - 12.9x16.5” + tufts of grass and vines + particular Without Species 2011 -­‐ 2013 The secrets of the universe are contained in a piece of grass, according to the
philosophical botanists of the Renaissance, who wanted to possess them by
extracting the juice by magic. Ut superius inferius, the world wraps itself in
itself, and the stars are mirrored in the flowers, and the galaxy’s catastrophe
is reflected in a field of stubble.
Maurizio Calvesi in monographic catalogue: Scolamiero
Where the leaves are floating in the air, inks and pigments on canvas, 78.74x39.37” 2011
With the green of the sky, inks and pigments on canvas, 78.74x39.37”, 2012
Blacks branches, inks and pigments on canvas,
78.74x39.37”, 2012 From the series: Bringing the
undetermined, about, ink and
pigments on paper, 39.3x27.5”,
2012 From the series: Bringing the
undetermined, outstretched,
ink and pigments on paper,
16.9x10.2'', 2012 From the series: Bringing the undetermined, into the blue,
ink and pigments on paper, 39.3x27.5”, 2012 Changeable images - inks and pigments on wood, 2.9x16.5”, 2012
Of Ash and Wind 2008 -­‐ 2010 They are not debris, but dried figures with a powerful mystical load, which
appear to be unveiled as if by photographic negatives. In the original painting
technique, the regular and delicate brushstrokes used in the top layer seem to
extend a transparent organza veil over every outline. The veil, according to the
philosopher Bergson, is heavy for common men, but light, almost transparent
for the artist and the poet.
Maria Letizia Bixio in monographic catalogue: Quattro passi
As ash, indian ink, fountain-pen ink and pigments on paper, 39.3x27.5”, 2012
No wind or movement, indian ink, fountain-pen ink and pigments on paper,
39.3x27.5”, 2010 Other light, indian ink, fountain-pen ink and pigments on canvas, polyptych,
78.74x39.37”, 2010 Slight breeze, indian ink, fountain-pen ink and pigments on canvas, 12.9x16.5”,
2009
Of withered violets and new light - inks and pigments on wood, diameter 27.56”,
2009 Artist's book -­‐ A final siege 2008 -­‐ 2013 The artist’s book A final siege came out in January of 2010 and includes thirteen unedited
poetic texts by Milo De Angelis and twelve original panels corresponding to different ink and
pigment work for every volume by the Roman artist Vincenzo Scolamiero.
In the final edition, there will be 420 painted panels and 35 copies of the book numbered and
signed by the authors.
Artistically executed on precious 300 gr. Hahnemùhle paper, printed and bound manually, the
book preserves both the characteristics of figurative art, as well as those of a defined, poetic,
systematic, and coherent collection.
Vincenzo Scolamiero
Born in Italy, 1956.
He teaches at the Academy of Fine Arts in Rome.
He lives and works in Rome.
Main group exhibitions
2015
There are reasons, Coser, Luzzi, Scolamiero, curated by Nicola Davide Angerame, ArpNY
Artist Residency bcs Gallery, NY, introduced from Kips Gallery, NY.
La carta canta nel tempo, curated by Lorenzo Lombardi, Galleria Lombardi, Rome.
2014
Ricordi contemporanei, Galleria Edieuropa, Roma.
Gwangju Art Fair, Galleria Whitelabs, Gwangju, Korea.
Primo premio: LXV Edizione del Premio Michetti – Alimento dell’Anima-Verso l’Expo 2015,
curated by Tiziana D’Acchille, Palazzo San Domenico, Museo Michetti, Francavilla al Mare,
Pescara.
XLVII Premio Vasto d’Arte Contemporanea – l’Icona Ibrida, curated by Gabriele Simongini,
Vasto (CH).
III° Biennale d’Arte Creativa di Viterbo, Sala dei Papi, curated by Giovanna Caterina De
Feo, Viterbo.
Ariadne’s thread, Coser, Luzzi, Scolamiero curated by Nicola Davide Angerame, And.n
Gallery, Seul, Korea.
Busan art fair 2014, Busan, Korea.
Tiny Biennale, Temple University Gallery, curated by Susan Moore, Roma.
Tornano i fiori, Galleria Lombardi, curated by Lorenzo Lombardi, Roma.
Artour-o il must, curated by Tiziana Leopizzi, Villa La Vedetta, Firenze.
Tra di noi, Temple Univerity Rome e Accademia di Belle Arti di Roma, curated by Tiziana
Musi, Temple Gallery, Roma.
Testo a fronte, 37 immagini per 37 racconti, Galleria Porta Latina, curated by Tiziana
D’Acchille, Roma.
La ragazza con l’orecchino di perla – il mito della Golden Age da Vermeer a Rembrandtcapolavori dal Mauritshuits – Attorno a Vermeer, Palazzo Fava, curated by Marco Goldin,
Bologna.
2013
La carta canta nel tempo curated by Lorenzo Lombardi, Galleria Lombardi, Rome.
Artour-o Il Must curated by Tiziana Leopizzi, Villa la Vedetta, Florence.
Sculpture Network Happy New Year 2013 Banco di Santo Spirito 50, Rome.
2012
Oltre la notte – Artisti romani per il Divino Amore curated by Carlo Fabrizio Carli,
Gabriele Simongini, Tiziana D’Acchille, Santuario della Madonna del Divino Amore, Rome.
Senza specie - due artisti a confronto. Scolamiero e Pierfranceschi curated by Tiziana
D’Acchille, Galleria Porta Latina, Rome.
Vincenzo Scolamiero - Laura Barbarini curated by Fedora Franzé, Santander Private
Banking, Rome.
Passeggiata di primavera - Galleria Edieuropa – Qui Arte Contemporanea, Rome.
2011
54° Biennale di Venezia – Padiglione Italia, Sala Nervi, Torino.
Una ricerca continua - Galleria Edieuropa - Qui arte contemporanea, Rome.
Libri d’arte 1996-2011 Edition Il Bulino, Sala Borrominiana, Biblioteca Vallicelliana,
Rome.
2010
Un finale d’assedio presentation of artist’s book curated by Eraldo Affinati, Plinio Perilli,
Francesca Bottari. Edition Il Bulino, Salone Vanvitelliano Biblioteca Angelica, Rome.
Quattro passi. Givani, Pierfranceschi, Scolamiero, Zelli curated by Shara Wassermann,
Maria Letizia Bixio, Temple Gallery University Rome.
Arte Fiera, Bologna - presentation of artist’s book: Un finale d’assedio introduced by
Editrice Il Bulino, Rome.
Pittura d’Italia - Paesaggi veri e dell’anima curated by Marco Goldin, Castel Sismondo,
Rimini.
2009
Astratto Impuro curated by Patrizia Savarese, text by Fedora Franzè, Galleria Colibrì Arte
Rome.
2008
For Africart - Galleria Linea Blu', Rome.
Impronta globale curated by Domenico Giglio, ISA-Istituto Antincendi, Rome.
Un anno d'oro curated by Carlo Pratis, Rolando Anselmi, Galleria Delloro, Rome.
Antico e novissimo - Barbarini, Casalini, Givani, Pierfranceschi, Scolamiero, Zelli curated
by Michela Scolaro, Vittorio Emiliani, Francesca Bottari. Palazzo Berardi Mochi Zamperoli,
Cagli, Pesaro.
Invito a Palazzo - la Banca Nazionale del Lavoro apre a Roma il Palazzo della Direzione
Generale curated by Enzo Bilardello, Rome.
Sottoesopra - Barbarini, Casalini, Givani, Pierfranceschi, Scolamiero, Zelli, curated by
Fabio Pizzicannella, Francesca Bottari, Rampa Prenestina, Rome.
La settima parete - Barbarini, Casalini, Givani, Pierfranceschi, Scolamiero, Zelli, Studio
Equizia, Rome.
2007
Dante e il Purgatorio curated by Carlo Fabrizio Carli, Fondazione Casa di Dante in
Abruzzo, Castello Gizzi Torre dei Passeri, Pescara.
Visioni & Illusioni - Il realismo visionario nella pittura italiana moderna e
contemporanea curated by Enzo Bilardello, BNL-Paribas, Castello Cinquecentesco,
L’Aquila.
Invito a Palazzo BNL Palazzo della Direzione Generale. Curated by Enzo Bilardello, Rome.
2006
Qui arte contemporanea - quarant' anni Galleria Edieuropa-qui arte contemporanea,
Rome.
Invito a Palazzo BNL Palazzo della Direzione Generale. Curated by Enzo Bilardello, Rome.
2005
Vedo blu- il blu nell'arte contemporanea curated by Lea Mattarella, Galleria Edieuropaqui arte contemporanea, Rome.
Maestri dell'astrattismo italiano e nuove proposte Galleria Edieuropa - qui arte
contemporanea, Rome.
Invito a Palazzo BNL Palazzo della Direzione Generale. Curated by Enzo Bilardello, Rome.
Recit Art – BNL curated by Enzo Bilardello, Officine del Volo, Milano.
Colori nel buio curated by Marina Amori e Valentina Barchitta, Galleria Alice Libri, Rome.
Vedo rosso - il rosso nell'arte contemporanea curated by Lea Mattarella, Galleria
Edieuropa - qui arte contemporanea, Rome.
2004
Invito a Palazzo curated by Enzo Bilardello, BNL Palazzo della Direziona Generale, Rome.
Vedo rosso - il rosso nell'arte contemporanea, curated by Lea Mattarella, Galleria
Edieuropa - qui arte contemporanea, Rome.
Arte all'opera curated by Tiziana D'Acchille, d'AC, Galleria Comunale d'Arte
Contemporanea di Campino, Rome.
Obbiettivo Pax Museo Storico della Fanteria, curated by Ass. Culturale Artein and
Accademia di Belle Arti di Roma, Rome.
2003
Inchiostroindelebile-impronte a regola d'arte MACRO, Galleria Comunale d'Arte
Contemporanea di Roma, curated by Domenico Giglio. Rome.
Invito a Palazzo BNL Palazzo della Direzione Generale, curated by Enzo Bilardello, Rome.
Incontro a Roma Università d'Arte e Design di Clunj, Romania. Accademia di Romania in
Roma, curated by Giuliana Stella, Rome.
Piccolo formato, Galleria Edieuropa - qui arte contemporanea, Rome.
2002
Invito a palazzo BNL Palazzo della Direzione Generale, curated by Enzo Bilardello, Rome.
53° Premio Michetti: La città e le nuvole – Italia Argentina, Museo Michetti, Francavilla al
Mare. curated by Carlo Fabrizio Carli. Pescara.
Eyes wide open curated by Paolo Di Capua, Galleria Hyunnart Studio, Rome.
2001
Cento artisti rispondono al Papa - Commento in opere e parole alla lettera di Papa
Giovanni Paolo II° agli artisti curated by C.Chenis, Museo Stauros d'Arte Sacra
Contemporanea, San Gabriele, Teramo.
Arte Fiera, Bologna introduced from Galleria Edieuropa - qui arte contemporanea,
Bologna.
2000
Parola e immagine curated by Maurizio Calvesi , Teatro Argentina di Roma, Rome.
IX° Biennale di Arte Sacra Contemporanea – La Porta Segno di Cristo ed evento artistico
curated by Maurizio Calvesi, Lorenzo Canova. Museo Stauròs d'Arte Sacra
Contemporanea, Santuario San Gabriele, Teramo.
BNL una banca per l'arte oltre il mecenatismo: giovani artisti all'inizo del nuovo
millennio curated by Enzo Bilardello, Guido Strazza. Chiostro del Bramante, Rome.
1999
A.R.G.A.M. 1999 Primaverile Romana 1999 - Nuove proposte curated by Lorenza
Trucchi, Galleria edieuropa – Qui arte contemporanea, Rome.
Arte Fiera, Bologna introduced from Galleria Edieuropa – qui arte contemporanea.
Bologna.
1998
Poco più, Associazione Culturale Equilibri precari, Alibi caffè, Rome.
Una donazione per un nuovo museo curated by Marco Goldin. Palazzo Sarcinelli,
Conegliano Veneto, Treviso.
Arte Fiera, Bologna introduced from Galleria Edieuropa – qui arte contemporanea,
Bologna.
Brecce Museo Laboratorio di Arte Contemporanea, Università degli Studi di Roma La
Sapienza, curated by Antonio Capaccio. Rome.
Stazioni e Dimore - incontro tra architetti e artisti. Galleria A.A.M. Architettura Arte
Moderna, curated by Antonio Capaccio, Francesco Moschini, Rome.
1997
Un dopo Quadriennale Galleria Studio S – Arte Contemporanea, Rome.
Convergenze curated by Francesco Briguglio e Francesco Moschini. Istituto Europeo del
Design, Rome.
Pitture – il sentimento e la forma, artisti italiani degli anni Cinquanta e Sessanta curated
by Marco Goldin, Palazzo Sarcinelli (Treviso), Galleria Degli archi (Bologna), foyer del
Teatro Comunale di Comiso (Palermo).
Stazioni e dimore – incontro di arte e poesia Centro sociale Ex Snia Viscosa, Galleria
Sala1, Galleria AAM-Architettura Arte Moderna curated by Antonio Capaccio, Francesco
Moschini, Rome.
1996
XII° Quadriennale Nazionale d'arte di Roma-Italia 1950/1990 Ultime Generazioni Palazzo
delle Esposizioni, Rome.
Convergenze – due artisti a confronto V. Scolamiero – E. Montessori, curated by
Francesco Briguglio and Francesco Moschini. Galleria AA.M - Architettura Arte Moderna,
Rome.
Pitture – il sentimento e la forma, artisti italiani degli anni Cinquanta e Sessanta curated
by Marco Goldin, Galleria Casa dei Carraresi (Treviso), Spazio Lanzi (Bologna).
1995
Superfice Accademia di Egitto di Roma, curated by Francesco Briguglio and Barbara
Martuscello. Rome.
Quattro passi – Givani, Pierfranceschi, Scolamiero, Zelli Studio Benaco, Rome.
Primaverile romana A.R.G.A.M. – tre critici trenta artisti introduced and curated by
Lorenza Trucchi and Carmine Siniscalco. Galleria Edieuropa – qui arte contemporanea Accademia di Egitto in Roma, Rome.
1994
I luoghi della creatività curated by Istituto Europeo del Design, organized by F.Briguglio
and F.Moschini. Rome.
1993
Giappone Italia – giovani generazioni Galleria Nazionale d'Arte Moderna and Istituto
Giapponese di Cultura in Roma, curated by Augusta Monferini, Marcella Cossu, Rome.
The return of the cadavre exquis - Pierfranceschi, Scolamiero Drawing Center, New
York.
1992
Primipiani e lontananze – otto giovani artisti per sei paesi d'Europa Galleria de' Serpenti,
curated by Antonio Mercadante, Marco Di Capua, Rome.
1991
Aria di Roma – Ripe' 91 Pinacoteca Comunale Comune di Ripe S.Ginesio, curated by
Raffaele Gavarro, Viviana Gravano, Cristina Perrella, in collaboration with Scuola di
Specializzazione in Archeologia e Storia dell'Arte di Siena, Macerata.
Arte contemporanea. Siamo qui e stiamo facendo curated by Mariano Apa, Giacinto Di
Pietrantonio, Giacomo Peretta. Castellafiume, L’Aquila.
1990
Giovani artisti a Roma III – Venticinque giovani artisti al Palazzo delle Esposizioni
Comune di Roma, Assessorato alla Cultura, Rome.
1989
Altri lavori in corso, Galleria il Campo, Rome.
Eco – logica – mente – arte Comune di Nettuno, Rome.
1987
Scolamiero, Alvaro, Giovannoni curated by Antonio Mercadante. Accademia Tudertina,
Todi.
Arte sul Tavo curated by Mario De Micheli e Guido Giuffrè. Cappella sul Tavo, Pescara.
1983
EXPO-ARTE - Bari introduced from Accademia di Belle Arti di Rome, Bari.
One man exhibitions
2015
Senza permesso in un campo, Galleria Porta Latina, testi in catalogo di Lorenzo Canova e
Antonio Mercadante, Roma (2014/2015).
2012
Senza specie curated by Tiziana D’Acchille, Galleria Porta Latina, Rome.
2011
Invito a Palazzo 2011- Vincenzo Scolamiero un contemporaneo a Palazzo curated by
Costantino D’Orazio. Bnl-Paribas, Palazzo della Direzione Generale – Rome.
Tour d’atelier curated by Fedora Franzè. Studio Equizia 8 – Rome.
2010
Un finale d’assedio curated by Eraldo Affinati, Plinio Perilli, Francesca Bottari, Isabella
Vincentini, Stefano Petrocchi. Salone Vanvitelliano Biblioteca Angelica, Rome.
Di cenere e di vento curated by Francesca Bottari, Spazio Ingranaggi d’Arte Castel
Gandolfo, Rome.
Meditteraneum e i suoi amici Galleria Arquitectonica, Rome.
2008
In un giro di vento Galleria Delloro, curated by Francesca Bottari e Fabio Pizzicannella,
Rome (2008/2009).
2007
Amabili resti Galleria Watts, San Gemini, Terni.
Studio aperto Studio Benaco, Rome.
2006
La piuma e la pietra curated by Enzo Bilardello, Fedora Franzè, Francesca Bottari, Fabio
Pizzicannella, Francesca Michelotti. Galleria Nazionale d'Arte Contemporanea della
Repubblica di San Marino. Logge dei Balestrieri, Republic of San Marino.
2003
Visit'abile - un esperienza di visita speciale al San Michele - Ministero per i Beni e le
Attività culturali, curated by Francesca Bottari, Fabio Pizzicannella, Maria Antonietta
Destro. Centro Servizi Educativi-MiBAC, Rome.
2001
Col niente e la rugiada d'AC, Galleria Comunale d'Arte Contemporanea, curated by
Tiziana D'Acchille, Licinia Mirabelli Ciampino.
1999
Scolamiero Galleria Edieuropa – Qui arte contemporanea, Rome.
1998
Come le stelle ad intessere acqua e fuoco curated by Antonio Capaccio. Galleria Empiria,
Rome. At the same time the publication of collection of unpublished poems of Giovanna
Sicari Nudo e misero trionfi l'umano with images of Scolamiero.
1991
Scolamiero text by Maurizio Calvesi, Galleria De' serpenti, Roma.
1988
Scolamiero curated by Antonio Mercadante, Accademia Tudertina, , Todi.
1987
Scolamiero curated by Antonio Mercadante, Galleria Il ferro di cavallo, Rome.
Public collections
Museo Michetti, Palazzo San Domenico, Francavilla al Mare, Pescara
Museo Comunale d’Arte Contemporanea, Palazzo Sarcinelli, Conegliano Veneto (Treviso)
Museo Comunale d’Arte Contemporanea, d’AC, Campino, Rome
Museo d’Arte Sacra, Santuario del divino Amore, Rome
Museo Drawing Center, New York
Musei di Stato della Repubblica di San Marino, RSM
Museo Stauros d’Arte Sacra Contemporanea, San Gabriele, (TE)
Fondazione della Cassa di Risparmio, Repubblica di San Marino, RSM
Banca Nazionale del Lavoro, Direzione Generale di Roma
Banca Nazionale del Lavoro, Centro Private Banking di Napoli
Banca Nazionale del Lavoro, Centro Private Banking di Bergamo
Banca Nazionale del Lavoro, Centro Private Banking di Firenze
Banca Nazionale del Lavoro, Centro Private di Banking Bologna
Banca Nazionale del Lavoro, Centro Private Banking di Milano
Banca Nazionale del Lavoro, Centro Private Banking di Genova
Banca Nazionale del Lavoro, Centro Private Banking di Roma
Have written about him:
Nicola Davide Angerame, Mariano Apa, Giuseppe Appella, Maria Teresa Benedetti, Enzo
Bilardello, Maria Letizia Bixio, Francesca Bottari, Francesco Briguglio, Maurizio Calvesi, Lorenzo
Canova, Antonio Capaccio, Carlo Fabrizio Carli, Daniele Cassandro, Costantino D’Orazio, Carlo
Chenis, Marcella Cossu, Enrico Crispolti, Tiziana D’Acchille, Fabrizio D’Amico, Marco Di Capua,
Vittorio Emiliani, Fedora Franzè, Raffaele Gavarro, Guglielmo Gigliotti, Guido Giuffré, Marco
Goldin, Viviana Gravano, Viviana Grecco, Barbara Martuscello, Antonio Mercadante, Lea
Mattarella, Francesca Michelotti, Augusta Monferini, Francesco Moschini, Fabio Pizzicannella,
Cristiana Perrella, Giorgio Segato, Michela Scolaro, Franco Simongini, Gabriele Simongini, Luigia
Sorrentino, Guido Strazza, C.Strinati, Tonino Tonon, Lorenza Trucchi, Andrea Volo, Shara
Wassermann, Paola Watts.
Photo by Dino Ignani Vincenzo Scolamiero www.vincenzoscolamiero.com [email protected] Via Taranto 95, 00182 – Rome, Italy +39 333 430 2742